How the Multiverse Got Its Revenge – A Bridge To Greatness

81llcanwmulNo no, not this time. I am not letting another book in The Thorne Chronicle series slip under my radar. How the Multiverse Got Its Revenge (called Revenge going forwards) is the sequel to How Rory Thorne Destroyed the Multiverse (Rory) by K. Eason. I somehow missed the first book when it came out last year and I refused to commit the same crime twice. You can find my review of Rory here, and you can find some bonus thoughts on it in our Best of Science Fantasy List here. It’s a wonderful story about female empowerment, everyone empowerment, creative problem solving, and how to use words and diplomacy to solve problems. The sequel lives up to the high bar that Rory set, with some minor change-ups that are worth talking about.

Revenge picks up a little while after the ending of Rory. One of my only complaints about the first book was how Eason handled the ending of the story. In essence, at the end of book one Eason waves her hands, lightly summarizes a number of big events that change the status quo of the universe, and announces that the remaining cast of characters from the book disappears into the void. It felt like a hard reset of all the progress the characters had made in Rory, and I am not a huge fan of major off-page events being quickly summarized in epilogues.

However, this reset did do a great job setting up the stakes for Revenge. Revenge’s narrative is split into two stories, each focusing on a different group of people. One follows Rupert (Rory’s old teacher) and Grytt (Rory’s old bodyguard), which I am calling team parental, as they receive a nebulous message that Rory is in danger and they should try to help her. Their story revolves around locating where Rory has gone, building an alliance to go help her, and trying to avoid igniting a war between different races that have a lot of friction. The second storyline follows Rory and the remaining side characters from book one. After too much time in the spotlight, they have decided to carve out a quiet life as salvagers – until they run into salvage that multiple galactic species are fighting over. So in one story, you have Rory and the crew fighting to stay alive while protecting their dangerous find. And in the other story, you have Rory’s parental figures marshaling the troops to come to rescue her.

It’s a really interesting story with a fun fusion of different science fiction and fantasy concepts that kept me engaged the entire time. The plot is generally satisfying, but the ending once again does the thing where it has a large number of major off-page events announced to you in a few pages. This is a bigger problem for me in Revenge than it was in Rory because it exacerbates the second book’s biggest issue – there isn’t enough there. I very much like Revenge, and the paragraphs following this one will talk all about the amazing things the book accomplishes. Yet, I can’t help but feel like I was cheated out of a full book. While the plot of book two was very engaging, there doesn’t feel like there was enough of it for a single book. I didn’t feel like the story had progressed enough to devote one of three books in a trilogy to this story. I found myself feeling starved of content and really wishing that Eason had explored almost everything in the book more. It was pretty disappointing. I get a distinct feeling that this is a classic “bridge book problem,” where the second novel in a trilogy spends too much time setting up the finale and loses some of its own identity.

Yet, all of these feelings are born from the fact that what is there in Revenge is so good. In Rory, Eason focused primarily on the titular character, and the themes revolved around female empowerment, solving situations that feel like they require violence with words, and exploring the idea of diplomacy more than all parties being unhappy with a compromise. These themes are all there in Revenge, but Eason shifts the focus primarily from Rory and her personal growth to the full cast. She elevates the supporting characters and builds a fleet of protagonists with Rory at the helm. This is a wonderful experience because much like Rory all five side characters that got elevated are amazing. In addition, Eason brings in a whole new set of side characters that fill the void left by the old. The result is the chance to read about a ton of meaningful character growth from six (Rory still grows herself) different personalities. It is a buffet of excellent character writing.

Thanks to the expansion of the character focus, we also get a much larger diversity of themes in Revenge. Rory is still dealing with the problems of being a woman in a man’s world, but she also has a whole slew of new problems that divide her focus. One person is coping with the idea of being loved as a person instead of as a possession. One person is coping with the complete loss of their identity and looking for new meaning. One person is coping with the pressures of duty vs friendship. And everyone is dealing with themes like the first contact, the value of lesser evils, and weighing personal loss against the greater good. On top of all of this, Eason does a fabulous job exploring the nature of friendship. There are a number of interesting relationships and dichotomies between different characters that I never see explored, and it was so refreshing to see a more diverse set of connections.

How the Multiverse Got Its Revenge is a fantastic book that checks all of my boxes for something I highly recommend. In my opinion, its only failing is how short it feels, but given the pressures of working in a plague riddled world, it is easy to forgive the book for its singular issue. This series is shaping up to be one of the best in recent memory, and I highly recommend you find the time to read it. Its heartfelt and emotional take on the bonds between people helped me feel more connected to those around me despite being locked inside to socially distance.

