Happy Thanksgiving everyone! Usually, we skip posting on Thanksgiving so everyone can take time off to celebrate you know what: family. Family is the best, or the worst, depending on who you are talking to. But regardless, people have extreme opinions about family. You likely find yourself now asking, “do we have any recommendations for fantasy and science fiction books about family for the holidays?” Well, let us think about that for a moment… hmmm… well now that you mention it a few of them do come to mind. I guess if you give us a moment we could put together some sort of list of iconic families from SFF for the holidays. Just give us one second…. And here you go:
1) The Found Family – The Gentleman Bastards: You know what they say, “you can’t choose your family, but you can choose your friends, so why would anyone choose terrible blood relations over people who are actually fun to be around,” or something like that. To me, no other cast of fictional characters screams ‘Friendsgiving’ more than Scott Lynch’s Gentleman Bastards. All pseudo-orphans sold into slavery to a chained patron who forces them to steal things to eat, they are all wonderful examples of how the best family members are those who you choose from the small group of other orphans thrown into the gutter with you. They’re quite fun to be around, probably will steal great dishes from someone’s grandmother on the way to your potluck, and can always be counted on to avenge your death on the likely chance that it occurs. But, while found families are all well and good, let’s talk about some of the most iconic ACTUAL families of SFF and fantasy, starting with everyone’s favorite psychopaths – The Starks.
2) The Cold Family with No Fucking Chill – The Starks: These stewards of the North are a fan favorite, and you could forgive them with that kickass Direwolf sigil and the family motto “winter is coming.” They are known for their cold demeanor and even icier brand of justice as they seem to rule the north with a calm guiding hand. But is that really the case when they plunge the realm into a civil war not once, but twice?! I mean that’s before they sew their own destruction by breaking an alliance trying to maintain their bedside honor. You could say it’s the summer blood of the Tullys but how can you account for Ned Stark’s bungling of political affairs to maintain his strict code of honor? Honestly, this family is ready to throw down after a couple of small attempted murders, and when one is outright killed, it’s war. Definitely, some unresolved repressed emotions that would come out over slight jabs during the holidays hidden underneath the Starks’ cold exterior.
3) The “Still Better Than Your Racist Uncle!” Family – Portia and the Spider Colony: Sure, chowing down on some spider-planet turkey-analog with arachnids of human-level intelligence might sound like a terrifying Thanksgiving tradition. But one of the biggest hurdles to overcome at the dinner table with Adrian Tchaikovsky’s eight-legged friends is communication. It’s hard to talk freely with a species that uses subtle palp movements and leg twitches. The flip side? These spiders don’t have YouTube (and if they did, they’d for SURE call it VidWeb). So they won’t spout racist “facts” or tell you that masks don’t work during dinner. These friendly spiders won’t regurgitate right-wing’ talking points halfway through the passing of the gravy boat. instead, they’ll suck the innards out of unsuspecting insects, leaving a husk of a creature in their wake, much like far-right algorithmic social media rabbit holes have done to your pea-brained relatives. This Thanksgiving, the “Spider Families Are better than Some Human Families” award goes to the arachnids from Children of Time and Children of Ruin.
4) The Family That Hides Its Real Thanksgiving Until After You Leave – The Bagginses: We’ve all been there. Your halfling friend sends a flowery-hand-calligraphed invite to celebrate Thanksgiving in The Shire. You show up. You dine–no, you FEAST. You drink–no, you IMBIBE. You smoke–no, you look at your hands and think “man, these things are just weird.” You may even be graced by the presence of a riddle-tongued wizard. Songs ring through the burrowing halls of the Baggins residence, telling tales of folk heroes and daring adventurers who gave their lives for the greater good. All-in-all, it’s a fantastic day. The post-feast lull sets in, and all the Bagginses and their hobbit brethren begin to yawn. That’s your signal. It’s time to go. You venture to the end of The Shire and untie your steed, only to realize you left your horse keys in Frodo’s abode. When you saunter back to the house, the room once again blazes with light and merriment. They’re feasting AGAIN, singing better, longer songs, drinking stronger drinks, smoking more potent…hobbit drugs? And although you had the time of your life for the three hours you were there, this after-party, this…second Thanksgiving, appears to be the main event. You crumple up your invite, remember that horses don’t need keys, and meander back to your steed, dejected. Happy second Thanksgiving to you.
5) The Family With A Lucrative Business That Loves Their Golden Boy Heir – The Atreides: Do you know anyone that is a single child whose parents just seem to go to extreme lengths to set them up for life? The family that seems to have it all but consistently encourages their child to get involved in schemes that only one of absurd privilege could get away with? Well, if you don’t and need a good look at what that’s like, the Atreides are a shining example. Here you have Jessica, a mother who completely disobeys her entire religious order, the Bene Gesserit, that exists purely to manage bloodlines so she could have a son one generation sooner than the grand plan had in mind. Then the father, Duke Leto, in an effort to prove his loyalty to the Padishah Emperor, uprooted his family from the water-laden calm planet of Caladan to Arrakis. Also known as Dune, Arrakis is where the spice Melange is harvested, the literal lifeblood of interstellar travel within the galactic empire. Paul, their only son, is determined to live his life and ingratiate himself amongst the people of Arrakis so that he may better understand who he is ruling. If that’s not enough, the family exploits the culture and myths of a messiah seeded long ago on Dune by the Bene Gesserit so that the people of Arrakis start to see Paul as their messiah come home. I mean what more can they give him?
Thanks for taking time out of your holidays to read our post friends, and once again, have a happy Thanksgiving!
IT’S THE MOST WONDERFULLLL TIME OF THE YEARRRRRR. Namely, the time when we get to discuss our Dark Horse books. This year, each of us picked six to ten debuts to read, and if you caught our H1 round-up, you’ll know we did a pretty good job of keeping up with 2020’s veritable onslaught of debut books.
But instead of an H2 round-up, we’re closing out our 2020 Dark Horse initiative with a list of our favorite debuts of the year. We each picked two debut titles that stuck out from the rest. If you are looking for fresh new content, ideas, and faces for 2020, this list should provide you with the authors that really made an entrance this year.
Andrew – My dark horses were a real mixed bag this year. Some of my picks ended up being my most disappointing reads of 2020, but there were also a few that made it to my top echelon of the year. Of the eight dark horses I read, The Unspoken Name, by A. K. Larkwood, and Nophek Gloss, by Essa Hansen, were the two that rose to the top.
