Famous Men Who Never Lived – Open Your Heart And Your Reality

51tsalt2b0el._sx321_bo1204203200_Famous Men Who Never Lived boasts an incredible premise that earned it a spot on our Dark Horse list for 2019. K Chess’ tale promised alternate timelines, a commentary on immigration, and a healthy dose of literary homage. The results will inevitably depend on the individual reader, but for my part, Famous Men Who Never Lived hit hard and made me think long after I closed the back cover.

Protagonists Helen “Hel” Nash and partner Vikram Bhatnagar are Universally Displaced Persons (or UDPs). On the heels of nuclear war and terrorist attacks, Helen and Vikram–alongside ~156,000 other UDPs–are selected via a lottery system for a one-way trip to an alternate reality. Our reality, if you will. The technology, customs, and people in the reality they travel to are foreign to the UDPs. They’re enrolled in integration courses and allowed to live in this alternate New York, but they’re treated with rampant discrimination. Even the smartest and most successful UDPs (Helen was a surgeon in her reality) struggle to find footing in their new world. Helen becomes obsessed with The Pyronauts, a book Vikram brought through to this new reality. Ezra Sleight, the author of the genre-defining sci-fi novel, lived to old age in Hel’s reality but died at 10 years old in the new one. Hel wants to memorialize the people like Sleight who had a great impact on her old world but were never given the chance in the new one. She makes brief headway, only to encounter massive resistance as she further explores the idea. Meanwhile, she loses The Pyronauts–the only known copy in her new reality.

Hel’s escapades in pursuing the creation of a museum to the titular people who never lived are intriguing, and they’re framed by Chess’ elegant, simple writing. Viewing the reality I know through the eyes of a foreigner is an impressive and prosaic achievement on the author’s part. The characters only add to this brilliantly skewed perception of a reality that’s completely new to a small selection of its population. Chess creates vibrant, diverse characters who each provide a fascinating lens through which we can view and evaluate our own reality. Vikram is my personal favorite; his struggle to balance his memories of the old world with his desire to adapt to the new one is gorgeously portrayed in his interactions with others. He takes a menial job as a security guard and makes the most of his new lot in life while simultaneously doing whatever he can to help Hel open her museum.

The premise of Famous Men, boiled down to its barest elements, is a commentary on immigration. Members of our reality instinctively reject travelers from an alternate timeline. During my initial read, I found this quite literally unbelievable–wouldn’t we welcome reality-hoppers with open arms and eagerly gobble up information about their lives, technologies, and customs? I scoffed at the book during moments that explored this idea of being the “other” until I turned the final page and let it stew in my mind for a few days. Immigration is a global issue, and it only took one brief look outside of my bias and privilege forcefields to understand what Chess and her characters were saying. Just as so many of us (in the U.S. at least) instantly disregard immigrants from other countries, the population of Chess’ constructed reality wave off UDPs as unimportant or even harmful to their world.

And that’s part of the magic of this book. I closed Famous Men Who Never Lived with a scowl, unsure of its attempt to make meaningful commentary on a notably divisive issue. Post-read, the novel had time to subconsciously stir and simmer my brain stew until a delicious, revelatory morsel emerged and helped me grasp an issue I’d previously been willing to ignore.

Famous Men Who Never Lived reflects our political landscape and expertly explores the impact of our behaviors and biases on those around us. Hel reads as a perfectly respectable person whose only “faults” are being from an unfamiliar place and wanting to tell the story of her people. She’s a case study in how far people will go just to make their voice heard and how happily those in power will suppress those crucial minority voices. The book is both a warning and a call to action that I took to heart.

From a strictly narrative standpoint, if you’re looking for a fast-paced, action-packed bender of a plot, Famous Men Who Never Lived most certainly will NOT scratch that itch. It will, however, give you a new perspective on what it means to feel like an outcast when all you’ve done is exist in a place where people thought you should not. It will place you into the shoes of someone whose only crime is being thrust into a land that won’t support them. It will show you that the world would be a better place with just a little more empathy and compassion. And for that, it’s worth your time.

