Fortuna – It Favors the Bold, Also the Bad (But in a Good Way)

41gnfzpyv8l._sx331_bo1204203200_I know it’s not exactly the best way to get excited about a book, but I was immediately attracted to Fortuna, by Kristyn Merbeth, when the eighties synthwave cover was revealed. When Orbit threw in a blurb likening the work to that of Becky Chambers, I was done for. No need to complete the chokehold with a synopsis about a family of space smugglers, but it was there anyway. Fortuna is a great book with a rollicking character-focused story that succeeds in emotional depth but reaches a little too far when it comes to large-scale destruction.

Fortuna is a nice mix of action and character driven narrative. It follows the Kaiser family, a small group of smugglers raised and managed by Auriga Kaiser, the biological mother of the crew. The main characters are Corvus, the eldest brother, and Scorpia, the second oldest. Upon hearing that Corvus is returning to the Fortuna(the name of the ship) after finishing his third year of service within the Titan planetary military, Scorpia hatches her latest plan to make her mother proud so she can take the captain’s reigns and continue the Kaiser legacy. However, Scorpia is not as competent as her confidence suggests, and the system itself has other plans that muddy the Kaiser’s ability to maintain their smuggling business. Amidst the family drama, resources become tight and rumors of war circulate as the planets begin to become more isolationist.

I want to start off by highlighting Merbeth’s exceptional writing ability. The chapters alternate between Corvus and Scorpia, both sides written in a first-person perspective. I normally have issues with first person, because I generally do not like how things are described from that perspective, but Merbeth really knocked it out of the park here. Not only do the two characters feel distinct as people, but it comes through in how they describe the people around them, or the environments they are in. Scorpia comes off as a confident, whip-smart, smooth operator who acknowledges she might drink too much and often looks at people in a buddy-buddy way. Often her descriptions feel as if they are pulled out of hat. Corvus, on the other hand, is reserved, disciplined and all too aware of himself. He constantly feels distanced from those around him, regardless of how close they are. His distance is often self imposed, exemplified by the directness with which he speaks to himself and those around him. It was very distinct and kept me pulled along through the whole ride.

In a similar vein, the characters are fairly deep even though some are built on recognizable foundations. Fortuna shines because of its characters and their relationships with each other. The Kaiser family feels alive, and they have a deep history with each other. They have been through a lot and it shows. Corvus’ return feels monumental, even though it’s subdued and carries a lot of baggage. Merbeth does an excellent job of revealing the experiences and motivations of characters in such a way that their interactions feel natural and uncontrived. I think a lot of people might feel beaten over the head with Scorpia’s flaws, but I think Merbeth nailed it. Scorpia is inconsistent, juvenile, and brash but wants to do what is best for her family and will go to whatever length she feels is necessary to keep them safe and happy. Her alcoholism runs deep, and it takes her a while to deal with it, while the rest around her see it day in and day out. Her flaws, as deep and heartbreaking as they were, were made endearing by her better qualities. Merbeth straddled the line of unbearable and loveable with Scorpia, and it made the book more engaging.

While the intense character drama drove the narrative, I felt that the plot was a little inconsistent. I enjoyed the smuggling and the politics between the different worlds. I also enjoyed that the smugglers were the connections in some sense between the worlds as they all slowly began to close their borders. My biggest issue with the plot was its sense of scale. The amount of destruction that occurs alongside the family drama felt unreal and made some of the arguments the Kaisers had a little garish and cartoonish. Pair that with the fact that a lot of it happened off-screen (for reasons that are apparent within the story that I want to avoid spoilers) also diminished the attachment. Merbeth did a good job in terms of set up and in explaining why the different members of the family would be affected by the events in the way that they were, but the events just felt too big. The planets, while fairly fleshed out, did not have a sense of scale. With the family drama in the forefront, it was hard to appreciate the threat, and just how much of an effect it had, and how the Kaisers were involved. I enjoyed the story and plotting of events in general, but I felt that some of the consequences were too big for a small family of smugglers.

