The Best Of 2018

The end of 2018 is finally upon us, which means it’s time to talk about the best books of the year. 2017 was one of the best years of Sci-fi and Fantasy I have lived to talked about, so it is no surprise that 2018 had some difficulty following its incredible performance. That being said, despite being a weaker year there are still a number of fantastic books that came out this year. If you need gift ideas for a friend or family member that likes fantasy or sci-fi, look no further than any of the entries on this list. As always, I had to make a cut off for the list somewhere and I arbitrarily decided to pick 21 – but there were still a number of great authors not listed who should be proud of their books. Without further adieu, let’s dive into the panoply of good reads in 2018.

51ifgjed8sl21) The Dragon Lords: Bad Faith by Jon Hollins – When I first came across the Dragon Lords series, it was clear that I had found a diamond in the rough in need of a little polish. However, while the first book had some flaws, Jon Hollins showed massive improvement in the sequel last year, and the finale this year. Humor in fantasy is hard, and while these books might not always be perfect – I think they bring enough originality and quality to the stage to be worth anyone’s time. Bad Faith has a lot of laughs, a lot of failures, and a boatload of people learn how to be slightly less garbage. Jon Hollins is improving as an author with every book that he writes and I can’t wait to see what he gets up to next.

91mf49yikml20) The Monster Baru Cormorant by Seth Dickinson – A sequel to The Traitor Baru Cormorant, this unique series focuses on cultural warfare and how to crush one’s enemies without lifting a sword. Monster had some small pacing problems, but they failed to detract from the book’s increasingly complex and fascinating world and thrilling political intrigue. Despite an almost entirely new cast, Monster continues to draw readers in with characters you love to hate and hate to love. Dickinson’s prose is some of the best in recent times and his worldbuilding is both complex and compelling. The ending of Monster gives only a small hint of where the story will go next and readers will be hotly anticipating the next book until it is in their hands.

51asw0iub3l19) The Ember Blade by Chris Wooding – The only book on the list we haven’t had a chance to review yet, and one of the few non-sequels, this mammoth piece of writing is a call back to classical quest fantasy. There is little innovating about The Ember Blade. It is a coming of age story of a hero with a destiny on a quest for a magic sword. However, just because the book doesn’t have a completely original plot, doesn’t mean it is bad (there is a reason things become tropes). With a relatable cast, a surprising amount of humor, and descriptive prose that brings the world to life, The Ember Blade is an easy book to get lost in. The only thing that keeps the book from placing higher on this list is its extremely slow pacing. The Ember Blade is a fantastic tribute to classical fantasy with a Wooding twist that makes it all the better.

3552056418) A Big Ship at the Edge of the Universe by Alex White – Drama is the name of the game in this larger than life debut novel. Big characters, big fights, big magic, and a big plot – this book is Firefly, meets Fast and Furious, meets National Treasure. The cast starts out rough and unlikable, but is quickly chiseled down into characters you can dig into. The world is incredible, the adventure engrossing, and the combat will have you on the edge of your seat. The book is an interesting mix of fantasy and science fiction, and I wish more people would try similar genre mashups. Big Ship is the strongest debut I read in 2018 and I can’t wait to start reading the sequel, A Bad Deal for the Whole Galaxy, when it comes out later this month.

mealing_bloodofthegods-tp17) Blood of the Gods by David Mealing – Mealing’s massive debut book, Soul of the World, was a top contender on the 2017’s best of list. He has followed it up with an equally massive sequel less than a year later that continued to knock my socks off. Blood of the Gods continues Mealing’s philosophy of go big or go home. When Mealing first put out Soul of the World I believed he had decided to focus more on telling an imaginative story than on one that was polished and streamlined. After reading Blood of the Gods, I have realized that he was playing a long con, and that he is actually somehow doing both. With over 40 magical powers, this book is chaos incarnate and I can only imagine how much planning must have gone into a storyboard and world of this scope. Mealing has managed to get me to reassess his skill as an author with his second book, Blood of the Gods. While I initially thought he was a crazy imaginative author who might need a little polish; now I think he is a crazy imaginative author who clearly knows what he is doing. You won’t find another author who can pack more magic into a page than David Mealing.