Rating: Famous Men Who Never Lived – 9.0/10
-Cole

Gideon The Ninth – Murder On The Space Wizard Express

gideon-the-ninth-coverI wanted to call this book my sleeper pick for the best debut of the year, but seeing as the book isn’t even out yet and already has a subterranean press version being made it seems like I am not the only one in the know. Gideon the Ninth, by Tamsyn Muir, was one of our dark horses for 2019 and a book we have been paying close attention to – mostly because it features necromancers. I feel like necromancers are mages that everyone thinks are cool, but don’t have enough books to scratch my lich. I was super pumped to see a new story about raising undead minions hitting shelves, and the fact that it’s a kickass action-adventure is the icing on the cake.

Gideon the Ninth has an ambitious and complicated premise, so bear with me. If I had to describe it in a single sentence it would be: Triwizard tournament meets murder mystery dinner in space. The setting is a galaxy-spanning empire run by a necromancer so strong he might as well be a god. This “necro lord prime” has nine houses underneath him, each with their own culture, specialty necromancer magic, and noble family. Our protagonist is the titular Gideon, orphan, swordswoman, and slave of the Ninth House. Gideon is an interesting character with a strong sword arm and a foul mouth. She has a bombastic and humorous personality that will have you laughing out loud and rolling your eyes (in a good-humored way). The book as a whole is extremely funny, but I found the humor more present in the first half as book gradually takes on a more serious and emotional tone. She is also a queer protagonist if that is something you are looking for in a book.

The first part of the book details Gideon’s frustrating life as a servant of Harrow, the noble daughter of the Ninth House. After trying to escape from Harrow’s clutches and repeated abuse for years, Gideon is offered a deal: team up with Harrow in a special tournament of champions, help her win, and go free. See, the lord necromancer is looking to build a new council of lieutenants and the selection process is shrouded in mystery. All the characters know is that it involves eight of the noble houses (numbers Two through Nine) sending a swordsperson and necromancer duo to represent them in a competition of sorts at the First House. So, Gideon of course accepts, and the majority of the book takes place in a giant mysterious tower with an eight-way battle royal between sixteen contestants.

God, I still have a lot to talk about and we are already almost five hundred words in. For starters, the characters in this book are stellar. A really good way to tell if a book has interesting characters is if you can remember, and differentiate, twenty-seven god-damn archaic names thrown at you all at the same time. Muir does not make it easy to remember who is who, with the reader meeting 10+ people all at the same time and casually rotating between referring to them by their first and last names depending on who is talking. But, she made it work. Every character is interesting, complex, memorable, and evocative of their unique identity on each page, which both helps you keep everything straight and get invested in the story. Shout out to Septimus, the enigmatic and studious royal of team “Eighth House” for being my crush – he’s super cool. However, all the characters were enjoyable and there wasn’t a single one I would change. In addition, Muir gave each of the houses a different take on necromancy, which was very exciting. It was like getting eight entirely different necromancer books at the same time.

Mum’s the word on the actual competition in the book, as figuring out what the competition actually entails is half the fun. The characters are left in this giant magical ‘Tower of Babel’ type structure, with no guidance, and told simply to go to town. This does a great job to stoke the reader’s sense of curiosity and urgency while reading the book, while also creating this tense atmosphere of distrust between all of the characters as no one understands the rules of the “game.”

The worldbuilding in Gideon The Ninth is a complicated and nebulous topic, as I think it is a strength and a weakness of the book. As a strength: Muir has some really cool and interesting ideas. Necromancy, in my humble opinion, is hard magic to make fun and exciting – as it traditionally just involves raising undead minions. Muir manages to make classical takes on necromancer magic fresh and exciting, as well as invent several cool new takes on the magic. In addition, she does all of this in space, which just adds another layer of complication to the subject. The houses are all interesting and felt like they have complex histories that are breeding grounds for conflicts. The tensions between houses in the book feel organic, and you get a nice feeling of this huge space empire where each house takes on a different role.