In the end, I had a blast with Fortuna. It was a good ride with a lot of heart, and heavy family drama that felt well built within a well-realized world. The characters were likeable in the long run and felt distinct despite their rough beginnings. The book had its inconsistencies, but like its characters, the better qualities shone all the brighter because of it. I am definitely looking forward to the next book in the series. If you are looking for a small-scale drama among the stars with heavy consequences, then Fortuna by Kristyn Merbeth is for you.

Rating: Fortuna – 8.0/10
-Alex

Ormeshadow – A Little Slice Of Life

712zdrcfehlPriya Sharma’s Ormeshadow overflows with dark family secrets, generations of lore, and tragedy. Sharma has a knack for pitting characters against one another with beautifully selected words. Ormeshadow reads like a wood-carving: Sharma removes all the excess material and presents a pristine, sharp product that feels at once succinct and sprawling.

Gideon Belman’s life completely changes when his father, John, ushers the family to Ormeshadow farm on the heels of his failure as a scholar in Bath. The land rests near the Orme–a sleeping dragon, as legend puts it, upon whose back the land has grown. John regales young Gideon with tales of the dragon and his family’s inextricable ties to it. John’s wife, Clare, tolerates the stories. Ormeshadow is tended by John’s brother Thomas, a rugged farmhand supported by his wife Maud, his boys Peter and Samuel, and his daughter Charity. The reunion dredges up years of resentment and hatred, and Gideon is thrust against his wishes into a life that seems intent on dragging him into madness and cruelty.

A true novella, Ormeshadow reads at a brisk pace, following Gideon’s life after the move and skipping years of time. Sharma’s chapters are snapshots in time, and the blanks she leaves can be easily filled in by imaginative readers. It’s almost like a series of vignettes, each serving a simple purpose: to tell us how Gideon has coped with the innumerable tragedies that befall him in Ormeshadow. The short length serves to better the book by quickly leading the reader to new, darker territory with every turn of the page.

The plot itself could be described as predictable (and probably has been described that way by some). However, when a predictable plot point was finally revealed, I felt spurred on by it, rather than hindered. Sharma’s characters are so believable that I became ravenous for more detail. To experience the characters dealing with their struggles is the heart of the story. Moments of realization and heartbreak abound, but they’re overshadowed by the subtler character moments that follow. Peppered throughout the book are the stories of the Orme and how it came to be. These stories lend mystical context to the modern-day goings-on in the tale, and they’re the cherry on top of the Sharma’s prosaic cake.

All that said, if you read Ormeshadow for any reason, let it be the prose. Sharma writes with a lyricism and brevity reminiscent of McCarthy’s The Road. She says what must be said, and she does it with remarkable verbal grace. Simple, accessible, and beautiful descriptions lie on every page, and it’s a wonder to behold.

Stories of the Orme and legends of the Belman family give Ormeshadow a distinct mystical bent, as I mentioned above. These, presumably, are the reason for the novella’s “Dark Fantasy” genre-billing. I bring this up because, unless you sensationally interpret the story’s final moments, Ormeshadow is more of a dark realism story. It’s replete with family drama, plenty of lore, and a dash of mystery, but the fantasy elements are minimal. This doesn’t detract from the book’s quality at all. Instead, it’s a fair warning to readers seeking a grim fantasy tale. This novella may not satisfy that particular craving, but it is worth your time.

Priya Sharma’s novella bursts with character and flawless prose. She weaves a tale of family intrigue, dark pasts, and overcoming adversity. For such a quick read, Ormeshadow packs a hell of a punch.

Rating: Ormeshadow – 8.0/10
-Cole

Nevernight – Getting My Masters In Murderology

28779776Magic school lovers rejoice, we have another book review to feed your ever consuming hunger. Today’s entry is Nevernight, by Jay Kristoff, and is a new take on the assassin school variant of magical learning establishments. An intense deadly curriculum, mysterious and lovable teachers with interesting lessons, and a school so dripping with lore and coolness that it leaps into your imagination with detail – the setting of this book is everything you want in a magical school story. But, do the characters and plot hold up? Read on and see in our review of the first book in The Nevernight Chronicle.

