The Loop – Round and Round, Here We Go Again

I’m not big on young adult fiction. I didn’t read a lot of it growing up, and as I get older I have an even harder time considering it. It has just never resonated with me, and continues to be low on my literary priorities list. Granted, I just said I have not read a lot of YA, so I’m generalizing it with my most memorable experiences. This is all to say that you should take this review with a grain of salt. Upon my realization that this dark horse was YA, I knew I was going to have reservations but I still tried to go into it with an open mind. The Loop by Ben Oliver feels like a standard action-oriented science-fiction dystopia that does not challenge the reader and barely scratches the surface of its own world. 

The Loop follows Luka Kane, a teenager who has been in prison for over two years. This prison is called The Loop, and its prisoners are subjected to some pretty horrible stuff. They do not see any of the other prisoners, and they are confined to their cells for the most part. However, every six months, they can participate in a Delay, a stay of execution granted to them by being subjected to scientific and medical experiments that the wealthy can then benefit from. Around Luka’s sixteenth birthday, the prisoners are separated into two groups and an unscheduled Delay is offered to everyone. Upon Group A’s return to the Loop, something is different about them– namely, that they try to escape their cells with wide grins plastered upon their faces. The prison is thrown into chaos as it seems to the prisoners that the world itself might be falling apart. This offers the prisoners an opportunity to escape, but is the world outside even worse than the one they have come to know within the Loop? 

When I first read the description of this book, I was excited. Some tiny part of my brain planted a seed deep inside, hoping that this prison would be a time-based maze. Don’t ask me where that thought came from, but there it is. So like I said, this book was doomed for me. Maybe a lot of how I read it was from a close-mindedness about the genre, agitated by my preconceived notions. Now since you’re here though, I might as well get into the actual review. 

The biggest gripes I had with The Loop were its characters and its worldbuilding. There was not a whole lot going on that made it interesting. Luka Kane was a fairly standard teenage boy. He’s in prison, for a crime the reader does not learn about until later, who does his best to stay absolutely fit mentally and physically with a daily reading and exercise regimen. Throughout the book, Luka never reveals any flaws, beyond he is just too good of a person. Any interpersonal conflicts he gets into are due to his naiveté, even when his “friends” are telling him otherwise. You could make the case that he is just willing to face the consequences of his choices, but ultimately he feels like someone who would stick his head in a wild alligator’s mouth, have the gator bite down and his last thoughts be “I was too trusting, I guess.” Luka often felt like someone discovering the world as a reader would, instead of feeling like a character who knew the world for what it was. Once the nature of his crime is revealed, I felt justified in my feelings of him as a character. I won’t spoil it here, but for me, it was unintentionally deflating. I won’t even go into the side characters because honestly, I barely remember their names only a week later, let alone their roles in Luka’s life.

So what does Luka reveal about the world he lives in as he travels through it? Well, again, I found the book lacking. That is not to say there aren’t details. Oliver clearly is imaginative in his construction of a cruel society. It also helps that the society that exists in his future feels eerily familiar, but turned to eleven. Society is split between the elites and the rest, all under a single world government. Elites have access to bionic technology that the rest do not. They run the prisons, which are used as science labs which experiment on the poor for the benefit of the elites. Percentages of the population are lost in drug-enhanced virtual realities. However, I did not care about this world. Sure, it’s cruel, it’s mean, and it’s hard, but I just never got the sense that it could be real. I didn’t believe that the characters were frustrated with it or dealing with it in any significant way. I’m not even sure there was an accepted resignation to it either. It was frustrating given that on the surface, the world they inhabit is terrifying but hollow.

Like I said earlier, this is just not really my kind of book. That said, and with my admitted lack of knowledge of YA literature, I don’t think this offers new or different ideas to its genre. Knowing that it’s the first in a trilogy also dampens any sort of excitement, considering that a lot of the questions the series will raise probably won’t be answered, let alone asked until the end of the second book. Even as a romp, I can’t recommend this book because I didn’t feel any sort of suspense or apprehension. But hey, to each their own, I just know I was not a fan. 