port-of-shadows_full16) Port of Shadows by Glen Cook – This might be a controversial pick, but I can’t help who I am, and who I am is a massive The Black Company fanboy. Glen Cook is one of my absolute favorite authors, and his newest entry into his pivotal The Black Company series is a welcome one. A book for longtime fans of the series, Port of Shadows answers a number of lingering questions leftover from the plot of the original books. It adds a layer of depth to characters I already loved, and I really appreciate that his book exists. Port of Shadows has all the hallmarks of a Cook classic: an unreliable narrator, a visceral brutality, a depressing tone, and more mystery than a cryptogram inside a labyrinth. Those of you who haven’t read The Black Company will likely want to steer clear of this one, but those of you who have – welcome home.

3592153615) The Defiant Heir by Melissa Caruso – This book guaranteed itself a spot on this list by making me say the words “I really liked the love triangle”. I don’t even know where to start with The Defiant Heir. The sequel to The Tethered Mage, Caruso’s second book surpasses its predecessor in every possible way. It has a great cast, intrigue that will keep you up late reading, and a world full of magic that is fun to explore. However, what elevates The Defiant Heir to one of the best books of 2018 are two things. First, a dedication to a theme that we don’t see enough of in the fantasy genre – the idea that with power comes responsibility (#spiderprincess?). And second, a love triangle that I an genuinely invested in (something that has never happened before) and that explores the first theme I just mentioned. The two men in the triangle represent marriage for love and marriage for obligation, and Caruso gives equal weight to both. It was a bold choice on Caruso’s part that paid off in spades and made this one of the best reads of 2018.

3888951014) Charmcaster & Soulbinder by Sebastien de Castell – Fun is king. One of two double entries this year, de Castell managed to put out two books in his Spellslinger series that claimed a spot together. There is really nothing more to say about these books than reading them was some of the most fun I had this year. The series continues to be charming, imaginative, engrossing, and easy to read. Reading these books gives me the same cathartic rush that I felt when reading Harry Potter as a child, and there are very few books that can come close to that feeling. De Castell has continued to prove that he is one of the best fantasy authors of this generation and that anything he touches is almost guaranteed to be worth your time. If you haven’t managed to get your hands on Spellslinger yet there are now four great books to dig into, but be prepared to stay up all night reading them back-to-back.

51iif0eja4l13) Last Dragon Standing by Rachel Aaron – Speaking of fun. A large chunk of my free time this year was spent burning through all five Heartstriker books by Rachel Aaron. Although only Last Dragon Standing can make it onto this list (due to when it was published) collectively reading this series was one of the best parts of my year. Aaron has made a fun urban fantasy that moves at breakneck speed and has more delicious family drama than a soap opera. Unfortunately, a large part of the appeal of these books is their fun plot – making them very hard to review or talk about. However, take note of the fact that Last Dragon Standing managed to claim the spot 13th best book in 2018 and use that as a guide as to whether or not it is worth your time.

81s4snnvywl12) Revenant Gun by Yoon Ha LeeRevenant Gun closes out one of the weirdest science fiction series I have ever read. While the first two books in the series were extremely confusing fun, Revenant Gun finally takes us behind the curtain in Oz and shows the reader what is actually going on in the books. Lee has proven that there is method behind the madness and you can trust him to deliver an incredible reading experience, even if you don’t quite understand what is going on. Revenant Gun gives a great send off to some of the most interesting and lovable characters I have read about in the last few years and solidifies The Machineries of Empire series as a top pick in the science fiction genre.

veil-of-spears-front-cover-sm11) A Veil of Spears by Bradley P. Beaulieu – The Song of Shattered Sand is shaping up to be one of my top epic fantasies ever. Every year Beaulieu puts out a new gargantuan book and each year it delivers an excellent read. A Veil of Spears has every strength of its predecessors but builds a bigger and better story. The stakes are getting higher, the world is getting cooler, and I am growing more and more attached to the characters. The conflict has grown, new players have joined the board as both protagonists and antagonists, the scope and rules of the conflict have changed, and changed, and changed again. A Veil of Spears feels like some sort of bizarro Matryoshka doll, where every time I open it up and look inside I find an even larger space and story.Veil is book three of six in this giant sandy epic, and the series really feels like it has hit its stride. There is no better time to jump into Beaulieu’s incredible series and I will continue to advertise it for free until everyone picks up a copy.