Our protagonist is Mia Corvere, and the narrative is very focused on her. Mia is the daughter of a noble who led a failed revolution against the powers of Godsgrave, and she is on a quest for vengeance. When her father’s coup went south, it ended with his head on a pike and his family thrown into prison to rot. Mia, just a young girl at the time, narrowly escapes this fate and ends up on the street trying to survive. After surreptitiously being pseudo-adopted by an ex-Blade (assassin) of The Red Church (assassin school), Mia begins by training for the application process to The Church. Her goal is to attend The Red Church in order to learn the requisite skills to avenge her family by murdering the people she holds responsible for their fall. So, in short, it’s a good ol’ fashioned vengeance quest.

I was trying to slow roll my praise for this book as long as possible, which turns out to be two paragraphs – but I can not keep up the charade any longer. Pretty much everything about it is excellent. The plot and pacing of the book are fantastic. It is divided into roughly three sections – applying to The Red Church, studying at The Red Church, and life after The Red Church. Each section has is own style and themes, all of which are both distinct and tie nicely into one another. The pacing is also lightning fast, without ever feeling like we are rushing through any section. As the book is about learning subterfuge, there are also a few twists that are delicious. The narrative has this nice balance between powerful worldbuilding/lore, a coming-of-age story, a murder mystery, and an action-adventure. The book is also genuinely funny and uses a nice mix of humor that should appeal to every kind of reader. If you end up reading it after this, make sure to read the footnotes as they are often laugh-out-loud funny. Finally, Mia is an unreliable narrator, with chunks of her memory and story clearly hidden from page one. Over the course of the book, this vault of secrets is slowly unlocked and disseminated in a very well-measured pace.

Speaking of Mia, the characters are phenomenal but uneven. There are about 15 supporting characters, and Mia herself. A few of them are fairly forgettable or inconsistent, but the majority of them are fantastic. The teachers have personalities that are both distinct and magnetic. Mia’s classmates are from all sorts of walks of life that give the cast a diverse set of personalities and flavors to work with while simultaneously having very powerful chemistry. Many of the characters are complex and make interesting and meaningful choices that fit their identities. Additionally, Mia herself is a very interesting character. She has a nice balance of both likable and unlikable qualities that evolve with clear and satisfying growth over the course of the book. The protagonist on the last page is almost unrecognizable from the start of the book, and yet the change felt completely organic. Much of this change is created through Mia’s exploration of the world around her, and what a world it is.

The worldbuilding is both the strongest part of the book and the only place I had notable criticisms. To start off, I should mention that the book is called “Nevernight” because the world has three suns that only collectively set once or twice a year. It’s a cool element that is delightfully worked into the lore and culture of the world that I greatly enjoyed. The world as a whole feels rich, complex, and imaginative – but the real joy is in Mia’s hometown, the city of Godsgrave, and The Red Church. Godsgrave is a giant metropolis built into the bones of a decaying titan. It has a fairly stereotypical fantasy world layout with the usual market, slums, and noble districts – but its morbid origins, distinct culture, and iconic landmarks lend it a lot of flare. Also, I saved the best for last, The Red Church is a school that rivals Hogwarts in its rich lore, entrancing facilities, and cohesive identity. Much smaller than the aforementioned wizard school, The Red Church uses its smaller space to enormous effect. The mannerisms and locations in the school are fun, engrossing, and terrifying all at the same time. I won’t reveal any specifics, but the entire place is awesome.

That being said, some of the worldbuilding felt surprisingly sloppy compared to the extremely buttoned-up nature of the rest of the book. The book pays special attention to logistics, which can add a layer of creative depth that makes the world feel more real. However, it also has some elements that logistically do not make sense – at all. Examples of this include: a travel system that is a lynchpin to the entire existence of the Church but is completely unreliable, blanket enchantments and spells that seem to work in very specific ways for plot purposes, and overly complex tasks and traditions that are meant to feel quirky but just feel archaic. None of them did much to slow the hype-train I was riding, but they did noticeably leap off the page to me.

Nevernight is a bomb of a book and earns top marks in almost every category I use to evaluate books. It’s dripping with lore, has a masterful plot, and contains characters you will find yourself deeply invested in. It’s one of the best magical schools I have visited, which catapults it easily into the “highly recommended” territory. On top of all of this, Nevernight does such a good job setting up the next books in the series that I ordered it the moment I turned the last page. This is a very good book and you should pick it up at your earliest convenience.

