One of my favorite things about writing for this site is the Dark Horse Initiative. One of the best choices we made this year was to split it into halves to discover even more new authors. It forces me to look for books that interest me but I might hesitate to pick up otherwise. The Space Between Worlds, by Micaiah Johnson, is the ideal dark horse. It’s exactly what you want in a debut novel: new ideas. It’s an engaging examination of identity that is full of grit and character while showing an incredible amount of promise for Micaiah Johnson beyond her debut. It has a couple of issues that are noticeable in the beginning of the book, but are improved upon as the book continues giving me faith that Johnson will only improve as she writes more books in the future.
In Johnson’s far future setting, people are able to traverse between worlds, three hundred and seventy two of them to be exact. Through the miracle of quantum physics, humanity has found other instances of Earth that are similar enough that information about the future can be gleaned by travelling to them and bringing back the necessary data. While this seems like a boon, not all is well for the world Caralee inhabits. Caralee is a woman able to traverse between worlds, not because she’s particularly skilled, but because she happens to be dead in most of the other worlds. In order to hop to a parallel world, a version of you can’t currently exist in that reality. There are only eight other versions of herself still alive, and another one of them has just died. So Enbridge, the company conducting these excursions, wants to send her there to collect some data, and she can’t help but look into why she may have been killed.
First off, Johnson does an excellent job of keeping the story tightly focused and evenly paced to make sure the reader is hooked to the page. She clearly defines the limits of the multiverse and people’s abilities to travel fairly quickly so that it doesn’t bog down the later thriller- and action-oriented sections. I do want to point out that the beginning has a lot more telling than showing, but it tapers off pretty quickly. It’s not that the telling was uninteresting (in fact, it was extremely compelling), it just created a weird dissonance between the world and Caralee that made me want to know more about the world at large, than Caralee as a person. However, this does get resolved over time as Caralee’s character is brought into sharper focus. I was little concerned that my interest in the wider system would become a frustration that pulled me from Caralee, but Johnson sewed character focused seeds that made her story more interesting and coherent within the world.
Johnson’s ability to write characters is astounding. There is a lot to like about this book, but something I absolutely loved was reading from Caralee’s perspective. Luckily for me, the entire book is from her point of view. It really helps that she’s such a well thought through character that feels complete in a writing sense, but incomplete in the human sense. She has this world-weary, cynical know-it-all feeling to her that helps her survive, but can sometimes blind her to things right in front of her. Caralee is the perfect lens through which the reader can view the issues of identity that book so heavily grapples with. Through Caralee, and the people who inhabit her admittedly few lives, the reader is treated to examinations of who people might innately be. I particularly enjoyed the fact that Caralee herself was not particularly curious about the nature of the multiverse as her detachment further steeped her in the morass of her own actions. She had a grim acceptance that the others may die, but she had the will to survive, regardless of cost. It made watching her grow and develop that much more satisfying.
Another aspect of the book that really hammered home everything I mentioned above is Johnson’s prose. Her writing is brash, unapologetic, and fierce. There is an undercurrent of anger to Caralee’s practicality as she narrates her life and describes the life of a traverser. The idea that the poor, brown, and black folks are the ones who are able to traverse due to their expectancy to be dead in other worlds clearly affects her, but she tries to hide it from herself by focusing so much on her own survival. Johnson’s writing feels so intentional and sometimes feels as if Caralee is talking to herself, or another version of herself, defending every one of her actions. It makes her feel vulnerable and as if there is a cognitive dissonance to how she has lived her life until this point. It’s fantastic and really pulled me into her life in a way I was not expecting.
Overall, The Space Between Worlds is an incredible debut. It’s tightly focused and paced like a rocket launch. The world is interesting even though some aspects felt for a while as if they didn’t fit into the plot. Caralee’s voice is so incredibly strong that her development feels earned and true. The writing feels so deliberate and is tinged with a slight animosity, but not so much you’re pushed away from the story, just enough to make you feel as Caralee does. I definitely recommend you grab a copy of this book, and I can’t wait to read more from Micaiah Johnson.
Rating: The Space Between Worlds – 8.5/10