Rating: How the Multiverse Got Its Revenge – 8.0/10
-Andrew

The Trouble With Peace – A Delicious Dark Book For A Troubled Year

abercrombie-troubleI didn’t really want to review The Trouble With Peace by Joe Abercrombie, because I don’t want to draw your attention to it. As I have said before, Abercrombie is best enjoyed with no expectations and as little knowledge as possible. If you have read him, you likely are going to read this book. If you haven’t heard of him, and want a really intense fantasy series, go check out his first book in this world: The Blade Itself. So if I can’t really talk about the book, and I don’t want to talk about the book, and no one really needs to hear about the book, why am I writing a review of it you ask? Well, because The Trouble With Peace is a contender for my best book of the year and it would feel unprofessional to say nothing about it.

The thing that makes The Trouble With Peace, and all Abercrombie books, great is the characters. The plot, in the abstract, is fairly simple. We follow the POV of a number of characters who have thrown themselves behind two charismatic leaders: Leo and Orso. These men are extremely different in character and personality, but both want to lead their country to a brighter future. They cannot agree on how best to do that, so a war erupts between them in when their differences can’t be resolved

It sounds simple enough, but emotionally it is like being drawn over hot coals. There are no bad guys here, only people with good intentions trying to do what they think is right. Whether or not you agree with either side is up to the reader, but there are really no victories to be had here. Every battle means death on BOTH sides and the loss of characters you are deeply attached to.

And what characters they are. If I had to pick a single side in the book it would be Orso’s, possibly because he’s one of my favorite characters of all time. But Leo certainly is no slouch. You just don’t find people in stories with this heightened level of complexity. The actors in this play have depth and thought put into them that just pulls you into the book to the point where you feel you are there. I loved every single moment of Trouble, but it was agonizing to read. My wife kept asking me if I was enjoying it and my constant reply was “I am stressed all the time.”

2020 might not have been the best time to read The Trouble With Peace. It is a thoughtful and depressing book that filled me with a multitude of emotions that would be difficult to describe in a review. It is certainly one of the best written and most powerful books of 2020 and I absolutely recommend that you read it, if you have read all the previous installments. You just might want to have some soothing music and a spa day lined up to wash away the anxiety that Abercrombie’s newest book will inject straight into your veins.

Rating: The Trouble With Peace – 10/10
-Andrew

Sorcery Of A Queen – Brilliance Of An Author

9781250309679The excellence of Sorcery of a Queen is honestly flabbergasting. Queen is the second book in The Dragons of Terra trilogy by Brian Naslund, and it’s a crime that as of writing this review there are only 10 ratings on goodreads. This book does so many things right that it straight up blew my mind. It has incredible characters, exciting action, deep and original worldbuilding, a gripping plot, a compelling antagonist, great themes, excellent pacing, strong character growth, and a level of polish and inclusivity that made me positively vibrate with happiness. Sorcery of a Queen is easily one of my top books of 2020; Naslund positively killed it with his second novel.

If you are just hearing about this series for the first time and wondering why I am raving like a lunatic, may I kindly redirect you to my review of book one in the series: Blood of an Exile. Naslund’s first book was a 2019 gem that I missed and didn’t get to until January of this year. I refused to make the same mistake with his second installment. I can’t really go into many plot details without spoiling things, something I absolutely refuse to do. If you have read Blood of an Exile, Queen’s story picks up immediately after the end of book one and revolves primarily around the escalation in stakes, technology, and conflict caused by the first book finale. If you haven’t read Blood of an Exile, you have made a mistake, and I again recommend you check out my review of book one. However, before you realize your error and dive into Exile, let me shout at you about its excellence.

The series follows a quartet of characters: A queen, an exile, a bodyguard, and a young alchemist. Each character has their own rich backstory, and Naslund does a wonderful job giving each of them agency and distinction, while cleverly interweaving their stories. Sorcery of a Queen is an extremely powerful character story and has so much delicious character growth. The alchemist gets pulled into a conflict by chance, but ends up learning about himself and the world while working as a field medic. The queen, a master of politics and leadership, finds that she is actually a woman of action and there is a powerful joy in physically pushing humanity towards a better future. The bodyguard is a woman of honor and conviction, but her chosen path in life forces her to closely examine the value and worth of bonds and where she will draw the line. The exile is a man condemned to death, who learns he cannot die, who then learns he cannot escape death. The amount of change this rollercoaster of events unleashes on his personality and life outlook is a work of art and a truly original observation of the human condition. These are excellent characters.

