Master Assassins – An Undiscovered Gem

51w4sn4d2bclI am always a little wary of fantasy books about assassins. You never really know what you are going to get – will it be pulse-pounding action and mystery like The Way of Shadows by Brent Weeks, or will it be based on politics, intrigue, and aristocratic courts like Assassin’s Apprentice by Robin Hobb? As I went into today’s book, Master Assassins by Robert V.S. Redick, I was expecting it to fall somewhere on the spectrum between these two options. However, Master Assassins surprised me by not actually being about assassins. Instead, this book tells the tale of two brothers running from the world and their perilous journey to escape a fate worse than death.

The book is set on a continent isolated from the wider world. Due to a plague, that our cast carries but is unaffected by, the continent is forcibly isolated and kept from interacting with outside nations. This has a profoundly negative effect on the people and land and gives rise to a religious pope-like prophet who proclaims to herald a new future for the people of this sequestered land. Almost all individuals of fighting age are drafted into the prophet’s army, and she leads them all with an iron fist with the help of her beloved sons. The plot of Master Assassins revolves around two brothers, Kan and Mek. They begin the story as loyal members of the prophet’s army, but when unfortunate manslaughter-related events occur they are forced to run with an entire nation nipping at their heels. The name of the book is actually a joke perpetuated in the story. Despite the murder of the prophet’s son being an accident, Kan and Mek are considered by the wider public to be master assassins who possess untold cunning in their methods of infiltration and elimination.

The plot of the book is compelling and well paced. There is a clear sense of believable urgency in the actions of Mek and Kan as they must fight to remain a step ahead of their pursuers. Redick also does a fantastic job foreshadowing and executing on the roadblocks that the brothers must pass if they are to escape with their lives. The narration bounces between the boys running for their lives as adults, and flashbacks to their formative years to show you how they came to be the men they are now. The world itself is fascinating, exploring a number of ideas I haven’t seen before in fantasy. Redick goes into depth about the various methods that other nations have used to isolate this continent – including diverting rivers, ship blockades, and moving mountains. The details really bring Redick’s world to life and further sell the danger and difficulty that Kan and Mek face.

Speaking of the brothers, they certainly are a handful. One thing I like about all of Redick’s characters (in particular Kan and Mek) is they have large personalities. Some of them are irritating and grating, but they all feel loud and real. They have memorable identities that will stick with you long after the book is finished and I wish other authors would make casts as vibrant as this one. Through the course of their journey, the brothers meet a huge variety of people and must carefully decide who to trust. Their interactions with the people around them and the various backstories of the supporting cast, all help to bring the story to life.

As to what I didn’t like about the book – while Redick has a supreme talent for storytelling, I wasn’t overly impressed with his prose. Often times I found certain text “blocky” or awkward, and I feel that he could have done a lot to smooth out some of the dialogue and descriptives. I would find myself deeply invested as our protagonists navigated treacherous cliffs of a drained sea – only to be kicked out of my immersion by some awkward phrasing or strange comments. Additionally, while the plot of Master Assassins is captivating, and the plot takes you through a variety of different locations and vistas, I felt like the story didn’t progress enough relative to the size of the book. While the minute to minute interactions and excitement feel fast-paced, the progress towards the greater objectives in the book could feel glacial. However, my critiques are more of a personal nature than mechanical problems with the book. I am sure that many will read it and wonder how I could have found issue with any of the things I have listed here.

Masters Assassins is a delightful surprise. It marries classic tried and true fantasy storytelling techniques, like the hero’s quest, with modern themes and an excellent world and character design. The book feels both vibrant and alive with a cast of characters that leap from the pages into your room as you read it. My one hang up was personal issues with Redick’s style of prose, but this is a personal preference more than a concrete issue. Master Assassins is the first book in The Fire Sacraments series, and we cannot wait to get our hands on the next installment.

Rating: Master Assassins – 9.0/10
-Andrew

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The Dark Horse Initiative – 2019

Every year the Quill to Live sit down in December to plan our collective reading schedule for the next year. It’s a long process, and it heavily involves combing through release dates of series we are following and, more importantly, digging into the hundreds of upcoming and highly anticipated book lists made by publishers, authors, other reviewers, and general fantasy and sci-fi fans. Through this process, we give our yearly reading schedules a little bit of structure – but one of the other benefits is picking out potential dark horses to keep an eye on. If you are unfamiliar with the term, a dark horse is a competitor who comes out of nowhere against all odds to win. In our case, we use it to refer to books that almost no one has heard of that we want to check out or keep an eye on. Sometimes this results in us reading terrible books that we might or might not review depending on how productive we feel our criticism will be. However, other times it results in us being able to champion new and upcoming authors who deserve more recognition.

