The Dark Horse Initiative: January-June Wrap Up

Welcome to our Dark Horse Initiative wrap up for the first half of 2020! This year, we found a surplus of debuts we wanted to review, so we divided our Dark Horse list into two halves. 

January through June brought us 12 debuts. After a handful of delays, we finally knocked most of these off our TBR. We didn’t get to every book on our Dark Horse list for January to June, but we did finish nine of them. Now it’s time for a wrap up before we shift focus to the second half of the year, which is also stacked with anticipated reads. Here’s our round-up:

Repo Virtual Repo Virtual feels like a poignant and clever criticism of capitalist society and commentary on AI wrapped up in a single package. The story is short, entertaining, and drives its points home well. White has done a great job crafting a novel that depressed, then uplifted me – all the while entertaining me with a kick-ass action-adventure.

From our review: “Repo Virtual is a peculiar and somber book that feels like a mash-up of different stories…The result is a fascinating and chaotic story of a possible near-future Korea where the virtual and the physical worlds are almost indistinguishable.”

The Unspoken Name The Unspoken Name is a stroll through a garden of wonders in book form. It is filled with whimsy and wonder and tells the story of a woman finding her place in the world after rejecting the role fate placed on her shoulders. It is a wonderful book that surprises and delights from the first page to the last.

From our review: “This story is mercurial, untraditional, engrossing, and occasionally a little rough. But, above all else, it is a beautiful story that is worth reading and a debut that promises that Larkwood is an author to keep an eye on.”

The Vanished Birds – Although we read it, we didn’t review The Vanished Birds. It’s a poetic and beautiful piece about suffering and the tenacity of the human spirit. It is certainly a beautiful and powerful book – it was simply too depressing for us to find the right words to accurately talk about it. If you want to feel profoundly sad, check it out.

Docile – K.M. Szpara’s debut is stunning in its portrayal of two men developing an unhealthy and antagonistic romantic relationship that negates their humanity. If it had been the destruction of said men, this book would have been good, but the healing process and the slow reconciliation makes this book a real treat. 

From our review: “Szpara succeeds in balancing his knack for subtlety and smashing through a brick wall with a megaphone. He achieves subtlety in the quiet moments, where the characters reflect on their actions, and through which point of view situations are described. His loudness comes through in his use of language and Szpara’s refusal to couch actions in metaphor or euphemisms.”

Beneath the Rising – Preemee Mohamed busts through several dimensions with this debut, offering a fast and fresh take on the Cthulu Mythos, bending it and twisting it to reveal some of its darker and more haunting origins. 

From our review: “Overall, if you’re looking for a fast, fun take on the cosmic horror genre that pushes its characters to the limits, Beneath The Rising is for you. Mohamed cares for her characters, and her love of the world that she’s built shines through. There are plenty of twists that are as revealing of the story as they are impactful to the characters.“

The Loop – Ben Oliver’s debut left a lot to be desired. It engages the reader as much as it engages with its own world: barely. 

From our review: “…I did not care about this world. Sure, it’s cruel, it’s mean, and it’s hard, but I just never got the sense that it could be real. I didn’t believe that the characters were frustrated with it or dealing with it in any significant way. I’m not even sure there was an accepted resignation to it either. It was frustrating given that on the surface, the world they inhabit is terrifying but hollow.”

The Dark Tide – Alicia Jasinska’s debut novel boasts delectable prose and a gritty, satisfying concept, but the characters and plot might make some readers hesitant.

From our review: “The Dark Tide meshes unique twists on classic fairy tale fantasy tropes and lyrical prose, forming a reading experience that feels breezy and poetic. And while those elements bring a fresh feel to the narrative, I struggled to connect with the characters or their stories.” 

The Kingdom of Liars The Kingdom of Liars offers an impressive fantasy debut and a promising start to Nick Martell’s The Legacy of the Mercenary King series. 

From our review: “There’s a veritable treasure trove of fantasy fun to be had in The Kingdom of Liars for the right reader. For me, it was an enjoyable and breezy read. Though I saw some slight issues, I’m really excited to see where Martell takes us next. This debut neatly sets the stage for book two, where I’m hoping the worldbuilding takes a front seat and the larger web of intrigue starts to point toward a climactic conclusion.” 

Goddess in the Machine – Lora Beth Johnson’s sci-fi debut brims with fun moments, clever twists, and an intriguing concept. 

