The Book Rookie – The Hero of Ages

We’re back with another installment of The Book Rookie! This time, Alex and Andrew join cole to discuss The Hero of Ages, Brandon Sanderson’s thrilling conclusion to the original Mistborn trilogy!

Just catching up? Listen to our discussions about Mistborn and The Well of Ascension before you dive in.

And enjoy our shiny new musical intro!

The Book Rookie is a book club in which Cole (the eponymous rookie) reads flagship fantasy and sci-fi books, then discusses them with readers who have more experience with the genre.

This isn’t a book club for niche reads. We’re talking big series: The Gentlemen BastardsA Song of Ice and FireThe Broken EarthThe Stormlight ArchiveThe ExpanseThe Malazan Book of the Fallen, and countless other top-tier fantasy and sci-fi reads. We want to compare readings of the SFF world’s MVPs. A relative newcomer to adult fantasy will inevitably perceive a book differently than two readers who have travelled the many worlds available to SFF readers. We hope you enjoy the new series! If you have a book you want us to discuss, drop a comment below!

The Book Rookie – The Well Of Ascension

We are back with part two of The Book Rookie – Mistborn. Today we’re talking about the second book in the series: The Well of Ascension, by Brandon Sanderson. Unlike our discussion of the first book in the series, this discussion inherently needs to have some spoilers – but we tried to minimize them as much as possible. However, if you have not read Mistborn, we recommend you hold off on listening to our highly entertaining discussion of book two.

The Book Rookie is essentially a book club in which Cole (the eponymous rookie) reads flagship fantasy and sci-fi books, then discusses them with readers who have more experience with the genre.

This isn’t a book club for niche reads. We’re talking big series: The Gentlemen BastardsA Song of Ice and FireThe Broken EarthThe Stormlight ArchiveThe ExpanseThe Malazan Book of the Fallen, and countless other top-tier fantasy and sci-fi reads. We want to compare readings of the SFF world’s MVPs. A relative newcomer to adult fantasy will inevitably perceive a book differently than two readers who have travelled the many worlds available to SFF readers. We hope you enjoy the new series! If you have a book you want us to discuss, drop a comment below!

The Book Rookie – Mistborn: The Final Empire

Today, we kick off a new series: The Book Rookie!

The Book Rookie is essentially a book club in which Cole (the eponymous rookie) reads flagship fantasy and sci-fi books, then discusses them with readers who have more experience with the genre.

This isn’t a book club for niche reads. We’re talking big series: The Gentlemen Bastards, A Song of Ice and Fire, The Broken Earth, The Stormlight Archive, The Expanse, The Malazan Book of the Fallen, and countless other top-tier fantasy and sci-fi reads.

We want to compare readings of the SFF world’s MVPs. A relative newcomer to adult fantasy will inevitably perceive a book differently than two readers who have travelled the many worlds available to SFF readers.

For our first episode, we dive deep into Brandon Sanderson’s Mistborn, a perfect fantasy gateway book that has something for everyone. Andrew and Alex accompany Cole on his first Sanderson excursion (we’ve linked each reviewer so you can get a feel for individual tastes and, of course, read our posts!).

Without further ado, here’s our first episode of The Book Rookie!

Fantasy Cop Throw Down – A Triple Review

I’m switching things up today and reviewing three books at once. Why? Because I accidentally read three fantasy cop stories in two weeks and I don’t think I have it in me to review each one separately, but I want to talk about all of them. So the question of the day is this: which of the following fantasy cop novels takes home the golden gumshoe? Is it a) The Last Smile In Sunder City by Luke Arnold, b) The Last Sun by K. D. Edwards, or c) Titan’s Day by Dan Stout? For full transparency, Sunder and Last Sun are both the first book in their respective series, while Titan’s Day is a sequel to Titanshade, a book I have already reviewed. It’s possible that because of this I came into this showdown with a favorite, but let it be known that I attempted to curtail my bias to the best of my ability.