The Unspoken Name was so very fresh. The characters were different than your usual fantasy fare, and the world was just ripe for exploration. While the pacing was a little uneven, it was definitely one of the most memorable books I read in 2020. I read The Unspoken Name back in January and I still remember a number of senses, characters, and locations in the story as if I read it yesterday. The series also feels like it is going somewhere and did book one a great job of building up excitement for the sequel novels. You can’t just tell a reader that there is a mysterious race of technologically advanced snake demigods who disappeared from the world, and might be returning from alternate dimensions, and not dig hooks deep into your reader. This book is great, it’s super weird and cool, and if you didn’t check it out the first time I told you too you should do so now. You can find our review here.
Nophek Gloss was also super fresh. Clearly, there is a theme on why I liked certain debuts this year. But, while Gloss definitely did a great job of throwing some fun new science fiction concepts at me, it was the characters and their story that brought me around. I have always been a huge sucker for beautiful, quiet, personal journeys in a science fiction setting. Essa Hansen’s book shows us that we are more than our trauma. Gloss is such a weirdly hopeful story, despite the fact that it is painted with a profound amount of tragedy and loss. It reminded me that I am kinda tired of reading about these dystopian futures and that reading a story with a light at the end of the tunnel does a lot for someone who is living their own dystopia. Nophek Gloss is a beautiful book, check it out. You can find our review here.
Cole – Man, I picked some stinkers this year. Thank goodness for Darcie Little Badger’s Elatsoe and Nick Martell’s The Kingdom of Liars (Honorable mention to Shveta Tahkrar’s Star Daughter, a fun YA adventure chock-full of Indian mythology).They were easily my two favorite dark horse picks, rising above the other four on my list. Both books have me giddy at the prospect of more writing from these fantastic new authors.
Elatsoe emerged as my favorite dark horse of the year. Darcie Little Badger’s magical murder mystery tour (as I lovingly called it in my review) tells an intriguing tale that falls somewhere between YA and adult fiction. Protagonist Ellie (short for Elatsoe) sets out to solve her cousins murder using her unique ability to commune with the spirits of the dead. There’s a whole lot to love about Elatsoe, but my favorite aspect was the constant presence of Native American mythology. Little Badger is a Lipan Apache writer, and she brings elements of her culture to life through her prose. She has experience writing for Marvel, and Elatsoe shows she’s got long-form fiction chops, too. I can’t wait to see where Little Badger takes us next. You can find our review here.
Nick Martell’s The Kingdom of Liars reads like a video game speed run. Just as you’ve surpassed one checkpoint, another passes in a blur as antihero Michael Kingman navigates the treacherous political landscape of this unique fantasy world. Indeed, the speed can at times be a hindrance in Kingdom, but the story is well-suited to a quickfire pace, and jumping from one event to the next at lightning speed emulates the scattershot magic of Kingman’s world, where overusing spellcraft can eliminate some of your memories. The Kingdom of Liars is an all-around solid debut (praised by Brandon Sanderson himself), and the follow-up is slated for 2021. Martell is one to watch. You can find our review here.
Alex – I don’t want to brag or anything but I was incredibly pleased with most of the debuts I read this year. Not only were their first books a treat to read, but all of those authors have an abundance of potential to keep readers hooked for years to come. I for one will be picking up the future works of Micaiah Johnson, Lindsay Ellis, and Premee Mohamed with absolute glee. Honestly, there was only one bad book out of my picks, and I’d rather not relive that experience if I can avoid it. The following are two of my favorites from 2020.
I have never read a romance book, or a book where the romance was the central storyline. Thankfully, Szpara’s Docile was able to lure me with the promise of analyzing the effects of capitalism through the main relationship. Quickly though I became enthralled with the romance and very much wanted these two men to work out their issues and find some humanity within each other. Szpara is an enchanting writer that knows when to be subtle and knows when to sound the air horn when it comes to his characters’ relationship with the themes he wishes to tease out. Even though it feels like I read it two years ago (thanks 2020), it still sticks with me and I can’t wait to see what Szpara has in store for us. You can find our review here.
Oh my god, did Natalie Zina Walschots blow me away with Hench. There are a few decent deconstructions of the superhero genre out there, but it is rare that it is done with such love and passion for the supervillains. Walschots offers a fresh look at a genre that is growing increasingly complacent and repetitive, and delivers it with a poignant passion. The writing is top notch, making the characters come alive in human and fantastic ways. Walschots ingrains you in Anna’s life, following her from her lowly days as a temp hench to the right hand woman of the top supervillain and it’s glorious. Spreadsheets as a superpower never looked so good, and felt so fun and powerful. The action scenes are few, but impactful and extremely character oriented. If you love superheroes, or are tired of the genre and want a fresher look, this is the book for you. You can find our review here.
So you are sitting at home, reading a great fantasy book, and you think to yourself, “man, I wish I could pull every friend, family member, and random child on the street into this amazing hobby… but what are the best books to get someone into the genre?” Look no further random person I am asking extremely specific rhetorical questions to. Below is a list – well, actually three lists – that provide perfect material for converting almost any kind of person (or at least three kinds) into a fantasy reader. This method has a 100% success rate with the three people I tried it on, so have absolutely no doubt it will always work for you. No need to thank me, your enormous donations to the site via using our Bookshop page to purchase books is thanks enough – and it helps support authors and bookstores!
But actually, the following lists are all great examples of extremely accessible books for different ages, life stages, and mentalities. Hopefully, someone will find these helpful in bringing people they care about into the loving and wonderful fantasy family. Books with hyperlinks in their titles lead to their reviews!
Books to Get Teens and Young Adults Into Fantasy at an Early Age (Or BtGTaYAIFaaEA for short): If you want to give someone the lifelong gift of fantasy books, the best way to do that is get to them at a young age when their mind is malleable. Below are a number of books that are good for all ages, but are particularly good at capturing a spark of passion in younger readers. These books are easy to read and digest, showcase some of the best classic ideas in the fantasy genre, and are just fun and imaginative – perfect to show new readers some of the best of what the genre has to offer.
Mistborn – Brandon Sanderson
Mistbornhas an easy-to-grasp but incredibly layered story, a defined roster of magic and monsters, and fantastic character development. The Mistborn trilogy serves as an excellent fantasy starting point because it’s a taste of what top-notch storytelling and a melting pot of captivating ideas can do. New fantasy readers will likely find Mistborn a great gateway to the genre because it mixes all of these elements with relatable themes and simple, elegant prose. If you’re looking for your first fantasy book, you could do a hell of a lot worse than Brandon Sanderson.