Rating: The Loop: 4.5/10
-Alex

Repo Virtual – Planet Of The Bots

91pmbl4opmlRepo Virtual is a peculiar and somber book that feels like a mash-up of different stories. Although it’s not quite a debut, as the author Corey J. White has a number of other publications to their name, we decided to put it in our dark horse initiative because not a lot of people seemed to be talking about it. The novel feels like it borrows storytelling elements from a lot of popular stories while also contributing its own original takes and ideas. The result is a fascinating and chaotic story of a possible near-future Korea where the virtual and the physical worlds are almost indistinguishable.

Although it doesn’t quite seem it, I think Repo Virtual might be a post-apocalypse story – even though the apocalypse in question is more like a quiet sigh than a big bang. The narrative follows the POV of Julius Dax, a bot technician by day and a virtual repo man by night. He makes his living by stealing gear and items in giant online games and selling them for hard currency. Julius lives in Neo Songdo, a city that is more virtual interface than stone and concrete. He is barely scraping by when his sibling brings him a job of a lifetime – stealing an unknown object from a reclusive tech billionaire. However, when it turns out the item he steals is the first sentient AI, everything goes south rather quickly.

On its surface, Repo Virtual is a fairly basic heist novel. The plot is serviceable, the job is exciting enough, and the characters are fun if a little cliche. However, the book really shines when it uses the heist plot to facilitate some fantastic social commentary as well as advance its pretty heavy themes. I would argue that Repo’s two biggest ideas are 1) that humanity is destroying its own existence through the facilitation of capitalism and 2) the rise of AI and how a new computer mind might see and change the world – both of which it explores in great detail. As I mentioned, Repo paints a bleak future for humanity. Through Julius, we get to see how hard literally everyone but a handful of billionaires work, how greedy fanatics make use of people’s anger and frustration, and how these things eventually fuel the collapse of society. It doesn’t inspire a lot of hope – but it is nicely balanced by the rise of the AI representing a new hope. The AI is like an inquisitive child and does a lot to provide a light at the end of a dark capitalistic tunnel. While I think that White did a good job arguing for his themes, I would point out that his arguments are not subtle. In fact, this is some of the most blatant and opinionated writing I have read in a while. In many ways, the book reads like a well written political paper more than a story – which weirdly works for me.

On the novel front, the world and characters are a mixed bag. Neo Songdo is bleak but feels like a well-realized and well-written possible future. The characters, however, are where things get a little uneven. Julius was great, though I did feel that his inner monologues sometimes felt a little redundant as he constantly thought about past injuries he cannot afford to have fixed, reminding the reader how terrible life is under a capitalist society that monetizes everything. On the other hand, the antagonists (who I don’t name to avoid spoilers) left a little to be desired. They felt cookie cutter and generic in comparison to Julius’ more dynamic personality, and I don’t actually think they added a lot to the story. Their entire side story would have functioned the same if the antagonists had been removed and replaced with “cops trying to stop Julius from committing crimes for good reasons.”

Repo Virtual feels like a poignant and clever criticism of capitalist society and commentary on AI wrapped up in a single package. The story is short, entertaining, and drives its points home well. While I don’t see this being the next blockbuster hit, it is definitely worth the short amount of time it would take to read, and it might make you think about the future trajectory of the human race. White has done a great job crafting a novel that depressed then uplifted me – all the while entertaining me with a kick-ass action-adventure.

Rating: Repo Virtual – 7.0/10
-Andrew

Beneath The Rising – On Top of Its Game

I have always been enticed by cosmic horror and other Lovecraft adjacent stories, but I never really dove into the genre. It’s always lurking in the background, taunting me with its perceptions of madness. Luckily for me, Premee Mohamed’s Beneath The Rising is a Lovecraftian story filled to the brim with horror, adventure, a dash of comedy, and a lot of fast-paced adventure. Beneath the Rising follows two teenagers on the cusp of adulthood and on the eve of destruction as they sort out their friendship and try to contain the Lovecraftian consequences of their decisions. Written through the eyes of seventeen-year-old Nick Prasad, the story explores the nature of cultural and class differences, shared traumas, and teenage romance as the characters attempt to save the world from Eldritch horrors.