However, while I think all of the above positives about Muir’s worldbuilding are true, I also think that the world-building can feel extremely piecemeal at times. While houses feel unique and well fleshed out, this is only true about the houses that Muir takes time to talk about (which is about half). The other houses are left completely unexplained, and it can leave the reader frustrated. While you will get these nice little details on how this space empire runs, a lot of what is going on is left completely unexplained and the reader needs to be comfortable with being left in the dark. I got the sense that Muir built out this very intricate and well-realized universe, but then didn’t explain enough of how her world works in the book so that you get this sense that you are missing a ton of information. It can also create this sense of “false depth,” where the worldbuilding seems deep on the surface but lacks the small details to really breathe life into the world. I think a lot of these worldbuilding problems stem from plot relevancy. It often feels like Muir wants to keep how her world works secret, and the only details you can pry out of her hands are the worldbuilding that is immediately relevant to the story. In the end, it gives the sense that Gideon the Ninth is less the first book in a series, and more the first half of a really good incomplete book.

All things considered, Gideon The Ninth is an ambitious, engrossing, creative, hilarious romp that stands out in the science fiction and fantasy genres. It has some issues, but they do little to detract from the pure unbridled joy I felt as I tore through this debut. Gideon The Ninth is likely the strongest debut of the year and is one of the funniest books I have read recently. Despite its unique outlandish premise, I can’t think of a person I know who wouldn’t enjoy it, and I suspect it’s going to have a fairly large following pretty quickly. Don’t sleep on this dark horse, go check out one of the best books of the year.

Rating: Gideon The Ninth – 9.0/10
-Andrew

Gods Of Jade And Shadow – A Walk Through Old Maya

51gxorcir2lWhat an absolutely weird and charming book. Gods of Jade and Shadow, by Silvia Moreno-Garcia, is equal parts Mayan epic fantasy, Mexican historical fiction, jazz love letter, quest fantasy, and Cinderella fairy tale. I am not sure who the target audience is, but it is such a unique and interesting book that it is sure to find at least a small niche following. The book is another of our dark horse candidates for 2019, so if you are looking for a new debut this might fit the bill. Or, if you ever thought about which Mayan gods would be best dressed as a flapper, then this book might be right up your alley.

Gods of Jade and Shadow tells the story of Caseopia, a classic Cinderella figure that is being abused by her extended family. One day while cleaning, Caseopia opens a strange chest her grandfather has lying around and discovers a god of death (Hun-Kamé) that her grandfather, and the god’s twin brother (Vucub-Kamé), had imprisoned. Hun-Kamé attaches himself to Caseopia and charges her with recovering a few missing pieces of his person so that he may retake the underworld, called Xibalba. If Caseopia does not recover them quickly, the god will drain her life force and she will die, providing ample motivation. Thus, Caseopia and Hun-Kamé set out on a quest to visit a number of colorful characters and locations across Central America, which culminates in a final showdown in Xibalba between the twins.

I have strong complicated feelings about this book. On the one hand, it felt like what people in the video game industry call “a walking simulator.” Caseopia and Hun-Kamé, or even the antagonist Vucub-Kamé, don’t really do anything until the last 30 pages of the book. The rest of the story is just them showing up at locations and things magically going their way. However, there is a large romance plotline between Caseopia and Hun-Kamé, which is well done despite neither character being individually interesting. In addition, while the book could be described as “characters go to places,” the places they go are incredible. Moreno-Garcia has a real talent for imaginative settings and interesting locations, so it is a shame that I didn’t like the way she described them.

The biggest problem I had with Gods of Jade and Shadow is I really didn’t like the style of the prose. It is told as if you are sitting around a campfire, hearing a story passed down from a beloved older family member who doesn’t really remember all the details but knows the general gist. Given the emphasis on oral history in this part of the world, I highly suspect that this prose style is thematically on point and well executed – I just personally really didn’t like it. It isn’t poorly done, it just really isn’t for me.

