…and the punchline is an 850-ish word essay about his inaugural experience with The King of Horror, which Google tells me is one of Stephen King’s nicknames.
It’s admittedly difficult to kick off a piece like this knowing full well that Stephen King has a body of work large enough to be called a pantheon (58 novels!) and a following loyal enough to produce curated meme listicles, “read this if you like Stephen King” listicles, and other clickbait about the guy’s storytelling prowess. Case in point: Stephen King has a fanbase that rivals the likes of Tolkien or Rowling, and for good reason. As a first-time Stephen King reader, Pet Sematary (review to come) acted as the Jud Crandall to my Louis Creed, leading me into a world of creepy spooky stuff that I don’t fully understand.
I closed out Pet Sematary with a newfound appreciation for an author whose work I should’ve started reading years ago. And it’s still early, but to borrow some corporate jargon, I have three key takeaways.
Practice Makes Perfect Prose
There’s no way around it: the dude can write. Pet Sematary boasts a heavy plot and complex themes, but King navigates those rough waters with breezy prose. His writing bears telltale signs of a seasoned veteran. King can describe human thought and stream of consciousness with unmatched skill. When you write as much as King does, you’ll inevitably learn a few tricks of the trade, and that firm grasp on the craft of writing radiated throughout my first foray into King’s work. I won’t belabor the point here, but check out my coming review for more on the technical aspects of his writing.
On a more conceptual level, King’s wordsmithery does wonders to destroy barriers of entry into the horror genre. Despite the wishes of Will, The Quill to Live’s resident horror expert, I’ve steered wildly clear from anything remotely scary because one time I watched The Conjuring and couldn’t sleep for three days. Pet Sematary may not have prepared me for a deep dive into the vast pool of horror writing, but it’s moved the needle from “Absolutely not” to “tentatively excited about the genre’s prospects.” King’s prosaic guidance into an unfamiliar branch of literature opened my eyes to new possibilities. Perhaps more importantly, he convinced me that the horror genre can play host to meaningful explorations of difficult concepts and lofty themes.
Motifs, Mo’ Problems? Not Quite
Speaking as a reformed Fantasy purist with a years-long preference for Young Adult writing, I’ve read my fair share of books that simply present ideas without deeply exploring them. Now, following my reformation, I’ve ventured into new literary territory and learned the difference between merely presenting concepts and actually grappling with them. Pet Sematary fortified my relatively recent love for complex adult (no, not that kind of adult) fiction thanks to King’s thematic prowess.
Reading Pet Sematary, I felt the crushing weight of death on my shoulders. It’s omnipresent through the novel, and it rears its head in unique, intriguing ways. The doctor protagonist’s no-nonsense attitude toward death balances exquisitely with his wife’s terror at a minuscule hint of it. His young daughter’s reluctance to accept it as a possibility rests in the middle of her parents’ views, neatly filling in the spectrum.
When death rears its ugly head, which happens at various points in various ways, I feel prepared to analyze the events through the lenses Stephen King so elegantly builds. His motifs rise in volume chapter by chapter in a deft crescendo of prose that feeds directly into the novel’s climax.
King treats all of his motifs with equal care. And while death plays a starring role, others join the fray to create a food-for-thought tapestry that’s punctuated by the terrifying story that lies beneath.
It’s one thing to make me jump in my seat with a well-timed scare, and it’s another thing to inject a sense of looming dread and doom into every paragraph. In Pet Sematary, King does both quite well, but his appreciation for balance makes this one of the most powerful tools in his arsenal.
There were three very specific moments in Pet Sematary that scared me enough to raise my heart rate and compel me to look around the house for intruders. These scares are spaced out and surprising, even when I sensed something scary around the next narrative corner. I literally hesitated to pet my own cats as I read the book.
The story that resides in between these scares, though, is violently eery. King weaves a narrative that’s laced with horrifyingly unsettling moments, concepts, and occurrences that had me on edge, turning digital pages as fast as I could.
This probably boils down strictly to personal preference, but King’s foundation of creepy atmosphere sprinkled with truly jump-worthy scares is a recipe for page-turning greatness.
(Read the) Rest in Peace
Pet Sematary expanded my literary horizons into the realm of horror, and I have King’s skilled craftsmanship to thank for it. Reading one of the lauded author’s titles has me amped up for more, seeking that next rush of adrenaline, thought-provoking concept, and layered prose. If you’re somehow on the fence about Stephen King, do yourself a favor and jump down to the “I’ll give him a try” side.
11 thoughts on “A First-Time Stephen King Reader Walks into a Pet Sematary…”
It’s been a long, long time since I read this one, and still I remember the core concept quite well – and still shudder thinking about it… King has a way of ensnaring you into his story, of shaping the “monster” piece by piece, so that in the end you come to… accept it, no matter how much you wanted to stay away from the horror. Now that you’ve broke the “King Barrier” 🙂 you have a good sequence of fascinating books to enjoy, so happy reading!
Thanks! I’m pumped to dive further into his veritable smorgasbord of novels! Any recommendations for where to go next?
This is a very very beautiful post, truly beautiful 🌺
Nice post, man. Re-blogging it.
(One of my fave King stories because it just feels- daunting- the further it goes along. There is no escape from where it’s all heading… you know this as a reader. King even hints at that near the beginning offhandedly. It’s as assured as Death itself, and still- you read on. Not everyone’s cup of tea, but I’ll be damned if it doesn’t stay with you a bit…)
Well said! That looming dread is an incredible feeling to evoke, and it’s a testament to his skill that he can keep it up for an entire novel without fail. And thanks for the reblog, appreciate it!
Reblogged this on Dream Darkly Blog and commented:
Great post from a first-time reader.