The story begins when Johnny, Nick’s childhood friend and supergenius, Joanna “Johnny” Chambers”, returns from her latest travels of the world and shows Nick her latest experiment, a new unending source of clean energy. Upon activating the device, strange beings start appearing and harassing the two teenagers. Soon, Johnny reveals to Nick that she fears she has awoken the Ancient Ones, beings she has learned about through the various scientific societies she is a part of. Nick is inadvertently pulled into the chaos of Johnny’s quest to save the world by virtue of being her closest friend, even though he feels he barely knows her. He’s poor, of Indian descent and secretly in love with Johnny, a rich, white supergenius who flies around the world. 

Mohamed’s ability to explain the world through Nick’s eyes is wonderful. I sometimes felt lost, but it seemed like a deliberate choice, becauseNick’s consciousness switched between memories and current events with no real transition. It was as if I was reading someone’s thoughts while they were trying to parse what was happening in front of them and also reconciling it with a memory it triggered. These were the only times I felt pulled out of the book, but it gradually became less jarring as I attuned to the style. Nick felt like a teenage boy, aware of the seriousness at hand, but willing to take a crack at a joke to impress his friend. He referenced pop-culture a decent amount, but mostly because that was the easiest way to relate to the absurd situations he found himself in. Normally, I cringe at pop culture mentions, but they felt natural here in a way I have not experienced before. It felt like Mohamed purposefully wrote them as a point of contact for Nick to make sense of the world instead of being used to relate to the reader, and that is refreshing.

With the story being told in the moment through Nick’s point of view, the pacing is fun and frenetic. It conveys a sense of what Nick and Johnny must be feeling as they face the end of the world. There are constantly new threats that must be dealt with, or a new library to get to in order to find a way to defeat the Ancient Ones. Mohamed’s strength as an author is not just in her ability to keep the plot moving, but also giving the characters room to breathe and process what they just went through. Johnny lends an air of “whatever, I see crazy stuff all the time,” while Nick is still playing catchup and questioning the nature of their friendship, let alone the nature of the cosmos. Their fights with each other hit hard, and the reconciliation is earned if it even happens. Their relationship is truly engrossing as it’s pushed to the limits as these two teenagers travel across Northern Africa and the Middle East. Even more astounding is Mohamed never let the larger plot fade away and lose relevance, having it hover over the characters like a sword of Damocles. It put a lot of pressure on the story and kept pulling me to the next page.

I am not an avid reader of Lovecraft, but even so, something about the way the mythos is used felt refreshing. The Ancient Ones were always within reach, but rarely ever in sight, adding an increasing amount of tension. This might be disappointing for some, but I did not mind it. The first time “something” showed up in the story, I felt my blood run cold and I owe that to Mohamed’s careful and deliberate revelation of the world. My feelings as a reader often seemed to mirror Nick’s, unsure of what was going on and always needing an explanation, but only able to get a little bit from Johnny. It felt like a madness creeping into Nick’s brain, as if what he was going through could not possibly be real, but there was no other explanation. Moments that were humorous could also be easily turned on their heads as moments of horror. I never got the sensation that I missed the cue, however, as if Mohamed was hinting at the ambiguity for a reason and making me think about how teenagers would handle themselves in these terrifying situations.