Next, let’s establish some judging criteria. I want to keep this clean and easy, so I’ll judge the books on three categories: worldbuilding, plot, and characters. For worldbuilding, I am looking for reasons this story couldn’t just be a cop drama – show me a cool world that adds something to the story and tension. For the plot, I am looking for a mystery or drama that is exciting and keeps me guessing. For characters, I am looking (begging) for a cast that breaks out of the bottomless pit of cop tropes and tired cast members you can find in any cop show. Now, let’s meet our contestants.

Sunder City is about a former soldier turned PI named Fetch Phillips. He is searching for repentance in a ruined world that he had a hand in destroying. Years ago he was part of an army that accidentally ripped magic out of the world, badly disfiguring and killing the majority of fantasy creatures that lived in it. Now he tries to help the fantasy creatures whose lives he ruined.

The Last Sun is about Rune Saint John, the last child of the fallen Sun Court. John is the last remaining member of an aristocratic Atlantean family. The Atlanteans are essentially high tech magical elves who resurfaced the continent of Atlantis to live alongside humans because they were bored (I am not doing it justice, but it’s complicated and not well explained). There are TONS of magical families in Atlantis with different powers, and John is hired to search for a missing son of one of the most prominent ones.

Titan’s Day is the sequel to Titanshade, and tells the next chapter of Detective Carter – a good cop who isn’t afraid to do the right thing no matter what. This book follows the discovery of a new source of energy in an oil town that is desperate for something to restart its dying economy. While political factions squabble over the new lifeblood of the city, Carter single-mindedly pursues a seemingly unrelated murder case of a “candy”. He is forced to navigate political pressures and resist becoming a pawn in the struggles tipping the city toward anarchy. But when more innocent lives are lost and time runs short, he’s forced to decide if justice is worth sparking an all-out war in the streets during the biggest celebration of the year: Titan’s Day.

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Category one: worldbuilding. Worldbuilding (to me) in a fantasy cop story is more important than in a normal book. The author has to justify placing the story in a fantasy setting instead of just writing a piece of fiction. In addition, the best fantasy cop stories tie the investigation/crimes to the magic while making the worldbuilding clear enough that the reader can use it to solve the crime themselves. What I don’t want, is to read a cop story in a cool world where the magic is just a backdrop.

Sunder City starts us off strong by killing it with the worldbuilding. Luke Arnold has crafted an impressively detailed magical world then pulled the rug out from under it. He does a fantastic job of showing the reader how magic was a foundation that his society was built on – and how it crumpled, was rebuilt, and evolved once the magic disappeared. The worldbuilding is brilliantly interwoven with the mystery, and he empowers the reader to solve it themselves. Sunder City gets 4 out of 5 for worldbuilding.

The Last Sun, on the other hand, is a mixed bag. On the good hand, the world and magic are cool as heck. Each house has a different set of powers and there is a fun and inventive magic system involving the use of trinkets called “crests”. On the bad hand, the worldbuilding doesn’t quite feel coherent. It constantly feels like Edwards is giving the reader just enough information to get them through the current scene and that the world beyond the current situation is unfinished. I didn’t really believe the world was a real place. And while the magic was integral to the mystery of the plot, I didn’t really feel equipped to solve it. The Last Sun gets 2 out of 5 for worldbuilding.

Titan’s Day likely had the strongest worldbuilding of the three, but I need to ding it slightly. If you read my review of the previous novel you will see that the series has an impressively well-realized world. Stout put an agonizing amount of detail into how his magic and worldbuilding are fused into the world and the story. The rules and restrictions of the magic are set down like laws and it empowers the reader wonderfully to enter the mind of the protagonist and solve the crimes. However, one thing I was unimpressed with was I did not feel like Titan’s Day did a good job expanding the world past the road that Titanshade paved for it. Titan’s Day gets 3 out of 5 for worldbuilding.

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Category two: plot. This one in my mind is the most subjective. I don’t have crystal clear criteria for the plot – but what I am hoping for is a story that isn’t predictable, is exciting, and has some good twists.

Sunder City has a perfectly serviceable plot, but it didn’t really impress me. The story focuses primarily on how the case takes Fetch through a cavalcade of situations that are difficult due to his involvement in the destruction of magic. The plot feels more like a vehicle for character growth than a good murder mystery. At the same time, it isn’t terrible, and there were a few good twists. Sunder City gets 3 out of 5 for plot.