512phkhzbnl10) Rogue Protocol & Exit Strategy by Martha Wells – Welcome to the top 10 of 2018. Up first we have everyone’s favorite AI finishing out her last two novellas. I love Murderbot. I love her… them… it… you get the idea. Last week when we were making out list of our favorite female protagonists there was a serious discussion if Murderbot counted, because she is one of our favorite protagonists of all genders. The Murderbot Diaries have just been one delightful surprise after another. Novellas this short have no right being as powerful, fun, and poignant as full length novels – but they are. Wells has a real talent for characters, and her murder and media-loving AI is still one of the most relatable characters I read about this year. Murderbot is now getting full length books due to their rampant popularity, so if you haven’t checked out these novellas yet you are doing yourself a grave disservice.

9781101988886_GreySister_FCOmech.indd9) Grey Sister by Mark Lawrence – Grey Sister had huge shoes to fill following our #3 pick from last year, Red Sister. While this less vibrant sequel did not quite live up to its predecessor’s glory, Grey Sister still continued the Lawrence tradition of delivering pulse-pounding action in an enigmatic and engrossing world. Grey Sister has a laser-focused plot and the pacing of a dragster with an open throttle. It introduces us to new POVs, such as Abbess Glass, that do a lot to expand the scope of the story and help the reader grow closer to the collective cast of the book. I tore through this stellar sequel in less than two days and I am counting the hours until I get my hands on the final book in the trilogy.

a19o2yo0d2bl8) The Empire of Ashes by Anthony Ryan – All of the top ten books this year were hard to place, but The Empire of Ashes was a particular thorn in my side. Ryan has been slightly controversial for a number of years due to the ending of his Raven’s Shadow series. However, I don’t think there is a single reader who will argue with me when I say Ryan absolutely nailed the finale of his second trilogy. The Empire of Ashes delivers an unbelievably climatic end to a series that has been a rollercoaster from start to finish. Lizanne might be the most badass protagonist I have ever read about and she is only one of a number of brilliant characters that litter this series. Each book in the Draconis Memoria has expanded the scope of the world. Waking started on a single island, Legion expanded to the major continents/empires, and Empire shows the you full world that Ryan has crafted. Ryan’s ability to paint a huge sweeping living world with tons of different governments and peoples, while also losing none of the pacing and immersiveness of his plot, is a step up from his past work. The Empire of Ashes is a phenomenal conclusion to a series that has only gotten better in each book, and that’s after it started off strong.

tumblr_oi336wcpw81vla796o1_5407) Persepolis Rising by James S. A. Corey – As always, I like to roll the December Expanse books over into my next years list, as they are definitely one of the best books of any year they come out in, but have a hard time making it onto lists due to their release dates. Persepolis Rising marks the start of the final story arc in the Expanse series, and despite still being two books away I am not ready for this ride to end. Persepolis Rising was one of the most emotionally stressful books I have ever read. I have been reading this series close to a decade now and I am heavily invested in the characters and plot. Watching this behemoth of a series slowly maneuver into its final arc is like watching the health of a loved one slowly deteriorate. The book is amazing, but it is starting to feel like I am saying goodbye to a lifelong friend and I am just not ready yet.

eames_bloddy-rose_pb6) Bloody Rose by Nicholas Eames – It takes a lot of guts to take a tried and true cast of characters and throw them out the window, but that is exactly what Nicholas Eames did with his second book Bloody Rose. Eames decided to ditch his characters from his previous novel, Kings of the Wyld, in favor of a fresh cast and a new story. It is a true testament to his skill and imagination as an author that Bloody Rose is just as good as its hugely popular predecessor. Bloody Rose once again demonstrates Eames supreme talent for weaving themes into books. Each of the characters embodies a different form of relationship with their parents and they collectively speak to the many flavors of hardship that arise between parent and child. All of this is done in a magical setting, with charismatic characters, satisfying combat, and an engrossing plot that will keep you reading late into the night. With two brilliant books out in two years, I think it is safe to say that Eames is one of the best up and coming authors and a man you will want to keep an eye on in the years to come.