In general, the overall quality of Queen has also improved from Exile. The prose is better, the action is punchier, and the humor is funnier. The pacing in Exile was good, but Queen’s is perfect. I absolutely flew through this book, reading it in just two weekdays. The POVs all strike this great balance that constantly compels you to read more. The worldbuilding is also just bigger. The stakes of Exile were fairly small, with each of the characters having fairly simple and straightforward goals: stay alive, find a girl, get a job, research dragons. Towards the end of Exile, things began to escalate and it paved the way for Queen to grab a perfect narrative baton-pass and expand into a fully fleshed out world with bigger stakes. In particular, one thing I was enamored with was the evolution of themes. In Exile there was really one major theme, this idea of naturalism and that dragons were an important part of the ecosystem (and hunting them was destroying it). In Queen, this theme is still very present, but a number of additional themes like the cost of war, the nature of friendship, and the dangers of unchecked science all join it to build a much more luscious and juicy story. This enhancement of an already good story builds to something wonderful.

Sorcery of a Queen is fantastic, breaking every single one of my high expectations to tell a story that was nothing short of wonderful. Blood of an Exile had some good ideas and great characters, but Queen has it all. Usually, when I review a book I like to talk about if its best for readers who focus on characters, plot, worlds, or ideas. It is very rare that I come across a book that I can unilaterally recommend to all of those people, and this is one such occasion. I loved Sorcery of a Queen and I can’t wait to see where the series goes next.

Rating: Sorcery of a Queen – 10/10
-Andrew

Ormeshadow – A Little Slice Of Life

712zdrcfehlPriya Sharma’s Ormeshadow overflows with dark family secrets, generations of lore, and tragedy. Sharma has a knack for pitting characters against one another with beautifully selected words. Ormeshadow reads like a wood-carving: Sharma removes all the excess material and presents a pristine, sharp product that feels at once succinct and sprawling.

Gideon Belman’s life completely changes when his father, John, ushers the family to Ormeshadow farm on the heels of his failure as a scholar in Bath. The land rests near the Orme–a sleeping dragon, as legend puts it, upon whose back the land has grown. John regales young Gideon with tales of the dragon and his family’s inextricable ties to it. John’s wife, Clare, tolerates the stories. Ormeshadow is tended by John’s brother Thomas, a rugged farmhand supported by his wife Maud, his boys Peter and Samuel, and his daughter Charity. The reunion dredges up years of resentment and hatred, and Gideon is thrust against his wishes into a life that seems intent on dragging him into madness and cruelty.

A true novella, Ormeshadow reads at a brisk pace, following Gideon’s life after the move and skipping years of time. Sharma’s chapters are snapshots in time, and the blanks she leaves can be easily filled in by imaginative readers. It’s almost like a series of vignettes, each serving a simple purpose: to tell us how Gideon has coped with the innumerable tragedies that befall him in Ormeshadow. The short length serves to better the book by quickly leading the reader to new, darker territory with every turn of the page.

The plot itself could be described as predictable (and probably has been described that way by some). However, when a predictable plot point was finally revealed, I felt spurred on by it, rather than hindered. Sharma’s characters are so believable that I became ravenous for more detail. To experience the characters dealing with their struggles is the heart of the story. Moments of realization and heartbreak abound, but they’re overshadowed by the subtler character moments that follow. Peppered throughout the book are the stories of the Orme and how it came to be. These stories lend mystical context to the modern-day goings-on in the tale, and they’re the cherry on top of the Sharma’s prosaic cake.

All that said, if you read Ormeshadow for any reason, let it be the prose. Sharma writes with a lyricism and brevity reminiscent of McCarthy’s The Road. She says what must be said, and she does it with remarkable verbal grace. Simple, accessible, and beautiful descriptions lie on every page, and it’s a wonder to behold.

Stories of the Orme and legends of the Belman family give Ormeshadow a distinct mystical bent, as I mentioned above. These, presumably, are the reason for the novella’s “Dark Fantasy” genre-billing. I bring this up because, unless you sensationally interpret the story’s final moments, Ormeshadow is more of a dark realism story. It’s replete with family drama, plenty of lore, and a dash of mystery, but the fantasy elements are minimal. This doesn’t detract from the book’s quality at all. Instead, it’s a fair warning to readers seeking a grim fantasy tale. This novella may not satisfy that particular craving, but it is worth your time.