The last aspect of the book that really gripped me, however, was just how insidious every interaction felt. Mohamed starts the story off with a moment of alternative American history in which 9/11 happens, but the planes miss. Similar tensions still pervade the western hemisphere, however, and Nick receives some of the backlash as an Indian person born and raised in Canada. It felt real, and as if Mohamed looked at me through the pages of her book, and asked “are you paying attention?” I could not stop looking for the little ways this change wove its tendrils into how Nick and Johnny engaged each other and the world given their backgrounds. I felt every word and turn of phrase had to be dissected. Being inside Nick’s head only fine-tuned this notion, making Johnny feel unreliable and dodgy in response to his inquiries. It was bold, and I felt it paid off immensely through the rest of the story.

Overall, if you’re looking for a fast, fun take on the cosmic horror genre that pushes its characters to the limits, Beneath The Rising is for you. Mohamed cares for her characters, and her love of the world that she’s built shines through. There are plenty of twists that are as revealing of the story as they are impactful to the characters. I had a blast, and this book makes me want to dive further into the genre. So, if you feel its pull even slightly, its worth it to answer its call.

Beneath The Rising: 8.0/10

-Alex

The Unspoken Name – A Maze Of Mystery

unspoken-gld-t1Yesterday we posted our first 2020 Dark Horse Initiative list, but you might have missed it because we put it out on an unusual day for us. The reason for this is I was dead set on getting my review of The Unspoken Name, by A. K. Larkwood, out today, and it felt weird to review it before including it as part of our DHI. The Unspoken Name is a powerful, unusual, and extraordinary debut that will likely be the talk of the town for many months to come. The book is not at all what I expected from its back blurb, but I think that may be the point. This story is mercurial, untraditional, engrossing, and occasionally a little rough. But, above all else, it is a beautiful story that is worth reading and a debut that promises that Larkwood is an author to keep an eye on.

The plot follows Csorwe, an orc priestess of the titular god of “The Unspoken Name.” Her job, for a short period, is to be a conduit for communication between the god and supplicants who come with offerings. She is supposed to serve this role for a number of years, starting as a young child, and eventually be sacrificed to the god at a certain age. She knows that her death is marked on the calendar from day one of her service, and she reacts accordingly, becoming a sullen, fatalistic, and incurious person. What is the point of exploration and discovery when you know you will die soon? This all changes when a supplicant, a Gandalf-esque wizard, comes to The Unspoken and whisks her away right before her death. He enlists her in a bodyguard for a quest to reclaim his homeland and they travel Larkwood’s multiverse (a series of worlds interconnected by a giant maze of portals) seeing all sorts of wonderful things – and that’s about all I am going to tell you.

The story of The Unspoken Name is surprising. It doesn’t follow a clear path and often takes unexpected turns and twists into wonderful new directions. For a large portion of the book, Csorwe doesn’t really have a goal. She thought she was going to die, it didn’t happen, and she doesn’t have a plan for what to do now. She has some ideas, but not many, and a huge part of the story is her just trying things out and learning about the world. It is a beautiful and unique narrative style that I really enjoyed and gave the book a very pervasive atmosphere of whimsy and wonder. This is helped enormously by the fact that the world is just absolutely wonderful to explore. he magic and multiverse are convoluted and complicated by design to keep everything mysterious. However, what you do learn about – such as the race of giant snake philosophers who built the foundation of civilization as they know it – is wonderful. I also particularly liked how there are a variety of different magical races, but race politics was a very minor footnote in the story. For example, Csorwe is an orc and while that carries through into a lot of her flavor and general identity, there is very little attention and time given to it by the other races or people. The entire book projects this idea of a universe where people come in all shapes and sizes and that is very normal and not worth commenting on.

I ate up every second of the world-building and constantly found myself desperate for more. However, the world is more of a vehicle for the journey of self-discovery that Csorwe and many other characters find themselves on and it definitely plays second fiddle to the characters. The characters are absolutely fantastic. The protagonists mostly share the theme of growth and self-discovery and the antagonists are mired in a refusal to change or grow. It is a powerful high-level idea that plays out wonderfully in the character stories and the individual journeys of the cast are extremely satisfying to boot. I really enjoyed Csorwe. She feels so real and relatable it hurts. Her joy at discovering new things and skills is so sweet, and her mistakes feel like important moments that she learns from and grows. I don’t want to talk too much about the supporting cast for spoiler reasons, but they also share the same arcs and moments.