288110185) Wrath of Empire by Brian McClellan – Another year another step closer to the top of a best of list. Wrath of Empire shows McClellan continues to improve with every book he writes. This book is the realization of all the potential that the Powder Mage Trilogy had and hopefully a herald for a new caliber of McClellan books. Wrath has flawlessly completed the baton pass of excellence from Sins of Empire and has helped Gods of Blood and Powder eclipse the already stellar Powder Mage Trilogy. The action is exciting, the plot is gripping, and the themes are deep and thought-provoking. You can’t ask much more of Wrath of Empire, and it is one of the strongest books of 2018.

Foundryside RD4 clean flat4) Foundryside by Robert Jackson Bennett – I feel like it should surprise no one that Foundryside, by Robert Jackson Bennett, is a sensationally good book. Ever since I stumbled onto City of Stairs, Robert has been a fixture of my yearly best books lists and has never disappointed. The first book in a brand new series, Bennett introduces readers to a new cast to fall in love with and a host of new imaginative terrors to keep them up at night. The world is cool, the magic is cool, and the plot is amazing. Foundryside is a really good book, and effortlessly slides into the number four spot on my top books of 2018. Robert Jackson Bennett is a writer of supreme talent and imagination, and has once again proven that his work is worth everyone’s time. If you like politics, action, intrigue, engineering, heists, humor, fun, happiness, heartache, or lovable characters – Foundryside has it all. I honestly can’t imagine who wouldn’t like this book, so sit down, dig in, and have a good time.

202009_13298883) Circe by Madeline Miller – For anyone who knows about Circe, its high place on this list should be no surprise. I have read a lot of Odysseus books, many of them incredible, but Circe is likely the best. Circe is the kind of book that hits cult popularity on its quality alone. The power of this book is in the prose, which might be some of the best I have ever read. Miller’s language is on par with the best prose writers of all time, and who you think is best will honestly come down to personal preference. She manages to hit the perfect combination of both flowing flowery language and a lack of pretentious writing. Her vivid descriptions will pull you in, and flood you with empathy for every character so that you feel as if you are living the book. The pacing is fast and exciting, and her take on all the myths is original and refreshing. Circe has no flaws that I could find, and the only way I could imagine someone disliking this book is if they hated the subject matter. Madeline Miller is an once-in-a-generation talent who I will now be following closely for the rest of her career.

51ydnovnysl-_sx328_bo1204203200_2) The Will to Battle by Ada Palmer – Smart, imaginative, otherworldly, and a perfect commentary on society today – The Will to Battle is my second favorite book to come out in 2018. The Terra Ignota books are the fastest to rise to my tier 1 recommendation list, and each new book has only reinforced my decision to place the series that high. The plot of these books is like a 20 dimensional onion, each new layer revealing new concepts and ideas that I have to sit down and work to grasp. Reading The Will to Battle felt like going to a job, but one that I loved and was wildly passionate about. The characters are complex and one of a kind. The politics are complicated, fascinating, and engrossing. The prose and writing is top tier. The book is constantly surprising and delighting. The Will to Battle sets up the series perfectly for an explosive conclusion and I have no doubt that this unique science fiction series will be considered a inspirational classic in years to come.

y6481) Record of a Spaceborn Few by Becky Chambers – If I am being honest, 2018’s competition for best book wasn’t even close. It was always going to be Record of a Spaceborn Few. I really don’t have the space to express how much I loved this book in this huge list, so I implore you to please take a moment to read the review in the link. Record is a quiet, contemplative, and slow story about people who make their lives in space. The book moves like a beautiful symphony, each character telling a personal story that weaves together into a beautiful whole. It is a book that broke my heart, then pieced it back together stronger than it was before, and it is one of the best books I have ever read. There are no end of the universe threats lurking in this book. Instead, Record speaks to struggles all of us have gone, and are going, through and sets them in a wildly imaginative and engrossing science fiction setting. It has the wonder and creativity of any of the best sci-fi books I have read, with a cast of characters that rival any of the best traditional fiction I have read. This book affected me more emotionally than anything else I have read this year, smashing my heart with character tragedies and stitching it back together with victories. Record of a Spaceborn Few is The Quill to Lives’s #1 book of 2018 and I urge you to all go find a copy.