Recently, we have been getting a lot of requests to describe the 2019 books we are excited about, in particular, the dark horses we have our eyes on. Thus, going forward we will put out a list of our annual dark horses in case you want to keep an eye on them as well. We will put this list out earlier next year, and while we will do our best to review every book on this list, the inclusion of a book does not guarantee we will be able to get to and review it. Here are the dark horses The Quill to Live is watching in 2019 (in no particular order). Goodreads links are on the pictures:

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  1. For The Killing Of Kings, by Howard Andrew Jones: As I mentioned we are a bit late on this list this year, so we have actually already reviewed this one. We loved it, check it out!
  2. Sky Without Stars, by Jessica Brody and Joanne Rendell
  3. The Luminous Dead, by Caitlin Starling
  4. The Lost Puzzler, by Eyal Kless
  5. Perihelion Summer, by Greg Egan
  6. The Priory Of The Orange Tree, by Samantha Shannon
  7. Titanshade, by Dan Stout
  8. Gideon the Ninth, by Tamsyn Muir
  9. Gods Of Jade And Shadow, by Silva Moreno-Garcia
  10. Famous Men Who Never Lived, by K Chess
  11. Sixteen Ways To Defend A Walled City, by K. J. Parker
  12. This Is How You Lose The Time War, by Amal El-Mohtar and Max Gladstone

The Ruin of Kings – Reverse Goldilocks

814jpuhpbrlHere we have one of the mega-debuts of 2019. Published by Tor, The Ruin of Kings by Jenn Lyons has had one of the largest marketing pushes I have seen in years. I have seen advertising for this book literally everywhere, and it somehow already has a TV deal with Annapurna. As I picked it up it felt too big to fail, and I was extremely curious to see if this massive first entry would live up to the hype or fall short. After reading it, I feel like it surprisingly somehow managed to do both.

The Ruin of Kings is about Kihrin, a thief (sorta) with a destiny to bring ruin to kings (hence the title). Our story follows Kihrin in two timelines that alternate each chapter. In the first, we read about Kihrin’s present life as a slave and his attempts to escape bondage and death while pursuing his destiny with a mysterious order of magic users. The other timeline tells Kihrin’s backstory and explains how he ended up in his current predicament. The alternation of the timelines is one of the novel’s largest strengths, and I think Lyons did a very good job matching the two stories to feel relevant to each other at all times while evenly disseminating information about the world, characters, and plot. This is not an easy thing to do, and Lyons managed to instill a great deal of urgency in both timelines that make the book a fast read despite its 800+ page length.

The problem with the book is that despite its even storytelling, neither timeline has enough story, world, or character building to be satisfactory. The pacing of the book is extremely fast, often to the story’s detriment. Lyons moves Kihrin through the world at a breakneck pace, and I constantly felt like I didn’t spend enough time with any location or character to fully understand them. For example, we start the book in an interesting city with a famous slave market that Lyons builds up to be compelling and mysterious. Then before we can learn more about it, she ejects Kihrin via a metaphorical cannon into the surrounding ocean. Once there, he enters a giant maelstrom filled with enormous sea creatures that hunt him. We learn enough that I want to know more, but then quickly move past and never revisit. In the other timeline, we learn that Kihrin is part of an esteemed thieves guild, and get to see him go on a regular heist. However, we never get a sense that there is anyone other than him and one or two other members in this “giant” thieves guild before it is metaphorically burned down and Lyons moves on to a new plot point.

Lyons moves between ideas so fast that you never really get to sit with them long enough. The shame is I really like her ideas. Almost all the places and things she shows the reader are awesome. I just needed another 400 pages to slow the pacing down and learn more about these small pockets of the world. However, this segues into the other major issue that plagued me in this book: I really don’t like Kihrin. He is a spoiled, melodramatic, Gary Sue who whines so god damn much it is unbelievable. Look, I understand that this is supposed to be a coming of age story and that he grows into a better person, but 800 pages is a reallllly long time to put up with his annoying tendencies. He definitely improves by the end of the book, but I feel like there is still a lot of work to go.