The Last Sun was my frontrunner for plot. Despite the fact that the book didn’t set me up to solve the mystery myself, I was extremely invested in what was happening and urgently turning pages to find out what happened. In some ways, Edwards’ loose worldbuilding helped the book here as it provided a stronger sense of mystery and intrigue. In addition, The Last Sun has excellent combat and action scenes that put it at the top of the group in terms of excitement. The Last Sun gets 4 out of 5 for plot.

Titan’s Day continues to make this competition difficult by being complicated. On some level, I actually think Titan’s plot is phenomenal – but I am the wrong audience for it. Titan focuses on hyperrealism and trying to make the book feel like it uses real police work. I am sure there is someone out there who will really appreciate this, but it is not me. I found Titan’s Day’s plot boring — a rehash of the same exact story as Titanshade. The book felt like it had almost no growth whatsoever, and I didn’t like where it started. Titan’s Day gets 2 out of 5 for plot.

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Category three: characters. With characters, I am looking for all the usual hallmarks of good character design: depth, growth, relatability, and originality. In particular, I was hoping to see something beyond the usual tropes you see in every cop drama on TV.

Sunder City has good characters that pull you into the story. Fetch is a complicated person with some very believable demons. The slow reveal of his past over the course of the story is a masterclass example in how to control what information to give the reader when. On the other hand, the supporting cast leaves a little to be desired. Sunder City is the Fetch show and it doesn’t feel like there is much room for anyone else. Sunder City gets 3 out of 5 for characters.

The Last Sun does well on characters. John is fun, relatable, original, and deep enough to stand out in this crowd. In addition, there is a plethora of supporting cast members who stand well on their own and do a lot to enhance the story. I was invested in almost every character who made it onto the page and I think Edwards killed it on their character writing. The Last Sun gets 5 out of 5 for characters.

Titan’s Day has terrible characters. I don’t know how else to phrase it. They are box standard tropes of the timeless cop identities. The characters have almost no depth. They demonstrate little to no growth over two entire books. I didn’t really like or care about any of them. After two books of no one growing or evolving, I found myself frustrated with the cast and considering giving up on the book entirely. Titan’s Day gets 1 out of 5 for characters.

Final Scores: The Last Sun just barely edges out The Last Smile In Sunder City to take my top spot of cop books I have read within the last two weeks – which is clearly a prestigious victory. Coming in way beneath both is Titan’s Day, which struggled to do anything with the excellent groundwork that Titanshade built. If I had compared Titanshade to the other two books I think the competition would have been a lot closer to a threeway tie – but I don’t think it would have taken the crown. Though each of these books has its strengths and weaknesses, The Last Sun is my recommendation for any of you looking for a good fantasy cop drama right now.

Rating:

The Last Sun – 7.5/10
The Last Smile In Sunder City – 7.0/10
Titan’s Day – 4.0/10

-Andrew

The Priory Of The Orange Tree – A QTL Discussion

Today we have another audio review from Andrew and Alex. This time we are digging into the critically acclaimed The Priory Of The Orange Tree, by Samantha Shannon. It is a giant standalone book that serves as a great introduction to epic fantasy. The review is without spoilers, so jump on in and find out if this gigantic book about dragons and fruit is for you. As always, you may want to turn down your volume as we have trouble controlling the volume of our voice at the start. We’re working on it.