Despite all my lavish praise, I do think the book struggled in a place or two. In particular, the book can have slightly uneven pacing and some trouble with telling versus showing. While it’s wonderful that the book wanders, Larkwood occasionally seems to feel scared the reader will get bored if she lingers too much in any particular place and jumps from set-piece to set-piece. In a book about stumbling and finding your way, I didn’t think there was enough breathing room to occasionally take in and process things. In addition, for someone who has sheltered her entire life and has “inexperience” as a cornerstone of her personality – Csorwe has a weird tendency to just announce everything there is to know about a person in her head the second she meets someone. Meeting new characters often has Csorwe take one look at them and think things like “he was a cruel man, who seemed like he had a troubled youth. He wasn’t respected by his peers and spent his life trying to live up to the expectations of his father. He didn’t call his mom enough.” I kept waiting to find out she secretly possessed psychic powers or some sort of keen insight, but by the end of the book, it seems like the story just suffers from a little too much telling.

The Unspoken Name is a stroll through a garden of wonders in book form. It is filled with whimsy and wonder and tells the story of a woman finding her place in the world after rejecting the role fate placed on her shoulders. It is a wonderful book that surprises and delights from the first to the last page. A.K. Larkwood has crafted an absolutely stellar debut that only has a few minuscule issues. I cannot wait to see where the story goes next, though I have absolutely no idea where Larkwood will take us next.

Rating: The Unspoken Name – 8.5/10
-Andrew

Dark Horse 2020 – Jan to June

After the success of last year’s Dark Horse Initiative, we knew we were going to do it again this year. For those of you just joining us, the DHI is our attempt to sift through all the relatively unknown debuts coming out in a year and bookmark a handful to check out and review just based on their descriptions. However, when we were building the lists this year we realized that we had A LOT of books on it – so we decided to make two. We are splitting the DHI into two lists, one for each half of the year. The following books are our picks for books coming out from January 2020 to June 2020, and we will have a second list for the back half of the year in July.

As mentioned, each of the following 12 books (in no particular order) is something that caught the eyes of one of our reviewers. We will do our best to read and review all of these, but there are only so many hours in the day so no promises we will get to all of them. Regardless, each looks like a promising new story and we are very excited to check them out! Happy 2020 everyone.

  1. Repo Virtual by Corey J. White
  2. The Unspoken Name by A. K. Larkwood
  3. Mazes of Power by Juliette Wade
  4. A Song Below Water by Bethany C Morrow
  5. The Vanished Birds by Simon Jimenez
  6. Rebelwing by Andrea Tang
  7. Docile by K. M. Sparza
  8. Beneath the Rising by Premee Mohamed
  9. The Loop by Ben Oliver
  10. The Dark Tide by Alicia Jasinska
  11. The Kingdom of Liars by Nick Martell
  12. Goddess in the Machine by Lora Beth Johnson

Dark Horse 2019 – Derby Download

So 2019 is rolling to a close and we have started eyeing books coming out in 2020 to build our to-do lists. However, while building our reading schedule for next year we realized that we should probably do a wrap-up on our Dark Horse Initiative 2019. P.S., you may notice we have changed this list slightly from our original – that is because we somehow missed that two of our books (Priory and Sixteen) were not actually debuts and have replaced them with other debuts we read. So, below you will find a mini-list of all of the debut books and authors we specifically sought out and read in 2019 in the order of how much we enjoyed them. In addition, given that we have already put out a list of our favorite books of 2019 which contained many of these, we thought we would also spend some time highlighting a few specific books for their contributions to their genres. While we didn’t love all of them, almost all of them brought fresh new ideas to the fantasy and sci-fi genres and should be applauded for trying something new. First, the list of Dark Horses in 2019:

  1. The Luminous Dead, by Caitlin Starling
  2. A Memory Called Empire, by Arkady Martine
  3. This Is How You Lose The Time War, by Amal El-Mohtar and Max Gladstone
  4. Gideon the Ninth, by Tamsyn Muir
  5. For The Killing Of Kings, by Howard Andrew Jones
  6. The Lesson, by Cadwell Turnbull
  7. The Lost Puzzler, by Eyal Kless
  8. Famous Men Who Never Lived, by K Chess
  9. Gods Of Jade And Shadow, by Silva Moreno-Garcia
  10. Perihelion Summer, by Greg Egan
  11. Titanshade, by Dan Stout
  12. Sky Without Stars, by Jessica Brody and Joanne Rendell

Books worth additional discussion:

The Luminous DeadThe Luminous Dead, by Caitlin Starling – What can I say that I haven’t already said about this wonderfully creepy and ambient debut. The limited perspective is engaging, reducing the amount of information the reader receives, heightening the tension. The danger feels ambiguous and ephemeral, making the reader question what is really happening. On top of that, the character to character interaction is sparse, dense and unreliable. Starling does a brilliant job of capturing so much humanity within such a small story. If you’re put off by galaxy-spanning epics, but still want to read something that captures the human condition as it extends to new planets, The Luminous Dead should help light the way.

51tsalt2b0el._sx321_bo1204203200_Famous Men Who Never Lived, by K ChessFamous Men Who Never Lived offers a heartbreaking slice-of-life story with a healthy smattering of sci-fi. Days after reading, I contemplated K Chess’ story of being the “other,” and the book helped me understand concepts I’d never fully grasped before. As I said in my review, Famous Men isn’t an action-packed adventure. Rather, it skews our perception of our own reality by presenting us with a new one and urges us to explore the implications of immigration and racism. It’s a true sci-fi gem that transitioned from dark horse pick to hard-hitting sci-fi favorite.

51gxorcir2lGods Of Jade And Shadow, by Silva Moreno-Garcia – I didn’t love this book, but a lot of people will. My problems with the novel were all due to stylistic clash; its campfire story style bored me and failed to pull me into the story. However, there will be many who rightly love this style and list Gods of Jade and Shadow as one of their favorite novels. Moreno-Garcia’s debut stands out as a unique voice, for better or worse, among the endless dross that the fantasy genre produces each year. Her mix of Mexican heritage, evocative prose, and romantic storytelling are absolutely worth checking out so you can assess it for yourself.

71uzngwnyelThis Is How You Lose the Time War, by Amal El-Mohtar and Max Gladstone – This Is How You Lose the Time War is not the book that you think it is. It certainly wasn’t the book I thought it was when I initially opened it on a plane ride back into the states. The few hours I spent within the world that El-Mohtar and Gladstone described were some of the most magical, whimsical, and heartrendingly beautiful I’ve had in recent memory. The story told about Red and Blue is at times terribly romantic, beautifully horrifying, and is constantly dripping with intent and craft. As multifaceted as poetry but with the unrelenting pace and drive of prose, everyone needs to give This Is How You Lose the Time War a try.

91mbw2bkarelTitanshade, by Dan Stout – Hogwarts P.D. is certainly fresh. Titanshade blends two genres that I absolutely did not think could be blended: buddy cop shows and epic fantasy. You might think that just sounds like urban fantasy, but Titanshade is so much more with its completely original fantasy world – with a modern setting. Titanshade has some flaws, but it did a great job showing that fantasy need not be limited to historical European settings. While the book was both grim and dark, the modern setting allowed it to function as both a drama and escapism tool. The second book in the series is coming out next year, and you better believe I am going back for more.

That’s it for our Dark Horses of 2019! If you liked this mini-project of ours, I have some good news: we will be back in early January with our Dark Horse 2020 to-read picks. See you then!