I am actually glad that The Ruin of Kings is becoming a TV show because I think it has a fantastic setting that will do well in a visual medium. However, despite the river of creativity that Lyons has put to paper, the original source material leaves a little bit to be desired. I suspect that less picky readers will enjoy this book a whole lot more than me, so if it sounds interesting to you definitely give it a shot. As for me, I am disappointed that The Ruin of Kings’ fast pacing and exhaustive length greatly hampered my reading experience.

Rating: The Ruin of Kings – 6.5/10
-Andrew

There’s Seamen on the Poop-Deck! – A Satisfying Quickie

Seamen on the Poop-DeckThe day I discovered There’s Seamen on the Poop Deck!, a glamorously dressed pirate approached me in the aisles of Chicago’s Wizard World comic convention. He burst full force into a tirade of sexual puns and hilarious phrasing as he declared his own book a can’t-miss gay pirate adventure. I was sold. In fact, I bought the first four books in The Seamen Sexology. After all, it was banned by the Texas Renaissance Festival…who’s to say when it will be banned everywhere and declared a national treasure? Now, two years later, I mustered up the courage to read Francois le Foutre’s debut masterpiece.

This second review paragraph typically hosts a quick plot summary to get you up (to speed), but if I took that route we’d all finish far too early. At 21 pages, There’s Seamen on the Poop-Deck is more a short story than a novel (in the literary community, we call this a quickie). In lieu of a plot description, suffice it to say the book is a very short but intensely satisfying read. Give it a chance despite its length and you’re bound to be roused for the entire ride, captivated by le Foutre’s stiff hand and prosaic caresses.

Sure, this is a read that can be rubbed out pretty quickly, but its climax captivates, and the prose is riddled with pirate sex puns that had me screaming. Quickfire spurts of jokes keep this a steady and reliable read, even without any foreplay (aka knowing anything about the book).

Look, is this 21-page story about gay pirate sex a genre-defining literary benchmark? YES. Unequivocally yes. There’s Seamen on the Poop-Deck oozes intrigue and wonder. The ocean, sweat and…uh…other things glisten under the shining light of le Foutre’s apt wordsmithery. This line from the first page says it all:

“The last time a man had tried to come on my poop without permission, the other men took it upon themselves to come all over him and beat him off.”

That quote, from the book’s second paragraph, sets the stage for a full-sail journey into a treasure (pleasure?) chest full of puns and wordplay that’s hard to achieve on its own, let alone in a sensible narrative. But, as you’ll find out, Francois does many things. And entering the punderdome to the tune of a delectable sea shanty is one of them.

There are countless other praises I could pour upon le Foutre’s work for you, but–as we all know–sometimes it’s just better if you do it yourself. Do yourself a favor and pick up the Kindle edition for free, or buy the paper copy and keep it on your toilet to spice up visits to your poop deck.

Rating: There’s Seamen on the Poop-Deck! – 9.0/10, read it if you dare.
-Cole

In the Mist of Fire – Interview with Nathalie Gribinski

Mist FireNathalie Gribinski’s In the Mist of Fire places her artistry centerstage, where her elegant mix of prosaic poetry and vibrantly abstract characters bring vividly imagined worlds to life. Her debut book is a winner, packed with powerful messages and captivating visuals that make it equal parts fun and thought-provoking. Nathalie was kind enough to speak with The Quill To Live about her writing process, her relationship with her art, and more.    

First off, can you tell us about yourself and how you became an artist?

People call me Nana. I grew up in Paris, where I earned my Bachelor’s Degree in Science. I moved to Chicago to study graphic art. After a year of study, I immersed myself in painting, where I feel most at home with my art.

For a year, I concentrated on illustrations, so I decided to collect them into a published work alongside original poetry. In the Mist of Fire is the culmination of my stories and my art, and it represents my growth as an artist. Since my early days of writing poetry and drawing, I’ve grown so much, and I think the book shows that evolution in my work.

I have a cat/roommate named Zoé. The book includes a poem and illustration inspired by her.

What did you want to be when you were younger?