Priya Sharma’s novella bursts with character and flawless prose. She weaves a tale of family intrigue, dark pasts, and overcoming adversity. For such a quick read, Ormeshadow packs a hell of a punch.

Rating: Ormeshadow – 8.0/10
-Cole

A Brightness Long Ago – Cherished Memories And Lessons Learned

Originally I wasn’t going to review this book because it is by Guy Gavriel Kay, and here at The Quill to Live we basically have a blanket recommendation for anything he has ever written. His ability to churn out a powerful novel that is equal parts historical fiction, fantasy, and love note to history is well known. However, it is very likely that A Brightness Long Ago will be our book of the year – thus it seemed important that we actually review it. So here you go: as always, Kay has crafted a masterpiece of prose, commentary on the human condition, believable characters, and exploration of what it means to be a part of something bigger than yourself. This book is utterly beautiful, heartbreaking, and will be a favorite of anyone who has a pulse. There you go, review over. What, you want more? Fine, I will actually do my job.

A Brightness Long Ago, according to Kay’s book blurb, “is set in a world evoking early Renaissance Italy”. Unfortunately, because I am an uncultured peasant, I am not familiar enough with European history to have recognized that without his prompting. While some of Kay’s books feel extremely evocative of specific historical times and events, Brightness felt less rooted in real events than some of the other Kay books I have read. As with all Kay books, the story is focused on small individuals who experience moments of something bigger than themselves. In this instance, the larger world events revolve around a long slow conflict between two powerful military leaders: Folco and Teobaldo. They are two proud, brilliant, and unyielding men who are vying to leave their mark on the world. The book follows a continent-sized chess match between these two titanic personalities and explores a number of their attempts to seize power from surrounding powers. Although they are the focus of the plot, the book is much more about the lives that they touch and change in their momentous conflict. In particular, our primary POVs are Danio and Adria – a man of some learning who continuously finds himself at the center of climactic events due to the choices he makes, and a woman who rejects the mantle of aristocracy because she wanted to do something that matters.

This is a tale of people learning about how the world works, seeing how they can change it, and the decisions they make when push comes to shove. It’s a story of how people are forged by their surroundings, and how they can rise to be more or fall to be less. It’s about decisions that must be made in the blink of an eye that profoundly change the course of the decider’s life one way or another. It’s about one of my favorite subjects – the quiet unrecognized achievements of the people who changed the world, but what they did will never be known to anyone but themselves. It’s about people who run towards ambition and influence, and those that do everything they can to live quiet lives and accept the influence of others being thrust upon them. All of these small things that A Brightness Long Ago is about builds to a deafening crescendo of emotion, poetry, and commentary on the human condition that make it one of my favorite books I have ever read.

I love this book so damn much for so many reasons. Kay’s characters are always perfect, but I haven’t liked a cast this much outside Sailing to Sarantium – Danio and Adria stole my heart and won’t give it back. Kay’s stories usually focus on ordinary people who hear gunshots and run towards the sound. However, Brightness has an interesting mix of characters who seek momentous events out, and those who actively avoid them. For those who have read a number of his other pieces, I feel you will find some interesting fresh personalities in Brightness that defy the expectations of even the most well-read readers.

A Brightness Long Ago was a flawless piece of literature that left me crying on a plane, kept me up to 5 AM on the edge of my seat, and challenged me to really think about the decisions you make in life. Every single thing that Kay makes is excellent, and this is one of his best. A Brightness Long Ago simply begs to be read and I don’t want to know the person who doesn’t enjoy it. As I said in my first paragraph, Kay has crafted a masterpiece of prose, commentary on the human condition, believable characters, and exploration of what it means to be a part of something bigger than yourself.

Rating: A Brightness Long Ago – 10/10
-Andrew

For The Killing Of Kings – For The Having Of A Good Time

91fi4au2qflI apparently have a thing for military orders. Or, I guess not military, but organized groups of fantasy heroes. Maybe all of us who read the genre do, as most fantasy books have them. There always seems to be some group of warriors with a cliche name like “the Night Fighters” in every fantasy book. However, every once in a while you get a series like Malazan, or Bloodsong, or even Harry Potter that does these groups of heroes justice and tell you about a club that you would give your left arm to be a part of. This is one of those times. For the Killing of Kings, by Howard Andrew Jones, is the first book in his new The Ring-Sworn Trilogy. It is a phenomenal new story, whose greatest shortcoming is that there is not more of it, and it will likely be one of my top books of 2019.