Added bonus–here’s our chat about Mistborn, in which a first-time Sanderson reader takes the plunge.
Spellslingerhas a relatable protagonist, a fun companion animal, witty dialogue, ambiance and style based on card sharks, and a wild west setting. The main character is a perfect self-insert for newer readers and the supporting cast is filled with teachers and mentors that teen (and older) readers tend to love. It’s got a plot with tons of twists that are hard to see coming, but the themes are very accessible and easy to digest without being hamfisted. This six-book series by Sebastian de Castell is an amazing entry point for anyone.
The Wheel of Time – Robert Jordan
The Wheel of Time, by Robert Jordan, is one of the cornerstones of classic fantasy and practically defined the chosen one trope in modern fantasy. Reading it gives you an enormous appreciation for the genre as a whole, and the story is beloved by thousands of fantasy fans for good reason. But, what makes it great for newer readers is its huge page count and epic storyline. Many newer readers prefer to stick to a single series or story as they get their baring in a genre and The Wheel of Time with its fourteen books has content to spare. In addition, its genuinely epic scope and story will be mindblowing to readers who want their books to be bigger and grander.
Rebel of the Sands – Alwyn Hamilton
Alwyn Hamilton’s Rebel of the Sands is a solid entry point for fantasy initiates thanks to its incredible world and relatable characters. It has a sweeping narrative that highlights how fun (and dangerous) a journey into the unknown can be. Plus, protagonist Amani’s self-discovery arc carries with it a lot of power, the type literary fiction readers might be used to. But the primary reason I recommend this to fantasy newcomers is the exquisite melding of different genre elements. There’s sharpshooting, djinni, and a desert world all packaged in a story of self-realization and immense growth.
Seanan McGuire’s Every Heart A Doorway opens the Wayward Childrenseries. The saga tells stories of children who have returned from magical, fantastical, and brutal worlds and must cope with coming back to our reality. New fantasy initiates will enjoy McGuires deft handling of heavy themes mixed with the whimsical worlds the titular children visit. Wayward Children as a whole skews toward an older demographic (swearing, thematic elements), resting on the thin line between teen and adult fantasy. Every Heart A Doorway fuses our world with infinite fantasy locales, giving you a deep-dive into the possibilities of the genre. It’s an excellent starting point for newcomers with its short page-length and hard-hitting explorations of the real-world impact of portals to strange lands.
Books to Help Readers Transition From YA Fantasy to Adult Fantasy: One of the most powerful moments of my reading experience was when I picked up my first true adult fantasy book. It was The Black Company, which I have spoken a ton about already, and it showed me that fantasy could be so much more than mindless escapism. This book opened the door to heavier concepts, tons of new ideas, and a whole ocean of content that helped me grow and evolve as a person in my early 20s. If you, or someone you know, are looking to move from Harry Potter to something with a little more depth – these are the books for you.
Hey look, it’s the series I just mentioned in the introduction. I have a lot of things to say about The Black Company, by Glen Cook, much of which you can find here in one of our most popular posts. But, if I had to boil it all down to a single line it’s this: while much of fantasy helps you flee the troubles of reality via escapism – The Black Company instead uses escapism to force you to look closely at the horrors of reality, namely war. This series is a window into what it was like to be a part of a war and it is haunting. It is a powerful piece that will place you in the shoes of a number of people very different to yourself and help you understand what they went through. For me, reading TBC was an inspirational moment that taught me the power of empathy and stories and how fantasy can help us better understand our fellow man and the real world.
The Lies of Locke Lamora – Scott Lynch
According to posters in my elementary school library, reading is FUNdamental. And no book is as fun or fundamentally funny as The Lies Of Locke Lamora. First, just say that title out loud. Fun, right? You’re gonna feel that way on every single page of Scott Lynch’s humorous fantastical heist. The prose is poetic and breezy. The jokes are constant. The plot resembles an M.C. Escher painting in the best possible way. The setting (essentially fantasy Venice) is breathtaking. And the characters are the chef’s kiss of it all. I’ve never had more fun reading a book than I did with The Lies of Locke Lamora. It’s a daring novel that showcases just how entertaining fantasy can be, but its large size and layered plot do a lot to ease new readers into bigger novels.
Have your cake and eat it too. The Waking Fire is one third kick ass protagonists from different walks of life, one third giant dangerous dragons, and one third about how capitalism is a nightmare. This book is the shore between a sea of fun and a hard rocky beach of poignant criticisms of how our world works. One of the best parts about The Waking Fire is that you get out what you put in. If you just want a fun adventure story about people finding lost treasure – it can do that. If you want to explore heavy themes about how our reliance on substances that are destroying the Earth will eventually kill us all – it can do that as well. It’s the pitch hitter of transition adult fantasy.
The Deep – Rivers Solomon
The Deep, by its nature as a novella, is short, sweet and packed to brim with personality and world. Rivers Solomon does a lot of work in this book, introducing you to a world so vastly different than our own, but born of our crimes. Solomon fully immerses the reader in something special, positing a world built by the descendants of women thrown overboard in the slave trade. There is pain, and empathy abound in the story, but glimmers of hope sparkle like impossible rays of light on the dark ocean floor.
Books to Convince Serious Readers of Other Genres to Give Fantasy a Chance: The fantasy genre is the king of escapism, but it has so much more to offer. Unfortunately, in my years on this planet, I have run into any number of people who dismiss fantasy as elves, magic, and fluffy light adventures. Often the best way to convince people to give fantasy a chance is to ease them in with books that are closer to fiction with fantasy undertones. The following is a list of great bridge books to get people to slide into the fantasy genre sideways.
“There are no wrong turnings. Only paths we had not known we were meant to walk.” Tigana, by Guy Gavriel Kay, is an absolute powerhouse of a book. With absolutely outstanding prose, it sits somewhere between fantasy, historical fiction, and traditional fiction. It’s the story of small people in a big world trying to accomplish great things and find meaning in their lives. It is a hauntingly beautiful story about the human condition, and if you hand it to someone and they come back and say “sorry, I am just not into fantasy” I refuse to believe they even tried to read it. This book can make even the most stonehearted unbeliever cry.