I wanted to stay a child—I loved the wonder and exploration of being a kid. But sometimes I asked myself questions about the future. I didn’t know much about what I wanted to be, because I was focused on the present. I did have a passion for justice, so I ended up studying law. The work was interesting, but not fulfilling. So when I moved across the world and immersed myself into a new culture and community, I viewed it as an opportunity to rebuild myself into a new person—one I’d always wanted to be. It opened up new creative avenues for me and led me to pursue my art full-time.

regards celestes

Regards Celestes

In the Mist of Fire effortlessly combines written stories with beautiful artwork—can you talk about the relationship between your art and writing in the book?

This is my first book and I wanted to take a closer look at my illustrations, understand them better, and give them a voice. My illustrations are usually abstract works, so I tried to emulate that mood in the stories.

How would you describe In the Mist of Fire to someone who’s never read it?

On its surface, the book is a collection of art and poetry. Dive deeper, and it’s an invitation to open up the imagination and take a moment to enjoy the abstract. It’s an escape from the mundane into the vibrant and beautiful worlds we create in our minds.

Do the stories come first, or the visuals?

In this first book, the illustrations come first. I wrote the stories according to the illustrations. I’m an artist to my core, so my creative muse is almost always visual.

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Circles in the Wind

Which other pieces, books, or works of art have impacted you on your artistic journey?

The Little Prince has been always an inspiration. I like the naïve feeling it represents. The lessons of life, the light illustrations. Artistically, I have been influenced by Van Gogh; his colorful expressions of sorrow and suffering translatebeautifully onto canvas. He stayed true to himself until the end of his life, and though his story is a sad one, he left behind stunningly gorgeous and meaningful works.

He captivates me by his ability to express so much suffering and translate them into beautiful colorful paintings full of life. And especially because he stayed himself until the end of his life. He was looking for the truth.

What inspires you, and what motivates you to constantly create?

It is a necessity, a way of life. I am inspired by beauty, music, love, suffering, friendship, warm feelings, storms, and Zoé, my cat. What motivates me is the end result. I like to see a finished piece coming to life, and I love to share my work with others. I create to feel complete.

Many of your stories have lessons or positive messages, but there are also hints of darkness, such as in Swan of Hell. How do you balance the light and the dark?

The light and the dark are naturally balanced in myself. I have heard some critics say that any? art that there shows a lot of joy but also a lot of suffering.  I cannot understand actually how it could be different. We are all exposed to the edges of despair and the edges of happiness. I like contrasts, tension, and after all, light and dark are the truths of life.

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Rachmaninoff

I mention Swan of Hell specifically because it’s my favorite—do you have a favorite piece from this collection? Why does it stand out to you?

Regarding the writings, I fluctuate between two very different stories:

I like The Strange Animal Fair because it’s a short text where you can vividly visualize the scene. It’s humorous and sometimes sarcastic; it’s a story that shines.

But I also appreciate the poetry, the dynamism and the dreamy atmosphere of The Eyes of the Casino.

Regarding the illustrations, my favorite is The Eyes of the Casino.

It’s the closest reflection of the story, emboldened by a sense of movement. It is colorful, anchored by red, which is my favorite color. I find this illustration very complete.

What’s next on your artistic agenda? Any new projects on the horizon?

I’m developing a project with a poet where this time he writes poetry and I illustrate it. I’m intrigued by the concept because it’s a reversal of my process for In the Mist of Fire, where the illustrations came first.

I am also seriously returning to painting, having a solo exhibit in Chicago March 22 to March 31 at the Palette and Chisel Gallery, 1012 North Dearborn. The opening is March 22 from 6 pm to 10 pm.

Fairy light

Fairy Light

Where can we find your work?

On my website: www.nathaliegribinskiart.com

On Saatchi, an online art gallery: http://www.saatchiart.com/ngribinski

 

For The Killing Of Kings – For The Having Of A Good Time

91fi4au2qflI apparently have a thing for military orders. Or, I guess not military, but organized groups of fantasy heroes. Maybe all of us who read the genre do, as most fantasy books have them. There always seems to be some group of warriors with a cliche name like “the Night Fighters” in every fantasy book. However, every once in a while you get a series like Malazan, or Bloodsong, or even Harry Potter that does these groups of heroes justice and tell you about a club that you would give your left arm to be a part of. This is one of those times. For the Killing of Kings, by Howard Andrew Jones, is the first book in his new The Ring-Sworn Trilogy. It is a phenomenal new story, whose greatest shortcoming is that there is not more of it, and it will likely be one of my top books of 2019.