Despite this, I did still enjoy the book. The themes are well layered and well executed. The book heavily revolves around complicated relationships, and feelings, with family and redemption. It explores the idea of “can people really change” and I thought Morena-Garcia did a very good job demonstrating her view on these subjects through her characters. In the end, the book is very sweet and heartwarming, and it made for a pretty great beach read despite my issues with the stylistic choices.

Gods of Jade and Shadow is pretty different from a lot of its competitors in the fantasy genre, for better and worse. With wonderful themes and a fantastic setting, the book will pull you in and take you on a journey. However, readers will likely have strong feelings about the distinctive prose. I personally did not enjoy it, but have no trouble imagining that there will be many who find it enchanting. Gods of Jade and Shadow is an interesting experience and if you find yourself even a little bit curious I recommend you check it out.

Rating: Gods of Jade and Shadow 7.0/10
-Andrew

Titanshade – Familiar Yet Fantastical

91mbw2bkarelAlright, I am back from my wedding and honeymoon where I read nine books on the beach – so I have a ton of new stuff to talk about and am excited to get back into it. Let’s see if I still remember how to write a review. The first book I want to talk about this week is Titanshade, by Dan Stout. It is a fantasy buddy cop book and one of our dark horse selections for this year. I was eager to tear into it for a number of reasons, the simplest being “can it do a better job at a fantasy buddy cop story than the train wreck that was Netflix’s Bright from last year.” The short answer is yes, it is much better, but that bar was extremely low and there is a lot of space between “terrible” and “amazing.”

As mentioned, Titanshade is a fantasy buddy cop book. The plot is fairly straightforward: our lead cop protagonist, Carter, is an excellent but unconventional cop with a troubled past that has mired his career in the cases that no one else will touch. He lives and works in the city of Titanshade, a Siberian industrial city that holds high esteem in the world because it produces most of the known supply of oil. The city sits nestled in a northern icy wasteland next to a mountain that contains a chained god who is constantly being tortured by devils (we don’t really know why). The god’s agony produces a massive amount of heat, warming the area and allowing workers to live in the shade of the titan. Unfortunately, Titanshade is running out of oil. The wells are running dry and the city needs to find a new source of income and power to remain relevant in the world. So when Carter stumbles onto a murder case that threatens upcoming talks to transform the cities industries he is assigned a young plucky non-humanoid partner to work the case and keep the city from metaphorically dying.

The murder investigation is fun and interesting, but if you are familiar with a cop or detective dramas the story isn’t really something you haven’t seen a million times before. Carter is assigned a young partner named Ajax, an adorable yet effective cop who serves as a good foil to Carter. He is this strange bug humanoid creature, and while he and Carter have a ton of friction at first they unsurprisingly come to trust and like one another over the course of the book. Titanshade’s plot doesn’t really stand out and does nothing to reinvent genre clichés that I personally find extremely tired. If you are hoping that this would be the new frontier of cop stories then you might be disappointed. However, this book still has a ton to offer readers if they have the right expectations.

In my opinion, the target audience of Titanshade is people who like both cop shows and fantasy and are looking for something that bridges the gap. While the plot isn’t innovative, the characters are extremely enjoyable and the world-building is fantastic. Carter and Ajax are just fun to read about, and it’s hard not to find yourself enjoying their relationship even though you know where it is going from page one. Originally I was going to say that the world-building is simplistic, but a more accurate adjective would be to say that it is streamlined. Titanshade’s fantastical elements are fairly subdued. There are a ton of different fantasy races, all cool and original, but all of them are essentially humans with very different physiology. There aren’t tons of psychological or cultural differences between the species. Additionally, although there are magic and fantastical things – they are incorporated to accomplish things that we already have in the modern world through the use of technology. Dan Stout has essentially taken our existing world, and stripped a bunch of the tech, and then replaced it with things that are powered by magic. The result is a world that feels both extremely familiar, yet exciting and fun to explore. It is a really cathartic read, giving you a tried and true plot that you are sure to enjoy – in an original setting that enhances instead of distracting from the plot. My only complaint with the world-building is that there were still some pretty big questions left unanswered from book one, that I can only assume Stout will answer in later books.