If there is one thing that serious adults understand it is the soulless crushing weight of a job sucking the joy out of life – so why not explore a slightly more fun fantasy version with corporate necromancy! Three Parts Dead, by Max Gladstone, is a book that serves up adult workplace escapism. It is a part of a series of stories about a modern world much like our own where magic and gods run rampant. It combines the troubles of your current life with an undercurrent of magic and provides a welcome relief in the form of incredible stories of triumph in a world much like our own. It’s also one of the weirder and more unique fantasy reads I regularly recommend and it does a great job showcasing how authors are constantly stretching the boundaries of what the fantasy genre is. I originally came across Three Parts Dead in a book club and every single person loved it – and I am sure you and the readers you give it to will as well.
I almost feel like I shouldn’t have to qualify this one due to its popularity, but here I go. It’s a love story between two dueling stage magicians who are using actual magic to one up each other as they try to win a competition for their lives. You have to have a cold, dead, unfeeling heart to not like this one. Erin Morgenstern’s The Night Circus is a monument to the aesthetic power of incredible prose, fulfilling and relatable characters, and wonderful stories. The magic is quiet, subtle, and easy to ignore if the person reading isn’t into spells and magic system. But, the book also is a love letter to the mystery and beauty that magic can birth, making it a great salesman for the genre as a whole.
T.J. Klune’s The House In The Cerulean Seais one of the best books of 2020. Klune’s charming story features Linus Baker, a by-the-books case worker for the Department In Charge Of Magical Youth. He gets sent on a unique assignment to a house where some extraordinary children are under the care of a mysterious man named Arthur Parnassus. Linus’ learns a lot about himself even as he investigates the conditions at Parnassus’ unconventional homestead. Cerulean Sea is heartwarming, charming, and a fantastic fit for readers who haven’t taken the fantasy plunge. There’s a reason we gave it a perfect 10. Cerulean Sea has a bevy of literary fiction elements blended nicely with a healthy dose of the whimsical. I’ve shared this book even with vehement lit-fic purists, and each one loved it.
The Shadow of the Wind – Carlos Ruiz Zafón
Carlos Ruiz Zafón’s best known novel The Shadow of the Wind is, in a word, magical. It follows Daniel, a young man who discovers a book by an elusive author named Julian Carax, and makes it his goal to find his other works, and if he’s lucky, Carax himself. It’s honestly hard to describe what makes this book great without sitting you down in a big mansion library with the fire as the only light and reading it to you. Though it’s translated from Spanish, it reads like a painting. There are so many moments that still run chills up my spine. If you’re worried about it being about a kid on the verge of adulthood, don’t. Zafón perfectly bridges the gap between the world weary reality of being an adult with the magical discovery of being a child, igniting a joy I rarely feel when reading such stories. It’s not all lighthearted as the story takes place in post Civil War Spain, and as more of Carax’s life is revealed, the relationship between sadness, trauma and art is explored and Zafon has no easy answers. Ultimately, Shadow of the Wind is about rediscovering the magic of childhood and the ways in which growing up can hamper the creative soul within everyone.
Welcome to our Dark Horse Initiative wrap up for the first half of 2020! This year, we found a surplus of debuts we wanted to review, so we divided our Dark Horse list into two halves.
January through June brought us 12 debuts. After a handful of delays, we finally knocked most of these off our TBR. We didn’t get to every book on our Dark Horse list for January to June, but we did finish nine of them. Now it’s time for a wrap up before we shift focus to the second half of the year, which is also stacked with anticipated reads. Here’s our round-up:
Repo Virtual– Repo Virtual feels like a poignant and clever criticism of capitalist society and commentary on AI wrapped up in a single package. The story is short, entertaining, and drives its points home well. White has done a great job crafting a novel that depressed, then uplifted me – all the while entertaining me with a kick-ass action-adventure.
From our review: “Repo Virtual is a peculiar and somber book that feels like a mash-up of different stories…The result is a fascinating and chaotic story of a possible near-future Korea where the virtual and the physical worlds are almost indistinguishable.”
The Unspoken Name– The Unspoken Name is a stroll through a garden of wonders in book form. It is filled with whimsy and wonder and tells the story of a woman finding her place in the world after rejecting the role fate placed on her shoulders. It is a wonderful book that surprises and delights from the first page to the last.
From our review: “This story is mercurial, untraditional, engrossing, and occasionally a little rough. But, above all else, it is a beautiful story that is worth reading and a debut that promises that Larkwood is an author to keep an eye on.”
The Vanished Birds– Although we read it, we didn’t review The Vanished Birds. It’s a poetic and beautiful piece about suffering and the tenacity of the human spirit. It is certainly a beautiful and powerful book – it was simply too depressing for us to find the right words to accurately talk about it. If you want to feel profoundly sad, check it out.
Docile – K.M. Szpara’s debut is stunning in its portrayal of two men developing an unhealthy and antagonistic romantic relationship that negates their humanity. If it had been the destruction of said men, this book would have been good, but the healing process and the slow reconciliation makes this book a real treat.
From our review: “Szpara succeeds in balancing his knack for subtlety and smashing through a brick wall with a megaphone. He achieves subtlety in the quiet moments, where the characters reflect on their actions, and through which point of view situations are described. His loudness comes through in his use of language and Szpara’s refusal to couch actions in metaphor or euphemisms.”
Beneath the Rising– Preemee Mohamed busts through several dimensions with this debut, offering a fast and fresh take on the Cthulu Mythos, bending it and twisting it to reveal some of its darker and more haunting origins.
From our review: “Overall, if you’re looking for a fast, fun take on the cosmic horror genre that pushes its characters to the limits, Beneath The Rising is for you. Mohamed cares for her characters, and her love of the world that she’s built shines through. There are plenty of twists that are as revealing of the story as they are impactful to the characters.“
The Loop– Ben Oliver’s debut left a lot to be desired. It engages the reader as much as it engages with its own world: barely.
From our review: “…I did not care about this world. Sure, it’s cruel, it’s mean, and it’s hard, but I just never got the sense that it could be real. I didn’t believe that the characters were frustrated with it or dealing with it in any significant way. I’m not even sure there was an accepted resignation to it either. It was frustrating given that on the surface, the world they inhabit is terrifying but hollow.”
The Dark Tide– Alicia Jasinska’s debut novel boasts delectable prose and a gritty, satisfying concept, but the characters and plot might make some readers hesitant.
From our review: “The Dark Tide meshes unique twists on classic fairy tale fantasy tropes and lyrical prose, forming a reading experience that feels breezy and poetic. And while those elements bring a fresh feel to the narrative, I struggled to connect with the characters or their stories.”