For the Killing of Kings (FtKoK) tells the story of a post-war Darassus. Through the use of the Altenari, a prestigious military order, and its army, Darassus won a major conflict again its hostile neighboring nations. However, instead of pressing their victory, the royalty sued for peace – electing instead to focus their time upon studying mysterious magical artifacts they found over the course of the conflict instead of hunting down their enemies. This choice fractured the Altenari, with some losing faith in their leaders, and others holding fast to the nation’s new direction. Although the Altenari are somewhat reduced from their former glory, it is still a highly sought after order with many aspirants pledging to try and rise to the high rank of Alten. Our story follows two individuals, Elenai – a high ranking squire in the Altenari order, and Rylin – one of the newest individuals to reach the high rank of Alten after the war. Although both of these individuals are supremely talented, they find themselves in the shadow of the “old guard” of the Altenari (those who helped win the previous war). However, in the course of their duties both of our protagonists stumble over a mystery/conspiracy that threatens Darassus and find themselves working with the old guard to save the nation.

FtKoK has all the hallmarks of a fantasy great. It has an engrossing world, a top tier cast of characters, a fast-paced plot, and smart well-written prose that explores complicated themes through a fun medium. The world has your typical fantasy backstory – six gods each sat down and made a nation and became their patron. One went crazy and tried to murder the others, and got curbed stomped. While the gods fashioning the various nations isn’t too original, there are a number of details, like that the goods seemed to have built the word in some sort of giant unstable magical dimension, that gives FtKoK a distinguishing flare. While the land of the nations is solid and fairly “normal”, the borders and space between the various realms is this shifting morass of reality that essentially looks like a kaleidoscope that was tossed into a dryer. These shifting lands are extremely unstable, and magic users have learned to essentially build a reality around them as they travel through the lands. This leads to some super cool magic and magical fights in the story and really gives the world of FtKoK a lot of character.

Although the world is cool, it doesn’t hold a candle to the characters. The entire cast is fantastic and was really the high point of the series. Starting with our protagonists, both are intelligent, relatable, kind, warm, and show growth throughout the book. While they have a ton of differences, Elenai and Rylin are similar in they are both in roles where they feel they have been promoted above their station. Although they technically share ranks (or a rank below) with the rest of the Alten, they are new additions to this prestigious order and feel they still have a lot to do to live up to their ranks. They both have a level of self-awareness that is refreshing and speaks a lot to the virtues of responsibility and sacrifice. And speaking of the old guard, the most established Alten are all brilliantly written characters. Each of them is distinct, engrossing to read about, and improve the enjoyment of the book by their very presence. I love these characters and I want to read more about them.

The plot is also no slouch, and I found myself throwing out my regimented free time schedule in order to spend more time with this book. The mysteries in the story are well presented, and Jones has a real talent for teasing out clues and leads to build a larger picture. However, while I have a boatload of positive things to say about FtKoK, there were some places that could be improved. First, the book is too short and ends on an outrageously suspenseful cliffhanger. I feel like Jones couldn’t decide where to break up books one and two and just picked a place at random. I only finished the book last night and I am already dying for the sequel. Along a similar line, the pacing sometimes felt too quick. There were fights, dialogues, and expositions that felt a little rushed and I wish Jones took a little more time fleshing out and exploring. I really, really, liked this book and I didn’t like that I sometimes felt that I was being “rushed out the door”. At only 350 pages, I felt that FtKoK could have easily been 600 (a lot happens) and told the same story at a more luxurious pace.

At the end of the day, if the worst thing you can say about a book is that you wish it was twice as long it means you obviously loved it. For the Killing of Kings has raised the Altenari to one of my favorite fantasy orders in a single book, a feat that is no small accomplishment. With its brilliant cast of characters, smart explorations of the burdens of responsibility, and nebulous world and plot – For the Killing of Kings is sure to be one of the best books of 2019 and I recommend you check it out as soon as possible.

Rating: For the Killing of Kings – 9.0/10
-Andrew

Umbrella Academy – A Blunderous Bumbershoot

UmbrellaThe Umbrella Academy: Apocalypse Suite, created by My Chemical Romance frontrunner Gerard Way and brought to artistic life by Gabriel Ba, sits at a unique crossroads both within the current cultural zeitgeist and on my bookshelf. With the Netflix adaptation premiering tomorrow as of this writing, I can only imagine the book’s sales have received a positive bump as readers and superhero-loving viewers flock to read the source material if only to tell their friends watching the series “Well, that was different in the graphic novel” with an upturned nose.