Rating: Nevernight – 9.5/10
-Andrew

The Shadow Saint: Out Of The Shadows, Into The Limelight

shadowsaint

Okay, let’s do a checklist here of things I like that The Shadow Saint has in it, yeah? Krakens attacking ships: check. Skeletons with dry senses of humor: check. Horrifying surreal imagery: big ol’ check. Ghouls: still a check there too. I could keep going for a while but I think you all get the idea, The Shadow Saint ticks a lot of the boxes of things that I like in a book, and I really, really liked it. Sorry for the review spoiler, but get over it, or don’t, whatever.

The Shadow Saint, by Gareth Hanrahan, is the second book in The Black Iron Legacy series. Given that it is the second book, you probably shouldn’t be reading a review or a synopsis of it if you haven’t read the first book, The Gutter Prayer, but I’m not your dad so you can do whatever you want, man. You can find our review of Prayer here if you are wondering if it’s for you. That said, spoilers lie ahead for the first book and you should venture forth at your own peril. 

Our story picks up soon after the close of the first novel, with our previous protagonists mostly either dead or fundamentally changed by their experiences. The appearance of the New City, due to the Gutter Miracle from book one, and the fall of the alchemical stranglehold of the guild and their Tallowmen, have thrown Guerdon into chaos. For those familiar with the city, it’s pretty much business as usual. Unfortunately, that is about to change when the Godswar finally comes to Guerdon. 

One of my minor complaints in my review of the previous book (still here), was that the rest of the world felt a little underdeveloped compared to all of the information and history we received about Guerdon and its place in the world. We knew that there was a death empire called Haith, but little else about it. We knew that Ishmere was perpetrating a “godswar” that was causing a massive influx of refugees, but outside of a couple of chapters and descriptions of the various horrors, we never got a chance to experience them. In The Shadow Saint, all of that changes. It almost felt as if Hanrahan heard the (very mild) criticism, and decided that if we wanted to know about the rest of the world, then we’d best buckle up for book two. Saint packs so much worldbuilding and information into its runtime, without feeling bloated at any point, that I am frankly amazed. I have a much better understanding of the world and how it functions after this book, and it all felt surprisingly important to the overall plot. Ishmere is the one small exception to this because while we did get more of a glimpse into individual Ishmerians and their choices and beliefs, the actual society still feels a little blank. 

On the other hand, we have the empire of Haith. Normally I would briefly go over all of the various factions in my paragraph about worldbuilding, but I am so enthralled with and enraptured by the idea of Haith that I just need to gush about it for a little bit. Haith is an “eternal empire” run by necromancers (necromancers are so hot right now). Instead of worshipping gods, their power instead comes from the creation of magical artifacts they refer to as phylacteries. These phylacteries are held by the head of an individual noble house and contain the souls and accumulated knowledge and experience of all those who have held the artifact before. Think Avatar the Last Airbender, with each phylactery granting the holder knowledge of thousands of their greatest ancestors rather than the previous avatars. The moments that we see this in the book are incredibly cool and I loved the descriptions of how the character going through this moment experienced it personally. As I mentioned before, only the previous wielder of the phylactery can transfer their soul into it and become Enshrined, the highest class in Haith. Beneath the Enshrined, we have the Vigilant; individuals whose souls are bound to their bodies after death and become magical living skeletons forever working toward the betterment of the Empire of Haith. Needless to say, the concept of legions of skeleton warriors led by necromantic superhumans against a nation of mad warring gods is pretty far up my alley, and I absolutely loved it.

I also loved Hanrahan’s improvement in terms of the plot. I mentioned in my last review that while The Gutter Prayer was a fun ride, I felt the plot could be directionless and meandering at times before it finally found its stride. The Shadow Saint felt like it noticeably addressed this issue with a much more cohesive and streamlined plot. I’m not sure how much of it was my preexisting knowledge of the city of Guerdon and the characters that live there, and how much of it was Hanrahan smoothing out the hiccups from the previous installment, but the pacing and engineering of the plot is spot on in The Shadow Saint. However, I did feel that the actual climax happened rather quickly – but I think that was more a result of the sheer amount of things happening than any mechanical failing on Hanrahan’s part.