The Kingdom of Liars– The Kingdom of Liars offers an impressive fantasy debut and a promising start to Nick Martell’s The Legacy of the Mercenary King series.
From our review: “There’s a veritable treasure trove of fantasy fun to be had in The Kingdom of Liars for the right reader. For me, it was an enjoyable and breezy read. Though I saw some slight issues, I’m really excited to see where Martell takes us next. This debut neatly sets the stage for book two, where I’m hoping the worldbuilding takes a front seat and the larger web of intrigue starts to point toward a climactic conclusion.”
Goddess in the Machine– Lora Beth Johnson’s sci-fi debut brims with fun moments, clever twists, and an intriguing concept.
From our review: “…Goddess in the Machine emerges an interesting and readable concoction. Johnson’s unique perspective and ideas go a long way in carving out a niche for this book within the sci-fi community. Even with lackluster character and setting work, I’m convinced that Lora Beth Johnson is a debut author to watch. After reading Goddess in the Machine, I’m eager to see where she takes us next.”
If you’re like us, then books have offered you a necessary coping mechanism during this endless downward spiral of a year. Our Dark Horse Initiative is one of many ways we combat that spiral. Every year, we search for promising debuts among the Sci-Fi and Fantasy pantheons and compile them into our Dark Horse list.
One teeny-tiny glimmer of bookish hope for this hellscape of a year emerged as we collected our most anticipated 2020 debuts: we had too many. And if you’ve followed along, you know that we split our 2020 Dark Horse list into two halves to bring you more reviews of SFF debut novels. We’re chugging right along with our January-June list (some of the books were pushed to July or early August); after a few more reads we’ll wrap that half of the year up. Now, it’s time to share our Dark Horse picks for July through December of 2020.
As always, we’ll aim to review these titles during the next six months to help you parse out which debuts are worth your time. The Quill To Live is your guide to every world but this one, and thank goodness, because this world needs a break right about now.
I don’t think it is a stretch to say that this has been a difficult year for most people. Thus, we wanted to get a jumpstart on getting amazing books into your hands in order to find a little joy. Instead of waiting until November to give you all a list of the best books of 2020, we decided to compile a small list of dynamite novels from the first half of 2020. A book charcuterie board, if you will. So, if 2020 has you down and you need a high-quality read – look no further than these books. In no particular order, here are our top six reads from January to June 2020:
1) Shorefall by Robert Jackson Bennett – Coming in hot on the heels of Foundryside, Shorefall is a perfect second book to The Founders trilogy. The magic system continues to be one of the most innovative and exciting I have read in years, and Bennett’s flair for action, imagination, and horror are on full display. As a bonus, the themes of the book revolve around connecting people from different POV to make the world a better place and finding hope when all looks lost – a perfect book for current events.
2) The House In The Cerulean Sea by TJ Klune – TJ Klune penned one of the most joyful books I’ve ever read. The House in the CeruleanSea follows by-the-books caseworker Linus Baker, who audits orphanages that house magical youth. When he’s sent on a particularly difficult assignment, Linus finds himself embraced by an unlikely family of talented magical children and their quirky caretaker. To read this book is to smile through every page, laugh along with the witty humor, and shed an occasional tear. Klune crafts perfectly timed, subtle, emotional, heart-wrenchingly beautiful prose. Through it, he creates characters that you truly come to love over the course of the novel. The House in the Cerulean Sea is unquestionably one of the year’s top books, and everyone should read this feel-good adventure as soon as possible.
3) Network Effect by Martha Wells – I just really didn’t think Network Effect was going to be such a success. I am so used to authors cashing in on popular IPs and writing terrible spin-offs that I was jaded, and Network Effect is anything but that. This novel sequel to the popular Murderbot novellas is the perfect transition between the two mediums. Network Effect takes everything good about the short punchy novellas and expands the world, cast, and plot without losing any of the character depth. On top of everything, Network sets the stage for a big and exciting plot and I can’t wait to get my hands on the next book.
4) Unconquerable Sun by Kate Elliott – Usually one-sentence ideas like “gender-bent Alexander the Great in outer space” sound cool (and this one sounds amazing) but fall flat beyond initial expectations. Elliott, however, runs a marathon with it and at breakneck speed. The amount of world-building, character development, and political intrigue that goes into this first novel of a series is astounding. Elliott also plays very heavily with her narrative style that makes you hooting and hollering for a form of propaganda. It’s a genuinely fun read that blew away my expectations and should definitely be on your list of to-reads for the year.
5) The Empress Of Salt And Fortune by Nghi Vo – I have read so many Asian inspired fantasies about slighted royals getting even in the last six months. Yet somehow, this novella packed more character and spirit into its short hundred pages than any of the other full-sized novels I read. The Empress of Salt and Fortune is the perfect balance of familiar and original. It’s a short read with great pacing and sets up a world that Nghi will continue to explore in subsequent novellas. I was so impressed with this novella that it managed to edge out a lot of the other full novels from 2020 – but it isn’t the only one.
6) Prosper’s Demon by K.J. Parker – We still need to get around to reviewing this one, much to our shame. Prosper’s Demon has a very specific story to tell, and it tells it flawlessly. Parker has an agenda and an argument to be made, and he utilizes this short story to execute both with a flawless flourish. It isn’t the best or most fun story I have ever read, but holy cow does Parker nail his themes and characters. It’s cute, it’s funny, it’s clever, and it’s only like 80 pages long. Do yourself a favor and pick up a copy, you can read it in an hour.
I want to talk to you about one of my absolute favorite sub-genres: _________. You may have noticed a blank space there because the sub-genre I am talking about is more of a loose collection of books that share the theme of not belonging to any genre. I call them Science Fantasy, and while I am sure many other smart and qualified people have named and grouped these books before somewhere in the annals of the internet, it’s a subgenre I almost never hear talked about. This is a shame because, while they are enormously hard to do well – when they are done well, the payoff is amazing.
So what is a Science Fantasy book? Surprise! They are books that draw both from the science fiction and fantasy genres but don’t distinctly belong to either of them. For my own personal qualification, a Science Fantasy book doesn’t have to draw equally from both genres – but at least one core facet of the story or world needs to come from each of the parent genres. Thus, we get a fusion of science and magic, fire and water, past and future.