For the Killing of Kings (FtKoK) tells the story of a post-war Darassus. Through the use of the Altenari, a prestigious military order, and its army, Darassus won a major conflict again its hostile neighboring nations. However, instead of pressing their victory, the royalty sued for peace – electing instead to focus their time upon studying mysterious magical artifacts they found over the course of the conflict instead of hunting down their enemies. This choice fractured the Altenari, with some losing faith in their leaders, and others holding fast to the nation’s new direction. Although the Altenari are somewhat reduced from their former glory, it is still a highly sought after order with many aspirants pledging to try and rise to the high rank of Alten. Our story follows two individuals, Elenai – a high ranking squire in the Altenari order, and Rylin – one of the newest individuals to reach the high rank of Alten after the war. Although both of these individuals are supremely talented, they find themselves in the shadow of the “old guard” of the Altenari (those who helped win the previous war). However, in the course of their duties both of our protagonists stumble over a mystery/conspiracy that threatens Darassus and find themselves working with the old guard to save the nation.

FtKoK has all the hallmarks of a fantasy great. It has an engrossing world, a top tier cast of characters, a fast-paced plot, and smart well-written prose that explores complicated themes through a fun medium. The world has your typical fantasy backstory – six gods each sat down and made a nation and became their patron. One went crazy and tried to murder the others, and got curbed stomped. While the gods fashioning the various nations isn’t too original, there are a number of details, like that the goods seemed to have built the word in some sort of giant unstable magical dimension, that gives FtKoK a distinguishing flare. While the land of the nations is solid and fairly “normal”, the borders and space between the various realms is this shifting morass of reality that essentially looks like a kaleidoscope that was tossed into a dryer. These shifting lands are extremely unstable, and magic users have learned to essentially build a reality around them as they travel through the lands. This leads to some super cool magic and magical fights in the story and really gives the world of FtKoK a lot of character.

Although the world is cool, it doesn’t hold a candle to the characters. The entire cast is fantastic and was really the high point of the series. Starting with our protagonists, both are intelligent, relatable, kind, warm, and show growth throughout the book. While they have a ton of differences, Elenai and Rylin are similar in they are both in roles where they feel they have been promoted above their station. Although they technically share ranks (or a rank below) with the rest of the Alten, they are new additions to this prestigious order and feel they still have a lot to do to live up to their ranks. They both have a level of self-awareness that is refreshing and speaks a lot to the virtues of responsibility and sacrifice. And speaking of the old guard, the most established Alten are all brilliantly written characters. Each of them is distinct, engrossing to read about, and improve the enjoyment of the book by their very presence. I love these characters and I want to read more about them.

The plot is also no slouch, and I found myself throwing out my regimented free time schedule in order to spend more time with this book. The mysteries in the story are well presented, and Jones has a real talent for teasing out clues and leads to build a larger picture. However, while I have a boatload of positive things to say about FtKoK, there were some places that could be improved. First, the book is too short and ends on an outrageously suspenseful cliffhanger. I feel like Jones couldn’t decide where to break up books one and two and just picked a place at random. I only finished the book last night and I am already dying for the sequel. Along a similar line, the pacing sometimes felt too quick. There were fights, dialogues, and expositions that felt a little rushed and I wish Jones took a little more time fleshing out and exploring. I really, really, liked this book and I didn’t like that I sometimes felt that I was being “rushed out the door”. At only 350 pages, I felt that FtKoK could have easily been 600 (a lot happens) and told the same story at a more luxurious pace.

At the end of the day, if the worst thing you can say about a book is that you wish it was twice as long it means you obviously loved it. For the Killing of Kings has raised the Altenari to one of my favorite fantasy orders in a single book, a feat that is no small accomplishment. With its brilliant cast of characters, smart explorations of the burdens of responsibility, and nebulous world and plot – For the Killing of Kings is sure to be one of the best books of 2019 and I recommend you check it out as soon as possible.