-Andrew

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Foundryside – An Interview With Robert Jackson Bennett

Foundryside RD4 clean flatLast week was the general release of Robert Jackson Bennett’s new book, Foundryside, which we really enjoyed (and you can find the review here). It is an exciting new world with a number of mysteries that we wanted to know more about. Our group had a number of questions coming out of the book that Bennett was gracious enough to answer on both events in Foundryside and the future of the series. These questions do have mild spoilers for the first book, so I would recommend checking it out after you have read it. For those of you who have already finished this great read, enjoy:

I have had a love of houses with different creeds dating back to when I read Harry Potter as a child, so I was a big fan of the different houses in Foundryside. I had a bit of a specific question for you, how does one apply to enter one of the existing houses? How does a house go about recruiting new people? Are most employees born into their houses, or poached from others, or do you have any ideas for what a house interview process would be like?

This isn’t spelled out in the story, but if I were to imagine how it’d work…

So, probably about forty or fifty years before the story, when there were twenty, thirty, or a hundred merchant houses, they probably had an apprentice education system and scriving academies that anyone could go to, and if you went through the process and either passed an entrance exam or knew the right people, you could get hired by one of those houses.

However, in the decades since, four houses have completely consolidated nearly all power. So if you didn’t get in before or during the consolidation period, it’s a lot, lot harder to get into the merchant houses now. Now scriving is probably much more hereditary and nepotistic, where a spectrum of families within the four houses have cemented their positions and are trying to get their relations seeded all throughout the house’s structures. Each merchant house likely has not just one school but many schools within the campo, and getting into any of the schools probably requires a great deal of royal intrigue, favor jockeying, blackmail, and bribery. If you want your son to be a scriver (another thing they decided during the consolidation period is that scriving is a masculine art), and you’re external to Tevanne, you probably have to buy their way in. It is, in other words, not a meritocracy by any means.

The end result is that the merchant houses aren’t innovating nearly as much as they used to anymore, but they still wield unchallenged power, because the entry barrier to scriving is just way, way too high.

Scriving seems like an interesting profession. To me, if felt kind of like crossing a jeweler and a lawyer, needing the delicate hands and mind for rules. If scriving was suddenly real, what professions in the real world do you think would have the most applicable skills to make a career change into making magical artifacts?

Coding. When I was first sketching out the story in my mind, I settled on the thesis that magic is basically just a hack for reality – you are feeding reality instructions that makes it break the rules for you. Functionally speaking, scriving is a hack that makes objects disobey physics in select ways.

I noticed that there was a particular emphasis on scrivings based on gravity in the book, both good and bad. It resulted in some particularly spectacular and gruesome scenes that have really stuck with me. What made you think: gravity, this is the force I want to focus on?

Gravity is not very well understood today – where it came from, how it works, and so on. There’s an ongoing discussion about its nature, starting with general relativity, then dipping into string theory, quantum mechanics, and so on. As such, the idea of tampering with something immensely powerful but not well understood worked brilliantly with Foundryside.

Foundryside was a really fantastic book with a distinctly Venetian feel (a favorite location of inspiration for me). Are there any other cities you feel particularly drawn too that you have considered for inspiration for future books?

I will say that Haiti is an inspiration for an upcoming setting in the series. Historically more than geographically. It is the only successful large scale slave rebellion in human history.

Ophelia felt like a very hard-edged character verging on the edge of evil in this book. However, I might be extrapolating my impressions of her because she didn’t get a ton of screen time. Will we get to see her more of her in future books? If so, in what spoiler free context?