I’d like to wrap up with a note on the prose and descriptions. Hanrahan has a gift for describing the miraculous and horrifying in a way that makes it easy to imagine and hard to forget. In a book that is about warring gods and saints, miraculous massacres of undead bone soldiers, and a living city that was created by magic everything still manages to feel real and weighty. I could envision every stilling of the waters by the Kraken, and the descriptions of the Smoke Painter drawing glowing sigils in the sky that turned those that looked at them mad clicked with the part of me that loves cosmic horror and the rabbit hole of the SCP Foundation wiki. I need more of this world in my life, and I hope that Hanrahan decides to continue this world’s story whether it revolves around Guerdon and the characters from this series or not. I had a ton of fun reading this book. The Shadow Saint is a stellar sophomore effort and I can only hope that Hanrahan continues his skyward trajectory from here. I will be on the lookout for more news on the world of The Black Iron Legacy, and I desperately hope that I get the opportunity to return to this world sometime in the future. As it stands, we already have two fantastic books and I cannot recommend highly enough that you bump this series to be next in line on your reading schedule. 

Rating: The Shadow Saint – 9.0/10

-Will

 

Blood Of An Exile – Missed Gems Of 2019

512bnk8esoglAlright, I am going to be honest here; I did Brian Naslund a disservice when I judged his debut book, Blood of an Exile, by its name and cover and shelved it for later. Although I hated both title and art, after finishing the novel I have to admit that they suit the book perfectly, and I am just being a judgmental ass. Released back in August of last year, the book is the start of the Dragons of Terra series and definitely would have been a contender for my top of 2019 list had I actually got to it in a timely manner. I apologize, Brian Naslund, and hopefully this review will slightly make it up to you.

Blood of an Exile is a book with powerful characters, a rich world, and a fairly inventive plot. Ostensibly, the story follows our protagonist Silas Bershad the Flawless, a man who was sentenced to exile as a dragonslayer for crimes that are revealed throughout the narrative. To be a dragonslayer is a death sentence, and they are forced to roam the land helping towns and cities kill dragons until they die (usually very quickly). However, Bershad refuses to go down and has managed to make a name for himself as the most famous and successful dragonslayer in the world. Very soon after we meet Bershad, he receives a task from the man who exiled him with the promise of freedom should he complete it. Using his status as a famous dragonslayer, Bershad is to sneak into a neighboring country that is gearing up for war, kill a king and save an innocent child in captivity, and then make it back alive with the child in hand. To fail would mean dying an exile, to succeed would mean saving the country that hates him and his freedom.

Initially, this book was looking a bit trope-y and I was concerned I was going to read something I had already experienced hundreds of times before. However, Naslund rapidly disabused me of this notion by showing Blood of an Exile is more than meets the eye. First off, while Bershad is our main protagonist, the story is actually told by four major POVs, an alchemist, an assassin, a princess, and Bershad himself – each of which holds a key piece of the narrative that slot nicely together. The major themes of the book are nature, ecosystems, and how destroying key pieces of any environment can greatly upset the balance. Multiple of the POV’s (including Bershad) are dragon lovers. While they recognize that they are dangerous animals that can cause great harm, dragons are common in this world and are a key piece of every ecosystem they are a part of. While Blood of an Exile is very much an action-packed adventure fantasy, it is also a story about amateur scientists desperately trying to keep humanity from destroying the Earth for fiscal gain – an angle I was not expecting and loved in equal parts. There is a huge focus on the study of dragons and the understanding of their nature. This does a very powerful job of painting them as real living and breathing creatures.

The world-building is phenomenal, with the various political entities feeling like they have clear and memorable identities that aren’t just cut and pasted real-world countries. The cast are all fantastic, even down to the side characters. Even the villains aren’t motivated by the simple goals and are engaging to read and think about. The book does an incredible job exploring how the quest for the betterment of civilization can cause horrible unforeseen problems if you aren’t very careful. Naslund does a very good job using a magical fantasy setting to get you to think about your own waste and usage in the modern world, so expect to be a little uncomfortable.

