Cascade Failure – Wins Well, But Could Use A Little More Losing

Despite the well-worn phrase “never judge a book by its cover,” I think we all fall into that habit. Such was the case with L. M. Sagas’ debut, Cascade Failure. The title serenaded me like a siren, and the cover produced feelings of coziness while creating deep stress. This conflict depressed my initial zeal for…

The Silverblood Promise – He’s Just So Dumb

The Republic of Thieves by Scott Lynch came out over ten years ago, and ever since the massively popular Gentleman Bastard series ground to a standstill, there have been any number of debut heist books that generate tons of excitement as something to fill the gap. This comparison is almost always deeply unfair to debuts…

Amoralman – Lovely In & Of Itself

For most, I imagine the name “Derek Delgaudio” is shrouded in mystery. His Wikipedia page says he’s an “interdisciplinary artist primarily known as a writer, performer, and magician.” He was an artist in residence for Walt Disney Imagineering. He consulted for The Prestige. My first encounter with Delgaudio was his stage show, In & Of…

The Familiar Cover Photo

The Familiar – Slow Summoning

Leigh Bardugo described The Familiar as romantic and character-driven, but I found it to be neither of these things. The premise is interesting and the protagonist enticing, but the narrative is slow and struggles to keep up with its own plans. Burned bread becomes a fresh loaf, a meager basket of eggs begins to overflow,…

Nineteen Claws And A Blackbird – Not So Sharp

Agustina Bazterrica appeared on my book radar as a massive splotch rather than a small blip. Tender Is The Flesh was responsible. The novella told a dark and grotesquely prescient story about a potential future for humanity. When Nineteen Claws and a Blackbird was released, it was an instant purchase. I hoped for an equally…