Ofelia Dandolo is going to figure very, very prominently in the next book. She is a hard-edged person, but it would be difficult not to be when you’re running a merchant house in the ruthless and cutthroat city of Tevanne. She’s always been devoted to protecting her family at all costs, which has led her to make some hard and desperate choices she’s still paying for.

The Mountain itself was one of the most interesting ‘characters’ in the book. It seemed to embody similar characteristics to where we currently are in developing Artificial Intelligence in the modern age. My question is, why did it still seem fairly ‘nice’ after watching and learning from generations of humans? Why wasn’t it pursuing power or love or any of the other things it has likely witnessed in it’s great walls? Also, please tell me it will return in the sequels!

Was the Mountain nice? I’m not sure. It was primarily created to attract a very specific sort of entity to Tevanne, but as far as it’s aware, those entities have not appeared. So I think it’s really more lonely and desperate than it is nice or cruel. It is its ongoing failure to fulfill its purpose that defines its attitude, as opposed to what it’s learned from human beings, since it’s still a fairly rudimentary intelligence.

I think it will likely make an appearance in the next book. There’s rather a lot happening in it, though.

The city in Foundryside seems to be a location in the Golden Age of scriving. How much scriving is actually taking place outside the city walls? Is it more of a traditional world out there? Why are there not more merchants coming to buy scrived tech in this city?

Tevanne’s primary industry is manufacturing scrived weapons and smaller lexicons – like combat lexicons – which it then either uses to capture territory, or sells to warlords to help them capture territory (it then taxes the everliving shit out of the warlords, and if they don’t pay up, they annihilate them with their superior scrived weaponry). There are tons and tons of diplomats in Tevanne trying to place contracts for rigs and lexicons, mostly for horrible purposes. There is no other scriving innovation taking place outside of Tevanne, because it’s expensive and hard to do, and it’s not in Tevanne’s interests to make it any easier. They want everyone coming to them.

Your books are often filled with imaginative inventions and creatures. Was there any idea or scriving type in Foundryside that you were particularly proud of?

What Orso comes up with in the climax is probably my favorite innovation, though it is very, very mind-bendy.

One of my favorite aspects of Foundryside as a story is the unlikely team up from people in so many different walks of life (the orphan, the prince, the sheltered genius, etc.). Was this an intentional combination on your part? What was the inspiration for drawing together such different people?

Yes. I’m a big sucker for the “ragtag group of misfits comes together to hatch a cunning plan” plot. I also like it when everyone yells and argues a lot, so making them all very different is critical to that.

Do you have any mock drawings of what scrivings would look like?

No. Scrivings convey an insane amount of information in each sigil and, to be frank, I don’t think I’m smart enough to be a scriver.

Correct me if I am wrong, but you mentioned in an earlier conversation we had that the main POVs of book two in The Founders would be different. Looking back at your past work with the Divine Cities as well, you don’t seem to like to stay in the head of a character for more than one book. Is there a particular reason or ethos for this?

I will say that Foundryside was very much Sancia’s book, but the sequel will be an ensemble story as the ragtag group of misfits tries to run the equivalent of a magic startup. Foundryside slowly spread out into using Orso, Sancia, and Gregor as POVs, but the sequel will begin in this format, and will add in some new ones. This is just a result of the story and world getting bigger. You need new perspectives to help the audience comprehend the scale of the stakes. I suspect that’s why I often mix up my POVs – as the story expands, it moves into a new space.

-Thank you to Robert Jackson Bennett for taking the time to answer our questions!

Foundryside – Glyph It A Chance

Foundryside RD4 clean flatHere we go. It has been a bit of a slow year so far, especially compared to the volume of incredible fantasy and science fiction books that came out in 2017. While I have really enjoyed a few installments in ongoing series, there really hasn’t been a series start that has stood out in 2018 so far – until now. I feel like it should surprise no one that Foundryside, by Robert Jackson Bennett, is a sensationally good book. Ever since I stumbled onto City of Stairs, Robert has been a fixture of my yearly best books lists and has never disappointed. I was a little bummed when the Divine Cities series wrapped up last year and Robert said he was moving on to a new project, but my misgivings have been blown away and I am fully on team Founders (the name of the larger series).