Rating: For the Killing of Kings – 9.0/10
-Andrew

The Empire Of Ashes – Come Get It While It’s Hot

a19o2yo0d2blI find myself sadly wrapping up a number of series this month, leaving me feeling like I am saying goodbye to a number of dear friends. Today’s book is the finale in the Draconis Memoria, Anthony Ryan’s newest trilogy. The final book is called The Empire of Ashes, and I will tell you right off the bat that it sticks the landing. If you liked The Waking Fire or The Legion of Flame, I have no doubt that the final book will give you everything you want. I am going to direct this review to those who have read the first, or first two, book(s), but if you are unfamiliar with the series you can find my sell on The Waking Fire here. It would be easy to say “it’s just as good as the others” and leave the review at that, but Empire does a great job distilling and promoting my favorite elements of The Draconis Memoria – and as we close out the series, this seems like a good time to talk about them.

The PlotEmpire brings it all together. The plot of Draconis has been steller from the start: ragtag group of individuals banding together in a industrial world to stop a dragon menace with guns and magic. As the series has progressed it has been one twist after another, with the plot pulling you along at a breakneck pace. While Empire still has the same level of engrossing story as the previous two books, where it improves the plot is how everything comes together. Anthony Ryan must have planned this story on a giant conspiracy board because every seemingly unrelated thing in the books come together in the end to form a huge picture. The level of detail and connection in the plot is astounding and I felt elated as I watched all the pieces from this series fall into place.

The World – Each book in Draconis has expanded the scope of the world. Waking started on a single island, Legion expanded to the major continents/empires, and Empire shows the you full world that Ryan has crafted. I was surprised at how well Empire managed to balance fleshing out its entire world and a focused engaging story. Ryan’s ability to paint a huge sweeping picture of a living world with tons of different governments and peoples, while also losing none of the pacing and immersiveness of his plot is a step up from his past work with his last series, The Raven’s Shadow. On top of all of this, the plot of Empire sees the birth of a technological arms race to combat the White’s power that is spectacular to witness. Ryan’s talent for fight scenes comes through in spades as you read spectacular show downs of magic, machines, and dragons.

The Characters – While there are many reasons I would tell you to read this series, the greatest is its characters. The cast of this book contains a number of my new favorite characters, including one that might be my #1 badass of all time. When I started The Waking Fire, I thought Clay was the coolest guy in town. While my love for Clay has in no way been diminished, I have realized that there is an even greater champion of amazingness in this series: Lizanne. I don’t normally focus so much attention on a single character, but Holy Christ do I love Lizanne. She effortlessly mixed uptight bureaucrat, fearless leader, and unstoppable badass into one incredible, and believable, person. She feels flawed enough to be real, but capable enough to be someone that would have entire history books written about her. Her reactions to everything are priceless, her fight scenes and stunts are legendary, and she is someone I really wish I could be friends with. While she eclipses the others, the entire cast of Empire has these qualities in some form, and I found I was not ready to leave this world when I was finishing the last pages.

The Empire of Ashes is a phenomenal conclusion to a series that has only gotten better in each book, and started off strong. My one and only criticism of it is that there is a pretty obvious Chekhov’s Gun that is left on the table, Ryan even makes a nod to it, and it left me pretty disappointed. However, other than that Empire is everything I could have wanted it to be and I cannot wait to find out what Ryan has in store for us next.

Rating:
The Empire of Ashes – 9.5/10
Draconis Memoria – 9.5/10
-Andrew

The Armored Saint – Big Power In A Small Package

armoredsaint_revI have been reading a number of short books this month, and it’s making it fairly easy to compare and contrast their strengths. Among the short novels I read, I found a dark horse that I want to draw some attention towards: The Armored Saint, by Myke Cole. Some of you might know Myke from his Control Point series, a story about soldiers with superpowers. I really enjoyed Control Point, and Myke’s writing in general, but the subject of the books was not my forte. So I was thrilled to see that he has gone in a new direction and written a story I would describe as part slice of life, part low fantasy, and part Warhammer 40K.

As mentioned, The Armored Saint is a bit of a genre mash up. The book follows the story of Heloise, a young woman trying to get by in a fairly messed up fantasy world. Like many fantasy landscapes, The Armored Saint’s has been ravaged by demons and sorcerers. Out of control magic has wasted away the landscape, and mages are targeted on sight by everyone to prevent additional damage to the surroundings. To deal with the possibility of rogue magic users, the world has an order of inquisitors who ride around and put down those accused of magic use. The plot revolves around Heloise and an interaction she has with one of these roving bands of inquisitors, and the fallout from this interaction. The plot isn’t the powerhouse of the book. In fact, once or twice the plot could be annoying – like when it drew out the power armor reveal that is both in the cover art and title of the book.