Famous Men Who Never Lived – Open Your Heart And Your Reality

51tsalt2b0el._sx321_bo1204203200_

Famous Men Who Never Lived boasts an incredible premise that earned it a spot on our Dark Horse list for 2019. K Chess’ tale promised alternate timelines, a commentary on immigration, and a healthy dose of literary homage. The results will inevitably depend on the individual reader, but for my part, Famous Men Who Never Lived hit hard and made me think long after I closed the back cover.

Protagonists Helen “Hel” Nash and partner Vikram Bhatnagar are Universally Displaced Persons (or UDPs). On the heels of nuclear war and terrorist attacks, Helen and Vikram–alongside ~156,000 other UDPs–are selected via a lottery system for a one-way trip to an alternate reality. Our reality, if you will. The technology, customs, and people in the reality they travel to are foreign to the UDPs. They’re enrolled in integration courses and allowed to live in this alternate New York, but they’re treated with rampant discrimination. Even the smartest and most successful UDPs (Helen was a surgeon in her reality) struggle to find footing in their new world. Helen becomes obsessed with The Pyronauts, a book Vikram brought through to this new reality. Ezra Sleight, the author of the genre-defining sci-fi novel, lived to old age in Hel’s reality but died at 10 years old in the new one. Hel wants to memorialize the people like Sleight who had a great impact on her old world but were never given the chance in the new one. She makes brief headway, only to encounter massive resistance as she further explores the idea. Meanwhile, she loses The Pyronauts–the only known copy in her new reality.

Hel’s escapades in pursuing the creation of a museum to the titular people who never lived are intriguing, and they’re framed by Chess’ elegant, simple writing. Viewing the reality I know through the eyes of a foreigner is an impressive and prosaic achievement on the author’s part. The characters only add to this brilliantly skewed perception of a reality that’s completely new to a small selection of its population. Chess creates vibrant, diverse characters who each provide a fascinating lens through which we can view and evaluate our own reality. Vikram is my personal favorite; his struggle to balance his memories of the old world with his desire to adapt to the new one is gorgeously portrayed in his interactions with others. He takes a menial job as a security guard and makes the most of his new lot in life while simultaneously doing whatever he can to help Hel open her museum.

The premise of Famous Men, boiled down to its barest elements, is a commentary on immigration. Members of our reality instinctively reject travelers from an alternate timeline. During my initial read, I found this quite literally unbelievable–wouldn’t we welcome reality-hoppers with open arms and eagerly gobble up information about their lives, technologies, and customs? I scoffed at the book during moments that explored this idea of being the “other” until I turned the final page and let it stew in my mind for a few days. Immigration is a global issue, and it only took one brief look outside of my bias and privilege forcefields to understand what Chess and her characters were saying. Just as so many of us (in the U.S. at least) instantly disregard immigrants from other countries, the population of Chess’ constructed reality wave off UDPs as unimportant or even harmful to their world.

And that’s part of the magic of this book. I closed Famous Men Who Never Lived with a scowl, unsure of its attempt to make meaningful commentary on a notably divisive issue. Post-read, the novel had time to subconsciously stir and simmer my brain stew until a delicious, revelatory morsel emerged and helped me grasp an issue I’d previously been willing to ignore.

Famous Men Who Never Lived reflects our political landscape and expertly explores the impact of our behaviors and biases on those around us. Hel reads as a perfectly respectable person whose only “faults” are being from an unfamiliar place and wanting to tell the story of her people. She’s a case study in how far people will go just to make their voice heard and how happily those in power will suppress those crucial minority voices. The book is both a warning and a call to action that I took to heart.

From a strictly narrative standpoint, if you’re looking for a fast-paced, action-packed bender of a plot, Famous Men Who Never Lived most certainly will NOT scratch that itch. It will, however, give you a new perspective on what it means to feel like an outcast when all you’ve done is exist in a place where people thought you should not. It will place you into the shoes of someone whose only crime is being thrust into a land that won’t support them. It will show you that the world would be a better place with just a little more empathy and compassion. And for that, it’s worth your time.

Rating: Famous Men Who Never Lived – 9.0/10
-Cole