As for negatives, there are only a few. Although I found the book to be an exciting and compelling read, I felt as though there was a small mismatch in the narrative style and strengths of the book. The characters in Blood of an Exile are treated as tools to move the story along. They are picked up and put down as needed only when their POV makes sense to further the narrative. What this means is that it can sometimes feel like certain characters were getting uneven page time. This felt a bit odd, given that the characters of this book are so strong that I would have been happy to just spend time in their head. The aforementioned princess POV is one of my favorite protagonists, and she shows up as a POV only in the back half of the book with little to no warning. I would have liked a little more even pacing with my time with each character. The book is also fairly crass; which isn’t a problem for me, but it’s something others might take issue with.

In the end, Blood of an Exile was a surprising gem of a book that went unnoticed by many in 2019. It brilliantly combines exciting action, sympathetic characters, smart themes, and a deep world to create a coherent and unique story. It is always rare when you find a book that is both smart and fun at the same time, and Blood of an Exile has both in spades. Brian Naslund should be very proud of his debut book, and I can’t wait for the sequel, Sorcery of a Queen, which comes out this year.

Rating: Blood of an Exile – 8.5/10
-Andrew

Crownbreaker – Don't Need A Crown To Be King

511jnjhaqil._sx331_bo1204203200_Happy new year everyone! We started 2020 off strong with a whole slew of reads over our break and will have a number of interesting reviews and other pieces in the coming weeks. Up first we have the sixth, and final, book in the Spellslinger series, Crownbreaker, by Sebastien de Castell. This YA series has been one that has caught, and kept, my attention the past few years. However, in my review of book five, I mentioned that the series was starting to show signs of dragging on and needed a wrap-up. The question is, did de Castell find a satisfying and momentous way to close out his six-book series? Of course he did, de Castell is one of our favorite authors for a very good reason.

Crownbreaker is the final piece of a large tapestry that de Castell has been building with his Spellslinger series. The plot revolves around a magical god that arises to threaten everything that Kellen has come to cherish and love, and a quest with a lot of hard choices. Kellen begins the book finally somewhat at peace with his life and with a little hard-earned stability. He has made a decent home for himself in Darome and is finally coming to terms with what his life is going to be. But we can’t have that. An offer is brought to him by none other than his father: a new god has arisen that threatens the world and it must be put down. If Kellen infiltrates his gathering armies and puts him down, he will be unquestionably welcome back to his home.

As an independent book, I think Crownbreaker struggles a little bit. The god plotline isn’t really explored enough to my satisfaction, and Berabesq, the final region we visit in the Spellslinger world, isn’t really given the same level of screen time as the other countries in the past five books. However, what Crownbreaker struggles with independently is made up for in spades by how it serves as the perfect conclusion to the series at large. The sixth Spellslinger book takes every single lesson, theme, and plot element of the first five books and weaves them into a climactic finale that de Castell should be proud of. Kellen’s character arc is incredible, and I absolutely love where it ends up. Watching the culmination of his journey of self-discovery was incredibly satisfying and it’s emotionally fulfilling to see where he ends up. In many ways Crownbreaker feels like a “best-of” collection for the series, bringing back all the best characters and elements from previous novels. While there are elements of the greater story that I thought could have used some more detail, Kellen’s personal story takes a number of surprising and interesting turns. I really like where the overall plot nets out and I very much hope this will not be the last we see of Kellen.

As a series, Spellslinger is one I highly recommend. The story and worldbuilding place it a step above the majority of YA fiction I have read in recent years, and Kellen’s journey is something that most readers (particularly younger ones) will strongly resonate with. The Spellslinger world is a joy to explore and the somewhat episodic nature of the six books really works well for de Castell’s writing style. The prose is humorous and fun which balances out some of its heavier themes very nicely. My only real criticism is that I think the books drag a little around book five. In the end, I would have to say my favorite of the six stories is still book three, Charmcaster. Exploring cities of mechanical wonders will always hit me right in the feels.

Sebastien de Castell has proven once again that he is a master of conclusions, one of the hardest things to write as an author. Crownbreaker is the perfect ending to an already fantastic series and I cannot wait to share these books with everyone I know. The final two books felt like they had a tiny bit of trouble balancing their own episodic stories and the overall plot of the series, but this complaint amounts to almost nothing in the face of everything else the books do right. Crownbreaker is amazing and you should check both it, and the full series, out.