The Naked God – A QTL Discussion

We return with our final installment of our Night’s Dawn audio reviews! For those of you still listening, thank you for sticking with us. We know this is a bit out of the ordinary for our content and we are learning a lot. This time we are doing book three, The Naked God, in The Night’s Dawn trilogy, by Peter Hamilton. The goal of this discussion, once again, is to dive a little deeper into the book to better explore what makes them good, bad, and unique. There are a lot of spoilers for the books in these discussions, so if you wish to remain ignorant I recommend you skip today’s post. Otherwise, here is the discussion of book three (PS., we are extremely loud so you might want to turn down your volume):

The Neutronium Alchemist – A QTL Discussion

We are back with another audio discussion. This time we are doing book two, The Neutronium Alchemist, in The Night’s Dawn trilogy, by Peter Hamilton. You can find the spoiler-free written review here: Neutronium Alchemist review. The goal of this discussion is to dive a little deeper into the book to better explore what makes them good, bad, and unique. There are a lot of spoilers for the books in these discussions, so if you wish to remain ignorant I recommend you check out the written review. Otherwise, here is the discussion of book two:

And if you are looking for the discussion of book one, it can be found here: The Reality Dysfunction 

2001: An Odd Space Essay

Nearly two years ago, I sat in Chicago’s beautifully ornate Music Box theatre at the peak of the venue’s 70MM film festival eagerly waiting for the lights to dim and for Stanley Kubrick’s 2001: A Space Odyssey to begin. Next to me sat Ian Simmons, a friend, a coworker, and a movie critic/superhero capable of producing three or more podcast reviews per week for his site, Kicking the Seat. Just a few months prior, Ian and I exchanged a few messages about possibly partnering on a podcast series that paired my blog (the now-defunct ColeTries.com, where I posted about my adventures into the unknown and the uncomfortable) with his site. Our first toe-dip into the waters of the collaboration was a viewing of The Fate of the Furious, which we both enjoyed, though for my part (and hopefully Ian’s), not nearly as much as we enjoyed the prospects of our joint interests in storytelling and what makes something “good” or “bad.” Enter Late Screening, a monthly podcast series in which Ian would subject me to a movie I’d never seen before and, by most accounts, should’ve seen long ago. I’m talking classics like Jurassic Park, The Godfather, Citizen Kane, and countless others. We cooked up a list of missed movie opportunities and started scheduling showings.

That first experience led to a cavalcade of horizon-broadening movie-binging that completely changed my outlook as a reader. Game-changing literary or cinematic favorites appear with such irregularity that it’s easy to dismiss new experiences as “not my thing.” On one night I’m tempted to call fateful, 2001: A Space Odyssey, both the film and its prosaic treatment, looked me dead in the eye and overhauled my entire bookish world for the better.

Kubrick’s sci-fi epic fell somewhere in the first few months, and I distinctly remember sitting in the Music Box’s butt-numbing chair hoping desperately that the film wouldn’t bore my brains out. 2 hours and 45 minutes later, I walked home fueled by an insatiable appetite for fan theories, reviews, any piece of content that would tell me more about 2001. The following day, still jarred by Kubrick’s cinematic journey into deep space and what lies within it, I spoke on the podcast and came to the determination on-air that this was a storytelling masterpiece.

And then I read the book.

Perhaps out of sheer aggravation that I wouldn’t shut up about 2001, my then girlfriend (now fiancee–please hold your applause) bought me Arthur C. Clarke’s unique prose treatment of 2001: A Space Odyssey. Unique is probably an understatement here–Clarke wrote the novel as he and Kubrick developed the film, so neither is a true adaptation of the other. Instead, they exist as slightly different expressions of the same idea. Kubrick’s film boasts incredible scope paired with audiovisual mastery. Clarke’s novel paints a stunning panorama of space’s enormity relative to the human race and somehow makes it entirely relatable.

For me, this one-two punch of near-flawless filmmaking and delectable writing sparked a hunger for a first-class ticket to the massive pantheon of science fiction.

Clarke’s prose in 2001 delicately orbits perfection, often to the point of leaving characterization in its lyrical wake. World-building through resonant and poetic descriptions of space takes control from start to finish. It’s not the best book ever, and it’s not my all-time number one, but it’s damn close. And to me, what matters more is that Clarke’s work left a permanent mark on my bookworm psyche and busted open a page-devouring stargate (editor’s note: Cole has not seen the movie Stargate) in the part of my brain that sees a book on a shelf and demands it be read. 2001 ushered me on a personal interstellar maiden voyage into a genre I would previously avoid for no good reason. While Kubrick’s film made a meteoric rise to the top of my favorite movie list, Clarke’s book ignited a completely new reading frontier. I explored other classics like Do Androids Dream of Electric Sheep? to fill the HAL- and Bowman-sized void on my to-read shelves. I’ve plunged headfirst into Peter F. Hamilton’s The Night’s Dawn trilogy (thanks to an added push from the rest of the QTL staff).