So what is Foundryside about? Well, to make a long story short, a thief steals an object that puts her at the center of a conspiracy to destroy the world, and only her and a group of random people that get dragged into the conflict can stop it. The longer version takes a little more explaining. One of my absolute favorite parts of Robert’s writing is his incredible imagination. His ideas always feel both fresh and cool, and Foundryside is no exception. In the book people have learned how to essentially rewrite local laws of the universe using glyphs to make cool effects and tools. Now that sounds vague and complicated, but here is an example: one scrivner wrote symbols on two pieces of metal so that anything that happens to one, happens to the other twin piece. This is then used to light one piece of metal on fire to set off gunpowder near the second piece from afar. I liked the premise of this “magic” from the first page, and Bennett used it to do some truly creative and awe inspiring things in the novel. Circling back to the plot, the people of Foundryside are the remnants of a civilization that essentially destroyed itself by using these powerful glyphs eons ago (losing record of the glyphs in the process). Their ancestors have tried to rediscover the ancient magic and have had middling success. However, just this tiny success has allowed a small fraction of the population to essentially become massive mercantile houses that rule unchallenged. So, when our protagonist, Sancia, discovers an object that might unlock some of the original glyphs the entire city sets out to murder her and take it for themselves. What I really liked about the magic system is that Bennett clearly defines the limitations of scrivning early on, so you get to try and think about how to find loopholes the rest of the book. It is a satisfying magic system to read about and it balances mystery, science, and awesomeness very well. Plus, there are some truly gruesome deaths via glyph in the story – like “seek therapy after reading this” level of fucked (and they were as brilliant as they were horrifying).

The world is cool, the magic is cool, and the plot is amazing. Speaking about it more in the abstract, I found myself deeply invested in this story and hanging on every word (especially near the end). The one of two minor criticisms I have for the book as a whole is I felt the pacing was a little uneven. The beginning is great but a bit slow, and the ending is so damn immersive and fast that I had a moment where I looked at my clock at 4 am on a work night with 100 pages left and thought “why are you doing this to me Robert” before finishing the rest of the book. The cast of the story come from a number of walks of life and they create a fantastic crew that bounce the plot between heist, combat, intrigue, politics, and science – nailing all of them. Foundryside felt like reading five different books, all of them excellent and seamlessly wound together. On top of all of this, Foundryside does a phenomenal job of both telling a high-stakes and self-contained story, and setting up the greater series as a whole. Unfortunately, the other minor criticism I have is that Foundryside’s antagonist can feel bit over the top. He is such a puppy kicking, ice cream hating nazi lover from page one that he can seem comically evil at times. This did, however, make him a cathartic person to take down, so it didn’t bother me immensely.

I’ve saved the best part for last: the characters. As I have alluded to above, Foundryside follows a group of unlikely allies that end up working together through happenstance. You have an orphan thief from the ghettos, a prince warrior with an unyielding sense of justice, an older snarky inventor, a calm and dependable engineer, and an amnesiac who seems to be more than he appears. The dynamic and synergy of this group filled me with all sorts of positive emotions. I loved watching them learn about, decide if they could trust, and come to depend on each other. They all play off of each other so damn well and it made the heartaches, victories, and humor hit hard – constantly getting reactions from me in a wonderful way. While I love Sancia (the thief) dearly, the unnamed (for spoiler reasons) inventor was my absolute favorite. His was a new perspective for me, and I was surprised how much I identified him and his reactions to events. I have already reread a number of scenes in the book as I just enjoy watching the characters talk and react so much. There are also a number of things that people are looking for in modern fantasy such as: some great female leads and a well written homosexual romance subplot (although it does take second string to stopping the world from ending).

Foundryside is a really good book, and will effortlessly make my top books of 2018. Robert Jackson Bennett is a writer of supreme talent and imagination, and has once again proven that his work is worth your time. If you like politics, action, intrigue, engineering, heists, humor, fun, happiness, heartache, or lovable characters – Foundryside has it all. I honestly can’t imagine who wouldn’t like this book, so sit down, dig in, and have a good time.

Rating: Foundryside – 9.5/10
-Andrew