So what makes a Science Fantasy book hard to write? Well, while I love both science fiction and fantasy to pieces, they often don’t play well together. The underlying issues come from the typical context of the parent genres, and the favorite tools by which they solve problems. Both science fiction and fantasy are fascinating and wonderful genres, but the success of their overlap is limited for a number of reasons:
Fantasy tends to focus on the past. Due to settings that are often technologically reminiscent of years gone by, the themes and topics of fantasy books often examine current issues through a historical lens and introduce the element of magic to see how it changes the situation. Take classical European or Asian history, inject elves and fireballs, and see how it shakes things up. Conversely, science fiction tends to focus on the future. Sci-Fi uses science and technology to imagine new futures, ideas, and problems that we haven’t dreamt up yet due to the limitations of our times. Often these stories have backward-facing insights into how our current society could be improved with changes to technology or observations into how society can evolve when paired with technological breakthroughs.
Technology tends to step on magic. Magic is often a shortcut for technology in fantasy settings, and it is hard to have believable and interesting magic in a technologically advanced setting. When warfare is conducted over lightyears using faster-than-light travel, throwing fireballs is less a military advantage and more of a cool party trick. Science Fantasy books need to find ways to make magic relevant in a world that has moved beyond the need for it.
Science fiction tends to be extremely concrete and fantasy tends to be very whimsical. Science fiction likes hard rules and frameworks that focus on handing the reader a puzzle to solve with clear directions. Fantasy is often the exact opposite (though yes, I am aware that Sanderson and his magic systems exist), relying on whimsy, the joy of discovery, and the unknown to hook the reader’s imagination. These elements are hard to align, but books that do bring them together have incredible results.
Despite the challenges, a number of authors have still produced wonderful Science Fantasy books that I include in my top books of all time. Below is my list of favorite Science Fantasy novels and a little bit about what makes each one such a unique gem.
1) Heroes Die by Matthew Stover – These books are in no particular order, except for this one – you can find a mini-review of Heroes Die in the link back from when I first started this site. One of my favorite books of all time, Heroes Die still amazes me now as much as it did when I picked it up for the first time. This book, to me, is the ultimate Science Fantasy. Set in a technologically advanced science fiction world, we follow the story of Caine. Caine is an entertainer who uses technology to go into parallel worlds where he broadcasts his adventures on a magical planet as a form of reality TV. The fusion of magic and technology in this book is perfect – each parent genre contributes half the DNA, but the child becomes something completely new. The book explores themes I have never seen in other books with incredible insight and contemplation. The one-speed bump that always slows my recommendation of this series is the fact that it is incredibly violent – probably the most violent book I have ever read. Heroes Die uses its violence as a vehicle to explore key elements of the story, but that isn’t going to mean much to someone whose stomach is turned inside out from some of the descriptions. It is a completely unique book, and I love it for both its strengths and flaws.
2) How Rory Thorne Destroyed the Multiverse by K. Eason – A brand new release that we actually just reviewed, Rory Thorne is a delightful new addition to my science fantasy shelf. The balance of fantasy and sci-fi here is very uneven, with the world being approximately 99% science fiction. However, the character journey/growth of the protagonist is catalyzed and tied to an unheard-of magic that cannot be replicated through the means of technology. Thus, Rory Thorne seats itself in the firm domain of the hybrids and draws strength from both its parent genres despite the imbalance in their contributions to the world.
3) Gideon the Ninth by Tamsyn Muir – Another recent release that we have reviewed, Gideon has the opposite ratio of science fiction to fantasy as Thorne. Gideon is about space necromancers and an intergalactic empire run by an undying lich. Gideon gave me what I have been requesting for years: compelling necromancy. And Muir then put it in space in a true “hold my quill” moment. Gideon’s story is still developing, so many details are unclear, but book one definitely feels like it lends more heavily on fantasy with a science fiction framework. By that, I mean that the book focuses on magic and more traditional themes but uses a science fiction backdrop to expand the scope and pave an interesting original direction for the narrative.
4) Lost Puzzler by Eyal Kless – One of two of “post-apocalypse Earth that is so messed up it regresses into magic” books on the list. These are the most typical Science Fantasy hybrids you will run into in the book landscape, but I don’t like the ones where the emphasis is on the reveal that it was “Earth all along” Planet of the Apes style. Lost Puzzler is pretty upfront about the fact that it is a ravaged Earth, and doesn’t rely on the idea to make the story compelling. The bookmakes the interesting choice not to differentiate between magic and technology, but simply state that the two are indistinguishable. It’s a wonderful blend of both genres, and while it is possibly the least original book on this list, it is very good at what it does and an excellent specimen of its little storytelling niche.
5) Red Sister by Mark Lawrence – The second apoka-Earth story on the list, Red Sister stands out from Lawrence’s large apoka-Earth portfolio as the best of his work. Red Sister’s worldbuilding is truly astoundingly good, with strong elements of both fantasy and science fiction representing cornerstones of the setting and how characters solve problems. What I find most compelling about Red Sister is that the challenges use science fiction hard rules and framework, but the solutions and the characters lean into fantasy’s whimsy and focus on discovery. What this means is the reader is presented with clear technological challenges but uses fantasy and imagination to dream up solutions. It is the best of both worlds and deeply satisfying on a number of levels that few books are.
6) A Big Ship At The Edge Of The Galaxy by Alex White – What feels like a strange lovechild of dystopian cyberpunk and fantasy, Big Ship is a lightning-fast adventure. Big Ship won its way into my heart very quickly by fusing advanced technology and magical systems. The magic in the story is a fantasy cyborg – half fantasy and half sci-fi. The book takes place in a world where a magical fantasy progressed into a technological future (though this isn’t the focus of the book). As such, the technology in Big Ship has all evolved to augment and enhance magic as opposed to replacing it. We have space ship racers who can magically fuse their minds to their cars like a bootstrapped AI, protection mages that use amplifiers to project their shield around their ships and deflect railgun shots, and pages of other fun ideas that I don’t want to spoil. Alex White is building something original and fantastical here and this series is definitely worth checking out.
7) Three Parts Dead by Max Gladstone – The Craft Sequence is everything I have always wanted out of urban fantasy – the present reimagined in a fantasy world. This isn’t some basic “Chicago, but with wizards” worldbuilding. Gladstone has built an entire fantasy world with the trappings of modern technology, ideologies, and problems. The books are modern-day workplace escapism paired with powerful messaging and a world just dying to be explored. The magic and technology are paired harmoniously in Gladstone’s brilliantly designed world, and getting immersed is as easy as jumping into a pool.