Immediately after I came down from the interplanetary high of movie and novel alike, I devoured the remainder of the series in a matter of weeks (regretfully in the case of 3001: The Final Odyssey–stay away at all costs).

Like some of my other favorite stories–Harry Potter, Avatar: The Last Airbender, and Fables among them–2001: A Space Odyssey provided me with an endlessly chaseable adrenaline rush. I knew the film was special even as I was watching it for the first time, and I knew the book would change me from the first page. And the results are tangible. Ian and I launched a second series, Page2Screen, to showcase and discuss book-movie adaptations. Notably, A Space Odyssey earned a slot on the schedule, and more recently, that same podcast series opened up yet another genre to me with Stephen King’s Pet Sematary.

My fantasy-filled world opened up to include a pillar of the literary world I was content to leave unexplored. To imagine a world without 2001 feels impossible now, and the series of events that brought me there felt like a story worth telling to fellow readers. If you’ve held off on that off-kilter, unread, unfamiliar book, pick it up. It may be your next game-changer.

The Digital Plunge: My Three-Month Dive into Kindle-Only Reading

On March 1, 2019, I metaphorically set aside my library of 300+ physical books to prepare for a deep dive into the world of digital-only reading. Spurred by genuine curiosity, I read strictly on my Kindle for a full quarter of a year, ending on June 1.

As a former paper-only apologist, my 90-day excursion into Jambly McReadalot’s (I had to rename my Kindle after discovering I had about 50 different Kindle-enabled devices connected to my Amazon account, all with generic names) paper-white screen left me shaken to my core. Quite frankly, I enjoyed the whole experience with a few hesitations. Making the abrupt switch–and sustaining it for three months–fueled my newfound appreciation for digital books while simultaneously reminding me of the wonders of physical editions.

Along the way, I read a grand total of three books: Pet Sematary, There’s Seamen on the Poop Deck, and The Neutronium Alchemist. Typically I’d chide myself for low productivity after seeing those numbers, but 1) The third book was more than 1000 pages of dense Sci-Fi prose and 2) I never wanted to set a productivity goal for the project; instead, the point was to see whether good ol’ Jambly acted as a stimulant or a hindrance. Turns out I ended up at about the same reading speed in either medium.  

I understand there are factions of digital evangelists that rival paperback purists, but I want to be clear that this piece isn’t meant to sway anyone from one side to the other. I wrote this for the reader who has a Kindle gathering dust, subject to occasional utterances of “Maybe I’ll try that out sometime.” I wrote it for the other reader who’s afraid to bring a beefy paperback on that morning commute but won’t take the digital plunge. It’s an exploration of the ups and downs that inevitably accompany your chosen reading medium, and if you’re wavering even slightly, I hope I can give you the nudge you need open up to the best of both literary worlds.

The Coffee Table Effect (Or The Kitchen Counter Effect)

I devoured Pet Sematary just two weeks after embarking on my adventure with Jambly McReadalot, bolstered by the high of reading in a new way and reading my first Stephen King book. Following that binge and leading into April, I’d look down at my coffee table and see Jambly sitting there, idle, destitute, unused. During a three week stretch, whenever I had a bit of free time, I’d reach instead for my PS4 controller or the TV remote. Simply by virtue of being a device, my Kindle had a distinct disadvantage.

When I’m reading any book, it has a near-permanent space on my coffee table or kitchen counter. Somewhere visible, so it begs for my time. With physical books, this keeps me accountable and effectively steers me away from other content that fights for my attention. There are times when I stare at my bookshelf and just think about the possibility of reading all the tales within. My Kindle? Different story. That mental draw, almost a calling, to read a book contained within the Kindle’s plastic walls diluted to the point of near non-existence.