From our review: “…Goddess in the Machine emerges an interesting and readable concoction. Johnson’s unique perspective and ideas go a long way in carving out a niche for this book within the sci-fi community. Even with lackluster character and setting work, I’m convinced that Lora Beth Johnson is a debut author to watch. After reading Goddess in the Machine, I’m eager to see where she takes us next.”

Eager for more debuts? Check out our Dark Horse picks for July through December 2020, and keep an eye out for more reviews every week!

The Loop – Round and Round, Here We Go Again

I’m not big on young adult fiction. I didn’t read a lot of it growing up, and as I get older I have an even harder time considering it. It has just never resonated with me, and continues to be low on my literary priorities list. Granted, I just said I have not read a lot of YA, so I’m generalizing it with my most memorable experiences. This is all to say that you should take this review with a grain of salt. Upon my realization that this dark horse was YA, I knew I was going to have reservations but I still tried to go into it with an open mind. The Loop by Ben Oliver feels like a standard action-oriented science-fiction dystopia that does not challenge the reader and barely scratches the surface of its own world. 

The Loop follows Luka Kane, a teenager who has been in prison for over two years. This prison is called The Loop, and its prisoners are subjected to some pretty horrible stuff. They do not see any of the other prisoners, and they are confined to their cells for the most part. However, every six months, they can participate in a Delay, a stay of execution granted to them by being subjected to scientific and medical experiments that the wealthy can then benefit from. Around Luka’s sixteenth birthday, the prisoners are separated into two groups and an unscheduled Delay is offered to everyone. Upon Group A’s return to the Loop, something is different about them– namely, that they try to escape their cells with wide grins plastered upon their faces. The prison is thrown into chaos as it seems to the prisoners that the world itself might be falling apart. This offers the prisoners an opportunity to escape, but is the world outside even worse than the one they have come to know within the Loop? 

When I first read the description of this book, I was excited. Some tiny part of my brain planted a seed deep inside, hoping that this prison would be a time-based maze. Don’t ask me where that thought came from, but there it is. So like I said, this book was doomed for me. Maybe a lot of how I read it was from a close-mindedness about the genre, agitated by my preconceived notions. Now since you’re here though, I might as well get into the actual review. 

The biggest gripes I had with The Loop were its characters and its worldbuilding. There was not a whole lot going on that made it interesting. Luka Kane was a fairly standard teenage boy. He’s in prison, for a crime the reader does not learn about until later, who does his best to stay absolutely fit mentally and physically with a daily reading and exercise regimen. Throughout the book, Luka never reveals any flaws, beyond he is just too good of a person. Any interpersonal conflicts he gets into are due to his naiveté, even when his “friends” are telling him otherwise. You could make the case that he is just willing to face the consequences of his choices, but ultimately he feels like someone who would stick his head in a wild alligator’s mouth, have the gator bite down and his last thoughts be “I was too trusting, I guess.” Luka often felt like someone discovering the world as a reader would, instead of feeling like a character who knew the world for what it was. Once the nature of his crime is revealed, I felt justified in my feelings of him as a character. I won’t spoil it here, but for me, it was unintentionally deflating. I won’t even go into the side characters because honestly, I barely remember their names only a week later, let alone their roles in Luka’s life.

So what does Luka reveal about the world he lives in as he travels through it? Well, again, I found the book lacking. That is not to say there aren’t details. Oliver clearly is imaginative in his construction of a cruel society. It also helps that the society that exists in his future feels eerily familiar, but turned to eleven. Society is split between the elites and the rest, all under a single world government. Elites have access to bionic technology that the rest do not. They run the prisons, which are used as science labs which experiment on the poor for the benefit of the elites. Percentages of the population are lost in drug-enhanced virtual realities. However, I did not care about this world. Sure, it’s cruel, it’s mean, and it’s hard, but I just never got the sense that it could be real. I didn’t believe that the characters were frustrated with it or dealing with it in any significant way. I’m not even sure there was an accepted resignation to it either. It was frustrating given that on the surface, the world they inhabit is terrifying but hollow.

Like I said earlier, this is just not really my kind of book. That said, and with my admitted lack of knowledge of YA literature, I don’t think this offers new or different ideas to its genre. Knowing that it’s the first in a trilogy also dampens any sort of excitement, considering that a lot of the questions the series will raise probably won’t be answered, let alone asked until the end of the second book. Even as a romp, I can’t recommend this book because I didn’t feel any sort of suspense or apprehension. But hey, to each their own, I just know I was not a fan. 

Rating: The Loop: 4.5/10
-Alex