Rating: Crownbreaker – 8.5/10
-Andrew

An Illusion Of Thieves – A Garden Of Larceny

81zzj2jtx5lI am disappointed that I was unable to get to An Illusion of Thieves, by Cate Glass, sooner – as it likely would have made our best of 2019 list. The first book in the Chimera series, this (ironically) sneaky book has slipped under the radar for many this year, which is a shame. While this debut book has some issues, it is also a fresh and fun take on the heist genre and looks to be building to something incredible. With a little upfront investment and trust, you will soon find yourself in love with the cast and story.

Thieves has an interesting start that is both explosive and slow at the same time. An enormous amount of life changes happen to our protagonist, Romy, in the first few pages. She is a courtesan of a powerful lord in a corrupt city, but her younger brother Neri robs someone and is caught – shaming her into banishment. All of this is set up to place Romy and Neri in the slums of the city where they must both learn jobs to survive. Also, they are both sorcerers who are being hunted for their innate magic. That’s right, welcome to another round of “magic is super outlawed and we must hide our dark secrets”! I tease because it is an overdone trope, but I actually liked how the ban on magic contributed to the set up of this story. The first half of the book feels almost like watching someone play through a well-written life sim. Romy and Neri both struggle with learning basic skills that will keep them from starving to death and allow them to contribute to society. It sounds boring, but it’s actually really engrossing watching them slowly carve out a life together. That being said, hoooo boyyyyy, did I want Neri to die horribly for the first third of this book. A huge chunk of the first part of Thieves is devoted to the evolution of the relationship between Romy and Neri. While it ends in a really compelling and satisfying place, there is a lot of Neri being the absolute worst and Romy having to clean it up for the first 100 pages. Glass is definitely an older child because she has captured the worst frustrations of having a younger sibling perfectly. However, once you make it past the midway point in the book – something interesting happens. The plot and purpose of the book take a drastic, and fascinating, shift.

In the course of building up their meager lives, Romy and Neri meet a large cast of compelling characters who both help and harm them. As the story continues, the magic system in the world is slowly expanded upon more, and you learn that most sorcerers have a unique kind of magic that they can use to influence the world. Romy, for example, can implant memories in people and Neri can walk through walls. The siblings also eventually meet two magic users, who I won’t spoil, and eventually start to explore their powers. And then a catalyst changes the direction of the tale. A character approaches Romy and basically puts her in a difficult situation – she can either rob a very powerful and well-connected person, or watch the city burn down around her. And when placed in a position of helping the greater good at massive personal risk, she creates a super awesome crime-fighting band of super thieves. I cannot express how awesome this was.

One thing you see in a lot of heist novels is a short and colorful introduction into the crew before rapidly moving onto the stealing. Glass takes a much more leisurely and organic route and slowly brings this crew of people together naturally over the course of their lives. It is masterfully done and when push came to shove I honestly found myself thinking “I mean, of course, they are going to form a group of magical super thieves, it absolutely makes sense.” In addition, when An Illusion of Thieves wraps up, you learn about a new world-ending problem that only this crew of magical do-gooders can handle, and they immediately set out to go handle this new problem (which is the set up for book two). Look, if you don’t want to read an episodic series about magical Robin Hood saving the world through larceny than we don’t have a lot in common.

Some other general assessments include that the characters and worldbuilding are good, but a little inconsistent. I felt Glass did an amazing job bringing the city where the book is set to life – but the world didn’t feel like it extended beyond its walls. Similarly, the smaller cast of characters that the book focuses on had a ton of life and depth to them, but some of the side characters occasionally felt like they were mannequins just there to progress the plot.

Overall, I really enjoyed An Illusion of Thieves. It requires a little work at the start, but it rewards your dedication with a one of a kind heist novel with a ton of great character growth and magical fun. It is original, well written, relatable, and stands out amongst a lot of powerful books that came out in 2019. I am really hoping the Chimera series is more than a trilogy because I would enjoy reading many more books about this band of misfits saving the world through the power of crime. This debut is definitely worth your time, please come join me in watching this team of lovable rogues save the world.

Rating: An Illusion of Thieves – 8.0/10
-Andrew