8) A Natural History of Dragons by Marie Brennen – First off, this series has possibly the best set of covers out of any fantasy books I own. Second, if you love dragons as much as I do it’s very likely you have fantasized about the idea of studying them like a zoologist. Natural History tells the story of a female biologist with a love of studying dragons in a time that was not kind to women. Which you know, unfortunately, doesn’t really narrow it down much – so I mean it takes place in the Victorian era. The book approaches the study of these magical beasts with all the rigor and methodology of actual biologists and tells a scarily immersive story for anyone who has ever dreamed about seeing one of these fantastical creatures in the flesh.
9) The Great Book of Amberby Roger Zelazny – Honestly, I can’t really do Amber justice with this tiny paragraph. I am working on a larger piece to go into the fun gritty details, but for now, know that this is an epic 10 book saga about a family of heirs engaging in a murder-off over 100 dimensions. The idea of Amber is that the titular plane of ‘Amber’ is the only actual reality, and all the other ones are shadows that Amber casts across the multiverse. There are two warring forces – order and chaos – and our Earth is one of the many shadows of Amber. The shadows range all sorts of realities, from fantasy to science fiction. The story follows the many heirs as they vie for dominance and control of Amber by maneuvering the various planes. Zelazny skips between fantasy and science fiction constantly and it slowly laces the two genres together like a beautiful quilt. I highly recommend it.
10) Saga by Brian K. Vaughan and Fiona Staples – If you are familiar with anything on this list, it is probably Saga, which is good because Saga is universally loved, and I feel like it lends my list credence. If you are one of the few who are unfamiliar with this massively successful graphic novel, congratulations! You have a wonderful brand new experience waiting for you that will knock your socks off. Before we even get to the writing, Saga is gorgeously illustrated. Fiona Staples is a goddess of art amongst mortals and I love her work. As to the story, Saga tells the tale of an interplanetary war between two fantasy races. Our protagonists are individuals from opposite genocidally inclined sides of the conflict, and manage to fall in love and have a child despite all the obstacles. The entire universe begins to hunt the child for what she represents, and the story is about her poetically lifelong journey to stay alive. The big idea of the narrative is that the world says things shouldn’t mix and the world is wrong. There is beauty and wonder and newness when we forge new bonds, build new things, and blend the lines of what people think is allowed. Mixing two things that people think don’t go together (like fantasy and science fiction) can make something better (like Science Fantasy).
11) Retribution Fallsby Chris Wooding – More of an honorable mention, this book series is essentially a better version of the space western with a cult following: Firefly. Retribution is more of a steampunk with heavy fantasy elements than what I would consider a Science Fantasy – but it feels at home on this list. Retribution tells the story of a crew of misfits bumbling their way through the known world, trying to stay alive and financially solvent, and occasionally saving the day by accident. There is a heavy mix between steampunk technology/ships and fantasy magic in the form of necromancy, demon summoning, and more. The series does a great job making the tech and magic feel blended and even and overall it is generally a good time if you like westerns.
12) A Shadow Of What Was Lost by James Islington – Another honorable mention, Shadow is firmly in the fantasy genre – but I still want to talk about it. Shadow is a modern classic fantasy book telling of an epic hero’s journey, similar to the well known genre staple: The Wheel of Time. However, the reason I felt inclined to include it on this list is Shadow is a story that revolves around a single key concept – time travel. And the way that Shadow tells its story is by narratively pitting the stereotypical fantasy idea of time travel against the stereotypical science fiction idea of time travel. There are two major sides of conflict in this story, both using time travel to achieve their goals. However, one side believes that time travel can alter the past to change the future while the other believes that all events in time are fixed and that if you go to the past you have always gone to the past, and the future is unchangeable. The battle of these two ideas is a fascinating and enthralling story and while Shadow is definitely a fantasy book, the borrowing of science fiction concepts and hard magic systems can scratch the itch of anyone looking for a Science Fantasy.
Science Fantasy is a real unspoken wonder, and I am sure that a number of you out there have read some prime examples that I have never heard of. If you think you have a good addition to this list, please let me know in the comments! I am always looking for more material in this genre and I would love a good recommendation. If you liked this list, be sure to share it. While I don’t usually like to push my content, this is a subject that could use more attention and every little bit helps.
Let’s get straight to the point: everything is tough right now. And rather than regurgitate the buzzwords and messaging you see on all your social platforms, I’d like to shift gears and offer you a little light to get through some dark times. Here are five lighthearted reads that will put a smile on your face!
The House in the Cerulean Sea by TJ Klune
This book. This. Friggin’. Book. I turned the final page of The House in the Cerulean Sea with glistening, teary eyes and a smile so large it probably threw Earth’s gravity off-kilter (if you felt that, I’m sorry–should be back to normal now). TJ Klune has served up an unassuming book with an unassuming protagonist that just wrecks you by the end. It’s a tale of found family and unconditional love and fighting for what’s right in the face of adversity. It’s told with careful attention to detail and a glimmer of hope. Our recent review (a well-deserved 10/10, by the way) covers the main points, but here’s the skinny: it’s a glorious fantasy novel featuring a diverse cast of characters and a world exploding with magic. For what it’s worth, I can remember two books EVER making me cry, and this is one of them (the other being City of Miracles by Robert Jackson Bennett, but those were tears of well-earned sadness).
For the love of all that you hold dear, read this book.
Strange Planet by Nathan W Pyle
You may have seen these charming aliens gracing your Instagram feed. Nathan W Pyle’s account of the same name features cute-as-heck extra-terrestrials experiencing the wonders of Earth through fresh eyes. The book (and its June-slated sequel, Stranger Planet), collects these charming cartoons and reignites the beauty in everyday things that we too often take for granted.
To Pyle’s aliens, sunburn is an adventure and cats are mysteries to solve. No familiar scenario or phenomenon is exempt from the adoration of the creatures, and every panel offers thoughtful observations on everyday life and human emotion.
Everyone’s a aliebn when ur a aliebn tooby Jomny Sun
Oh, you already finished Strange Planet but you can’t wait for the sequel? You need another charming illustrated exploration of Earth through an extra-terrestrial’s eyes? Dang, sorry I can’t hel–BAM. Here’s Jomny Sun’s charmingly magnificent masterpiece. Jomny, a misfit alien, is sent to study earth. He befriends animals and plants. He discovers what it means to feel. He learns that it’s okay to be sad just as much as it’s okay to be happy.