However, while the plot might not be my favorite, the book scores unbelievably high marks in character and atmosphere. Let’s start with the characters. Myke Cole’s prose, and vivid writing, does an incredible job establishing the characters in a very short time and draws you straight into their struggles. Character emotions feel real and raw and create a very tense atmosphere where you are concerned for the fate of all of them. On top of this, the crown jewel of the book might be its atmosphere. Heloise is a fairly young, innocent, and naive girl (at least initially). She is thrust into several situations she does not understand, but is smart enough to sense that something about them is off and to be terrified of them. This emotion is mimicked by the book itself as you read it. As you progress through The Armored Saint, you will get the distinct feeling that something is off. Things seem like they are going ok, but you will have this sinking feeling in your stomach that something is about to go very badly. When these terrible moments reveal themselves they capitalize on the build up brilliantly and make for some truly memorable scenes.

The Armored Saint packs a lot of raw emotion and storytelling in a tiny package. While it falls slightly short on story, it is an experience I would recommend to anyone and is one of the best short books I have read this month. Myke Cole is an extremely talented writer and continues to prove he can knock it out of the park with whatever he sets his mind to write.

Rating: The Armored Saint – 7.5/10

-Andrew

Provenance – A Little Of Everything

unnamedI am trying to spend December cleaning up a couple big releases I missed this year, and the first on my to do list was Provenance, by Ann Leckie. Ann is famous for her Imperial Radch trilogy, a slightly controversial series that I recommend everyone at least check out. Now, coming off that serious and complicated story, Leckie seems to have wanted to do something more fun – so she wrote a fun and complicated story instead. Leckie has returned to the same universe for a spin off book about a group of people involved in a heist/political intrigue/murder mystery/rescue mission/art forgery/winning a family squabble/… so there may be a lot going on with Provenance.

The Imperial Radch trilogy was an innovative science fiction thriller about an AI on a quest for revenge. While I loved the series at the start, I eventually felt that love tarnish slightly because I felt the series had a hard time balancing the personal stories of the characters and the larger story of Leckie’s world, especially in the later books. However, Leckie’s new spin off Provenance brings in everything I liked about her worldbuilding and storytelling, with a greater focus on the personal stories that I gravitated towards in her original trilogy. I was originally going to say that Provenance is much more focused, but that’s not really true. I am not really sure how to explain what the book is about other than “people’s lives”. The book starts with our lead, Ingray, buying the freedom of a man in prison. Her mother is a high ranking aristocrat of society and is soon going to name her heir. Ingray has habitually trailed behind her older brother in the family standings and has decided to make a last ditch effort to embarrass her brother and win her mother’s esteem. This plan unravels in the first few pages and the book instead takes you on a wild chaotic trip through Lekie’s world.

The main “thing” Provenance is actually about is question the idea of one’s “home” and origin, as you might guess from the title. All of the characters are questioning what is their home and who made them who they are, and it is a story about connecting or disconnecting with your roots. It is also about how its ten seemingly unrelated subplots are actually connected. It has this element of mystery and randomness that I found refreshing and charming. All of the subplots are interesting, and do an impressive amount of subtle worldbuilding for the Imperial Radch universe. There are a number of new cultures and people to meet in Provenance, and I found each of them captivating. I was also a much bigger fan of Leckie’s cast in this new book than her original trilogy. Ingray can be a little bit of a wet towel occasionally, but in general I enjoyed my time with her and the support cast is memorable and charming.

As for Provenance’s flaws, though the randomness of the plot was fun and charming, it can make the storytelling feel a little disjointed occasionally. As I also mentioned before, Ingray was sometimes a little underwhelming. There were a ton of things happening around her constantly, and I sometimes felt like she was just being swept along to events with little personal agency while feeling sad. Other than that though, I thought Provenance was a much more well rounded book than Leckie’s Imperial Radch trilogy and likely will be much more widely appealing.

If you liked Leckie’s previous books I am almost sure you will like this one too. If you didn’t like her first trilogy, but found her ideas and world exciting, then you will also probably like this book. If you have no idea who Ann Leckie is, but want a fun sci-fi romp/mystery that defies classification – then you also should check it out. The Quill to Live recommends Provenance – it is a fun book that manages to have a little of everything.

Rating: Provenance – 7.5/10

-Andrew