As per usual, I often spend a good chunk of the start of a year catching up on books I missed from the year before (which causes me to miss more books this year, it’s a vicious cycle). Up next in my 2017 cleanup is Age of Assassins, by R. J. Barker. Assassins are a tricky subject to tackle in fantasy. In the past I have gone into assassin novels expecting constant action and murder, but assassination has typically been more of a waiting game than anything else – which can leave me disappointed. So when I realized that this book had all the soul of other classic assassin novels, with great pacing, I was quite excited to dig in. But first, let’s talk plot.
Girton Club-foot, apprentice assassin, still has much to learn from his master (Merela) before he can strike out on his own. However, thanks to a past she can’t outrun, Merela strikes a bargain with a queen to hire Girton as an assassin/bodyguard to kill the other assassins after her son, Aydor. So a sheltered Girton is thrust into knight training and must navigate the perils of friendship, mystery, and political intrigue. If you haven’t guessed it already, this is a coming of age story about Girton. The book primarily follows the first person POV of Girton and follows him as he essentially shifts from assassin homeschool, to knight public school. On top of this, there is the mystery of who is trying to murder prince Aydor, and a lot of political intrigue around the noble families of the world. The three elements of storytelling (coming of age, mystery, and political intrigue) pair with a fast pace for a thrilling read, but there are also some issues.
First let’s talk about Girton. Right off the bat, let me say that I think Girton is an incredibly well written character that does a very good job placing you in his shoes. The problem is sometimes his shoes are terrible and I don’t want to wear them. I would describe Girton as that socially awkward friend that every person has, where nine times out of ten they are wonderful to be around, and one time out of ten they are a cataclysm of awkwardness. I honestly think this is a realistic portrait of a boy who basically never had a friend until the age of 14 and spends most of his time learning the most efficient way to murder people. However, that doesn’t make his extremely awkward or edgy passages fun to read. Generally Girton is a fun and endearing boy to read about as he awkwardly makes his first social steps. However, his secret assassin background enables some internal power fantasy monologues that shattered my empathy for him like throwing a mark through a window. The appeal of the characters in general was very varied. My favorite group of characters was the “suspects”, or the various individuals around the castle that Girton investigated to see if they were behind the attempts on Aylor’s life. This group were varied, well fleshed out, and had a lot of personality that really brought the mystery to life and made you wonder who was behind the assassination attempts. On the other hand, Girton, his master, Aylor, and a few others fell flat for me. Aylor in particular, clearly trying to embody the “jackass prince who will become a spoiled terrible king” trope under delivered. I was initially worried that he would be an over the top asshole, but I instead found I was generally apathetic about him and not invested in him getting his comeuppance.
Along a similar line, the plot also felt like it varied in quality. The pacing was very fast, which was both good and bad. In some chapters I found myself on the edge of my seat, dying to know what would happen next. In others, I found myself metaphorically shot from a cannon through world and character development, so that the payoff of story arcs was smaller than it could have been. For example, there were a few small passages that talked about the origin and structure of Girton’s assassin organization, but they are so few and far between that they left me wanting. In addition, it was almost halfway through the book before I realized that the “horses” of Age of Assassins were a cross between elk, tigers, and boars and I am super disappointed the book did not spend more time talking about these rideable death machines. The mystery and political intrigue elements were much more solid, remaining strong almost throughout the book. There were a couple of small twists that a blind man could have seen coming from the horizon, but as a whole the core mystery was extremely well done and I found myself deathly (get it? Because assassins) curious about the identity of the culprit until the final pages. Finally, Barker has a real talent for action writing. The action sequences in Age of Assassins were definitely a highlight, and they satisfied my desire to see a well-trained assassin murder large groups of people.
Overall, Age of Assassins was slightly disappointing. The book felt like a long prologue that could have been a lot better with a little more depth. However, the bones of something excellent are here and I am going to stick with the series and give the second book a shot. If you are in the market for a coming of age story about assassins, and are willing to forgive a little awkwardness, you should give Age of Assassins a shot.
Rating: Age of Assassins – 6.0/10