Eventually, this limitation subsided, perhaps sparked by my growing interest in The Neutronium Alchemist. Still, the psychological roadblock hindered my early interest in my little e-book library.

Train (or Car, or Bus, or Plane, or Boat, you get it) Brain

My morning commute usually gives me 25 to 30 minutes of built-in reading time that I previously used to play mobile games and listen to podcasts. As soon as I switched to digital-only and started reading on the way to and from the office, I doubled my productivity by filling my otherwise free time with a book.

As an added bonus, reading on the train conditioned me for shorter reading spurts than I was used to. I’ve always been a “big chunks” reader, plowing through books in irregular 100+ page bursts. Now, Kindle in-hand, I can easily knock out 20-40 pages during the time I’d otherwise frivolously waste on Clash of Clans. That shift has seeped into my other reading habits as well; now I’ll sneak a quick chapter before dinner or flip through a few pages while I wait for a friend at the movie theater.

The most challenging aspect of this monumental shift in how I read is returning to physical volumes during my commute. I’m just starting Peter Hamilton’s The Naked God, which, at 1300 pages, is a brick of a book. Reading on the train is comparatively clunky and taxing, but my longing for paper currently outweighs my need for convenience.

Progress At A Glance

I’m stuck in the mental purgatory of constantly wishing to know how far I’ve read while also hoping not to see unwelcome reminders of said progress. A physical book’s page numbers offer the tried-and-true solution.

The Kindle offers various methods of progress tracking. The percentage measure seems to reign supreme based on my limited research, and I assume the option exists to turn off any progress meter completely.

During my readings of Pet Sematary and There’s Seamen on the Poop Deck, I welcomed the percentage meter because it rose steadily at a reasonable pace. When The Neutronium Alchemist entered the fray, the soul-crushing reminder that I hadn’t even ticked that meter up by 1% after what felt like 20 pages wore me down. It’s simple math, of course, but seeing my progress felt more like an obstacle than an encouragement.

Buyer’s Boredom

Purchasing a novel on a Kindle is the book-buying equivalent of a one night stand. It happens quickly, gives you a fleeting jolt of satisfaction, then leaves you feeling empty.

This gripe, in all likelihood, is personal to me, but buying any book on Jambly McReadalot left me feeling vapid. Half of my love for reading stems from trips to the bookstore with the anticipation of a new literary discovery. I can remember where I bought most of my books, the others I considered purchasing, and why I chose the book at hand. The Kindle makes this experience robotic, and I felt drained, rather than excited, after buying a book and waiting for the download meter to reach 100%.

Best of Both Worlds

By no means an expert after three months, but now seasoned enough to make some sort of judgment, I’m happy I’ve started to explore the possibilities of digital reading. I’ll put it as simply as I can: reading Kindle-only for three months took me from my extreme paper-only point of view and opened up a new, convenient option with its own inherent benefits. I may not be an e-book radical, but I’m certainly warming up to the possibility.

Don’t Worry, We’re Still Here!

Fresh content is coming your way!

“But where have you all been?”

Andrew, Chief Contributor/Supreme Quill To Live Leader had an important wedding to attend…and plan. Last week, he tied the knot! And most of our readers/writers have been on the East Coast to celebrate his next chapter. So we’ve been a bit behind, but the good news is we’re back on track!

Starting tomorrow, we’ll be back with new content on Tuesdays and Thursdays.

“What have you been reading?”

Most of us are still head-down in Peter Hamilton’s The Night’s Dawn trilogy. Check out our discussion about the first installment here, and read Andrew’s review of the second one here. Plus, sneak peek—we’re MUCH more divided on book two than we were on book one. More on that to come.

In between the long reading sessions required to plow through a 3000+ page epic sci-fi trilogy, we’re catching up on our personal TBRs. On top of all that, one of us took a three-month plunge into a Kindle-only reading schedule after years as a paper-or-bust apologist. Expect a write-up of that experience in the coming weeks!

What we’re really going for here are a few points:

  1. Thank you for your patience as we were away for a while.
  2. Great content to come, and we can’t wait for you to share your thoughts with us!

Thanks,

The Quill To Live Staff