That motivation fuelled my own reading of Umbrella Academy, but the timing also placed it just a few books after my glowing review of Lights’ Skin&Earth. The similarities end at “A talented musician wrote a graphic novel,” but the two books’ origins keep them locked in battle in my mind as I try to separate the best from the meh-st. Gerard Way’s brainchild falls heavily into the latter bucket.

Apocalypse Suite collects six issues that form one narrative arc for the titular Umbrella Academy band of superpowered humans. 43 children are born to women who showed no signs of pregnancy, and nearly all of them display remarkable powers. Reginald Hargreeves, a monocled philanthropist and mysterious douchebag, vows to adopt as many of the children as he can to “nurture” them and teach them to harness their powers. Many draw parallels to the X-Men franchise and Professor X, a fine and fitting way to frame the narrative to someone who hasn’t heard of Umbrella Academy. Hargreeves successfully adopts seven of the children, and they save the world from a hilariously zombified Gustav Eiffel as he weaponizes his Parisian architectural wonder.

And that brings us to page 10.

The beefiest portion of story occurs after Hargreeves’ death (again we’re only at page 10, so no major spoilers) brings the remaining six children together after many years of being disbanded.

Enter, as I see it, the story’s crowning fault: utter disregard for pacing. After the initial 10 pages, which are downright fantastic and lay the groundwork for what could be an incredible tale, the story veers off wildly into countless directions, exploring the past, the present, and the future while giving readers virtually nothing to sink their teeth into. Newspaper clippings in the background of a few panels tell us one of the children has died, and others tell us that Spaceboy, the leader of the bunch, was involved in an accident and Hargreeves saved him by implanting his head onto the cyborgian body of a Martian gorilla. What follows is a cavalcade of mixed messages and family drama that just doesn’t click. Each 22-page chapter tries to cover so much ground that Apocalypse Suite reads like a hapless smattering of beginnings and ends with no middle–there’s little meat on these otherwise sturdy narrative bones.

The pacing issue goes hand-in-hand with Way’s treatment of the characters. Each of the Umbrella Academy’s members reads like a blurry reflection of a character who could be fantastic if given more space. It’s obvious that Gerard Way has deeply explored each character, but the problem lies in volume. There are six living Umbrella Academy children plus a few side characters and a few villains. To explore the faults, flaws, strengths, powers, and psyches of each would require triple the real estate.

A prime offender here is Rumor, one of the six remaining members. Her power is bringing rumors to life by speaking them into existence: “I heard a rumor that Patrick Rothfuss published his third Kingkiller novel,” for example, would bring that truth to life (not to mention lock a bunch of nerds in their rooms for 24 hours head-down in a book). Way explores this power for maybe two panels, and Rumor’s siblings are treated with equal disregard in terms of characterization. To drive this point home, consider this: I’ve stared at my screen for a full five minutes thinking of what else I can say about the characters in this book, but I’m coming up short. Call it a product of limited space or faulty writing–either way, I think Umbrella Academy misses the mark here.

On the flip side, Apocalypse Suite shines when it lends ample time to creating a villain. Vanya, the seventh sibling who has no noticeable powers, is essentially disowned by her family following Hargreeves’ death. Her arc is painful, haunting, tragic, and intensely gripping, playing beautifully into Gerard Way’s hand as a musician-turned-author and fortified by Gabriel Ba’s artistic vision. Her narrative reveals the sharp edges and dark corners of the Umbrella Academy’s collective upbringing, and this story makes the book worthwhile. If Vanya had been absent or replaced by a different villain, I’d have written this series off completely.

Despite everything, though, there’s something here, call it an X factor, keeping me intrigued by this quirky, dark series. Even with an ending that wraps things up all-too-quickly and characters that leave a hell of a lot to be desired, I’m willing to venture boldly into the second book. In a way, it feels like Apocalypse Suite is a shaky pilot that births a seminal show. In fact, I think Netflix is the perfect platform to right the narrative shortcomings of the graphic novel, and I’m excited to see a more fleshed out version of a story that couldn’t quite reach its potential as a book.

Of course, if you’re looking for a cream of the crop graphic novel written by a famous musician, there’s always Skin&Earth.

Rating: Umbrella Academy: Apocalypse Suite – 5.0/10
-Cole