If you like cop shows and fantasy books, you will almost certainly like Titanshade. Although it doesn’t break a lot of new ground, the book is a wonderful reskinning of popular cop tropes with a lovable cast. Thank you Dan Stout for giving me an absolutely perfect beach read, and I can’t wait to check out what is next for Carter and Ajax. Go check out this debut book when you get a chance.

Rating: Titanshade – 7.5/10
-Andrew

The Lost Puzzler – That’s A Twist, Very Twisty

51uflwycsnl._sx324_bo1204203200_Post-apocalyptic fantasy/science fiction fusions are becoming more common, which I am happy about. Despite being a mashup of three different genres, the trio seems to work well together and I have been reading some excellent work in the space in the last few years. There is something really satisfying about watching a protagonist rule over a wasteland with scientific powers so advanced they might as well be magic. The latest entry I have read in this niche is The Lost Puzzler, by Eyal Kless. It is a great debut from an author I knew nothing about before I read the book on a whim. Additionally, I don’t normally care about the personal lives of authors when I judge their books, but Eyal Kless is a pretty cool exception. Turns out he is both a professional violinist and a professor at the Buchmann Mehta school of music in Tel Aviv. Clearly, he is a pretty talented guy, and if you are the type who prioritizes books from international authors this might be right up your alley.

So, The Lost Puzzler. For starters, the book is another in the current trend of using a historian exploring the past as a narrative technique. The book is split into two POV’s, the first of which is a scribe of the Guild of Historians. The scribe has been tasked with a dangerous mission to discover the fate of Rafik, a boy who has been missing for a decade and is said to be a ‘puzzler’ (get it, he’s a puzzler who is lost, titles). Puzzlers are people with a special talent to unlock mysterious puzzle box-like caches of technology that are scattered across the world. These boxes are hidden away in dangerous mazes and dungeons and contain treasures of the lost Tarkanian civilization. The Tarkanian civilization was an empire with extremely powerful technology that more or less imploded, taking most of the known world with it, in an event called ‘The Catastrophe’. While I like a lot of things about The Lost Puzzler, I will say the names in the book are a bit uninspired. Following The Catastrophe, humanity fragmented into a number of guilds and groups that banded together to survive. Diving into dungeons for lost technology became one of the major forms of progress in the new world, which made puzzlers extremely important as they are the only ones who can unlock the nodes.

As I mentioned the book has two POV’s in two different timelines. The first is the scribe’s journey in the present as he tries to find Rafik, and the second tells the story of Rafik from childhood up until he disappears. One of the things that I like about the book is that the story is fairly evenly split between the two timelines and does a good job having them compliment each other. Rafiks story focuses a lot on the difficulties of growing up as a puzzler. He was born in a community that has reverted after the Catastrophe, becoming deeply faithful to the new gods they worship while shunning everything to do with technology. This makes life hard for Rafik when strange tattoos marking him as a puzzler began appearing on his fingertips. He is exiled from his family and starts a journey out into the wider world, with painful naivety.

Rafik works as an excellent vessel for worldbuilding, as his backwater origins make it feel natural for characters to constantly be explaining how the world around them works – and the world is very interesting to dive into. Kless did a great job of building intrigue and my curiosity as I saw more and more of what was left of the planet (presumably Earth). However, while the worldbuilding and events were great to read – they did sometimes feel a little choppy. I occasionally would sink into a really cool segment – like Rafik’s time with a super truck (a MASSIVE semi-truck that is a lot cooler than it sounds) captain – only to be a little disappointed when the narrative moved on too quickly. The narrative jumps only slow down in the second part of the book when Rafik is employed by a looters guild that is obsessed with exploring a lost city of the Tarkanian empire. And although this is the most stable of the parts of the narrative, it also isn’t as fun or as interesting as the first parts of the book.