Jomny Sun presents a lovely view of humanity, and every single page teaches some sort of life lesson. I’ll leave you with a personal favorite, aliebn misspellings-and-all: “I’ve been wonderimg why the lonely ones make the most beautifubl music and i thimk its because theyre the ones most invested in filling the silence.”
Year Zero by Rob Reid
Sometimes, you need a rich sci-fi world complete with intergalactic federations, societies on the brink of war, and weapons capable of destroying entire solar systems. Sometimes, you need a humorous sci-fi romp in which aliens have been illegally streaming Earth music for years and, as a result, owe us trillions upon trillions of dollars. For those in need of the latter, I offer you Year Zero.
Backed by a wealth of his industry knowledge as the founder of Rhapsody, Rob Reid weaves a hilarious tale of intergalactic copyright infringement and piracy. It’s a hoot from start-to-finish, and while Year Zero explores some important questions about art and consumption in the space-travel age, it’s really just a straight-up adventure that pokes a lot of fun at many of our artistic institutions. Oh, and it’s kind of a love letter to music as a whole.
If you’re looking for an overly-hyphenatedly-described genre-defining space-faring sci-fi mega-masterpiece, well…*gestures to The Expanse.* If you want to heed the words of Cyndi Lauper and sneak in a few chuckles, check out Year Zero.
What If? By Randall Munroe
Randall Munroe’s collection of “serious scientific answers to absurd hypothetical questions” induced more riotous laughter in me than any book I’ve read in recent memory. A former NASA employee and all-around talented writer, Munroe approaches said questions with a flair for scientific accuracy and a sharp penchant for gut-busting punchlines. Throw in the hilarious stick-figure comics, and you’ve got the full package.
Here are some of the questions on display: “How much force power can Yoda output?” “If every person on Earth aimed a laser pointer at the moon at the same time, would it change color?” “What would happen if you tried to hit a baseball pitched at 90 percent the speed of light?”
So, yeah, things get crazy. What If? provides a refreshing escape from these tough times into rampant absurdity.
After the success of last year’s Dark Horse Initiative, we knew we were going to do it again this year. For those of you just joining us, the DHI is our attempt to sift through all the relatively unknown debuts coming out in a year and bookmark a handful to check out and review just based on their descriptions. However, when we were building the lists this year we realized that we had A LOT of books on it – so we decided to make two. We are splitting the DHI into two lists, one for each half of the year. The following books are our picks for books coming out from January 2020 to June 2020, and we will have a second list for the back half of the year in July.
As mentioned, each of the following 12 books (in no particular order) is something that caught the eyes of one of our reviewers. We will do our best to read and review all of these, but there are only so many hours in the day so no promises we will get to all of them. Regardless, each looks like a promising new story and we are very excited to check them out! Happy 2020 everyone.
So 2019 is rolling to a close and we have started eyeing books coming out in 2020 to build our to-do lists. However, while building our reading schedule for next year we realized that we should probably do a wrap-up on our Dark Horse Initiative 2019. P.S., you may notice we have changed this list slightly from our original – that is because we somehow missed that two of our books (Priory and Sixteen) were not actually debuts and have replaced them with other debuts we read. So, below you will find a mini-list of all of the debut books and authors we specifically sought out and read in 2019 in the order of how much we enjoyed them. In addition, given that we have already put out a list of our favorite books of 2019 which contained many of these, we thought we would also spend some time highlighting a few specific books for their contributions to their genres. While we didn’t love all of them, almost all of them brought fresh new ideas to the fantasy and sci-fi genres and should be applauded for trying something new. First, the list of Dark Horses in 2019:
The Luminous Dead, by Caitlin Starling – What can I say that I haven’t already said about this wonderfully creepy and ambient debut. The limited perspective is engaging, reducing the amount of information the reader receives, heightening the tension. The danger feels ambiguous and ephemeral, making the reader question what is really happening. On top of that, the character to character interaction is sparse, dense and unreliable. Starling does a brilliant job of capturing so much humanity within such a small story. If you’re put off by galaxy-spanning epics, but still want to read something that captures the human condition as it extends to new planets, The Luminous Dead should help light the way.
Famous Men Who Never Lived, by K Chess – Famous Men Who Never Lived offers a heartbreaking slice-of-life story with a healthy smattering of sci-fi. Days after reading, I contemplated K Chess’ story of being the “other,” and the book helped me understand concepts I’d never fully grasped before. As I said in my review, Famous Men isn’t an action-packed adventure. Rather, it skews our perception of our own reality by presenting us with a new one and urges us to explore the implications of immigration and racism. It’s a true sci-fi gem that transitioned from dark horse pick to hard-hitting sci-fi favorite.
Gods Of Jade And Shadow, by Silva Moreno-Garcia – I didn’t love this book, but a lot of people will. My problems with the novel were all due to stylistic clash; its campfire story style bored me and failed to pull me into the story. However, there will be many who rightly love this style and list Gods of Jade and Shadow as one of their favorite novels. Moreno-Garcia’s debut stands out as a unique voice, for better or worse, among the endless dross that the fantasy genre produces each year. Her mix of Mexican heritage, evocative prose, and romantic storytelling are absolutely worth checking out so you can assess it for yourself.
This Is How You Lose the Time War, by Amal El-Mohtar and Max Gladstone – This Is How You Lose the Time War is not the book that you think it is. It certainly wasn’t the book I thought it was when I initially opened it on a plane ride back into the states. The few hours I spent within the world that El-Mohtar and Gladstone described were some of the most magical, whimsical, and heartrendingly beautiful I’ve had in recent memory. The story told about Red and Blue is at times terribly romantic, beautifully horrifying, and is constantly dripping with intent and craft. As multifaceted as poetry but with the unrelenting pace and drive of prose, everyone needs to give This Is How You Lose the Time War a try.
Titanshade, by Dan Stout – Hogwarts P.D. is certainly fresh. Titanshade blends two genres that I absolutely did not think could be blended: buddy cop shows and epic fantasy. You might think that just sounds like urban fantasy, but Titanshade is so much more with its completely original fantasy world – with a modern setting. Titanshade has some flaws, but it did a great job showing that fantasy need not be limited to historical European settings. While the book was both grim and dark, the modern setting allowed it to function as both a drama and escapism tool. The second book in the series is coming out next year, and you better believe I am going back for more.
That’s it for our Dark Horses of 2019! If you liked this mini-project of ours, I have some good news: we will be back in early January with our Dark Horse 2020 to-read picks. See you then!