The characters were great though. I think I ended up liking our scribe narrator more than Rafik, as I found the scribe’s character arc of self-actualization very satisfying to read. However, there weren’t any bad characters, including the antagonists and supporting cast. Kless did a great job making people feel like lawless rabble that had to carve out space to live in a shitty world, but still made them likable in their own way. There is a good mix of selfish assholes and people who have moments of kindness to make the world feel terrible but not hopeless.

In general, I really liked The Lost Puzzler. The world is a post-apocalyptic wasteland stuffed full of mysteries I want to solve. Reading it felt like the literary equivalent of solving a Rubix cube, and I liked that a lot. The book ends on a pretty massive cliffhanger, and I was sufficiently drawn in to definitely want to pick up the sequel. I just hope that Eyal Kless smooths out the writing a little bit and improves his pacing ever so slightly. Otherwise, I think The Lost Puzzler is a fantastic debut and you should check it out.

Rating: The Lost Puzzler – 8.0/10
-Andrew

Perihelion Summer – Maybe Some Will Like It Hot

819ginw4kvlClimate change is an issue that has plagued me ever since I walked out of the theater after seeing An Inconvenient Truth. I was always a bit of an environmentalist, having been exposed to Fern Gully: The Last Rainforest as a small child, but this felt bigger than my seventeen-year-old brain could comprehend. The documentary was the catalyst for the veritable avalanche of books and films that would eventually lead me to working in renewable energy. It has only been in the past couple of years, however, that I really began to feel the need for art to speak about climate change. Science can only predict and describe the effects, but stories can help us figure out how we feel about it. In an effort to find stories that echo my own anxieties I happened upon this novella. Greg Egan, in his new book Perihelion Summer, captures a snapshot of anxiety and need for cooperation in a rapidly changing environment, but falls short on the emotional impact I was hoping to find.

Perihelion Summer follows Matt and some of his friends as they wait out a cosmic event aboard the Mandjet, a self-sustaining aquaculture rig. A black hole called Taraxippus is on its way through our solar system and is predicted to affect the earth in numerous ways. However, as it approaches, scientists notice it is, in fact, two small black holes, completely negating any predictions they had made. As Taraxippus passes, it changes Earth’s orbit around the sun, causing summers to be hotter and winters to be colder. In effect, climate change has been immediate and exacerbated, forcing the world to adapt on a schedule not its own.

The plot is interesting enough and centers more around the people and their reactions than it does the state of the world. Egan rightly focuses on the trials of a small group of characters, some of whom planned to be together during the event, and others who just happened to be there. It adds a personal and human touch to the events knowing that when an apocalypse does come, you will not be with who you want, but who you are around. I think this happens fairly often in stories of this nature, but Egan avoids the easy pitfalls. There are not characters that stand out as “the problem character” or “the one who will get everyone killed.” Instead, the story’s tension develops naturally through the stress of catastrophic environmental change, instead of some racist shouting that he or she will not share boat space with “the others.” And while I groaned at a specific choice that led into the third act, it became more bearable as the book came to a close. It felt like Egan was specifically using it to point something out about developed nations more so than an irrational character choice.

I did not feel any particular attachment to the characters, no matter whether they were the primary voices or just folks in the background. I do not know if the distance was my fault or Egan’s, but I did not relate to Matt as much as I would have assumed. He is a smart guy with a plan who did his damnedest to convince his family to be as well-prepared as he is. While Matt acted logically, he was driven by an innate sense of keeping those closest to him out of harm’s way, even risking himself to do so. They are all qualities that I admire, but for the life of me, I could not get involved with Matt as much as I was involved with the story. The characters surrounding Matt felt more interesting and had a human spark that was easy to care about. I cannot remember most of their names, but I remember their roles on the boat, their backstories, their anxieties and who they wished to protect. I do not know what it was about Matt, but he just did not make much of an impression on me as a reader. I found that kind of sad because it made some of the weightier emotional punches that centered on him fall flat for me.

Where Egan really nailed everything was society’s response to the crisis, particularly the adaptations offered as solutions by different cultures from around the globe, such as the domes China proposes to install over their cities. The pure anxiety and immediacy of the problem filled every page. Watching the chaotic climate take shape was like pouring milk into a fresh mug of coffee, knowing that as it swirled it was impossible to separate the two again. Egan delivered it sparingly and from a distance, with reports and rumors from the news and other seafarers their oceanic fleet encountered. It all seemed plausible, with national borders simultaneously losing their shape and being touted as more important than ever before. Every aspect of life had to change, and plans shifted constantly to meet new problems. I liked most that Egan avoided falling on empty platitudes of sustainability through technology or sitting it out. Everyone was affected, and everyone had to work to survive.

I like aspects of Perihelion Summer but it did not hit me as hard as I expected. Part of it may be that I felt it was too short, and some of Egan’s ideas about adaptation only scratched the surface of my mind. Maybe I follow some of the climate stuff too closely, and this was just another warning shot. It might be more effective to those who are not so tuned into it. I hope that is the case, because there is a hell of lot of work to do, regardless of what the business world or the talking heads say. I believe Egan did not write this to be a blueprint, but to add his voice to the conversation that needs to be had now, instead of in ten years. We need more stories like this, from different voices, different backgrounds, and with different fears. And maybe that is why I did not connect with Matt- because his anxieties were mine, I already knew them inside and out. However, the concerns of my neighbors, my family, my coworkers, and of people across the world are not something I sit with every day. Maybe that is the next step- to reach out and talk about this before it gets worse because we are all in this together. We all bring different perspectives, skills, and strengths. It’s time that we used them.

Rating: Perihelion Summer – 7.0/10
– Alex

The Dark Horse Initiative – 2019

Every year the Quill to Live sit down in December to plan our collective reading schedule for the next year. It’s a long process, and it heavily involves combing through release dates of series we are following and, more importantly, digging into the hundreds of upcoming and highly anticipated book lists made by publishers, authors, other reviewers, and general fantasy and sci-fi fans. Through this process, we give our yearly reading schedules a little bit of structure – but one of the other benefits is picking out potential dark horses to keep an eye on. If you are unfamiliar with the term, a dark horse is a competitor who comes out of nowhere against all odds to win. In our case, we use it to refer to books that almost no one has heard of that we want to check out or keep an eye on. Sometimes this results in us reading terrible books that we might or might not review depending on how productive we feel our criticism will be. However, other times it results in us being able to champion new and upcoming authors who deserve more recognition.

Recently, we have been getting a lot of requests to describe the 2019 books we are excited about, in particular, the dark horses we have our eyes on. Thus, going forward we will put out a list of our annual dark horses in case you want to keep an eye on them as well. We will put this list out earlier next year, and while we will do our best to review every book on this list, the inclusion of a book does not guarantee we will be able to get to and review it. Here are the dark horses The Quill to Live is watching in 2019 (in no particular order). Goodreads links are on the pictures:

91fi4au2qfl skywithoutstars_front-cover y648

71jqmcnbexl 819ginw4kvl 91diyttprnl

91mbw2bkarel gideon-the-ninth-cover 51gxorcir2l

9781947793248-1-800x1236 97803162708091 71uzngwnyel

  1. For The Killing Of Kings, by Howard Andrew Jones: As I mentioned we are a bit late on this list this year, so we have actually already reviewed this one. We loved it, check it out!
  2. Sky Without Stars, by Jessica Brody and Joanne Rendell
  3. The Luminous Dead, by Caitlin Starling
  4. The Lost Puzzler, by Eyal Kless
  5. Perihelion Summer, by Greg Egan
  6. The Priory Of The Orange Tree, by Samantha Shannon
  7. Titanshade, by Dan Stout
  8. Gideon the Ninth, by Tamsyn Muir
  9. Gods Of Jade And Shadow, by Silva Moreno-Garcia
  10. Famous Men Who Never Lived, by K Chess
  11. Sixteen Ways To Defend A Walled City, by K. J. Parker
  12. This Is How You Lose The Time War, by Amal El-Mohtar and Max Gladstone