Science Fiction for 2019

2019 has been a pretty rough year for the world in general, but not for books. It’s hard to turn on the news or walk in the streets without hearing about something terrible going on. People are being beaten down, and while people are finding ways to escape, it’s hard to cope because it’s just everywhere. So here at the Quill to Live, instead of putting together a best of the year’s new science fiction, we thought we’d put together a science fiction list of books to read for the year 2019. Below is a list of books that we feel have helped us to make sense of the world as it is, as it could be, and what’s worth fighting for. There are also some that are simply smart and entertaining to distract you from the frustrations of life. We have tried to categorize the books into descriptive emotional categories that speak to the themes that resonated with us, however it is always hard to perfectly nail down classifications. Some of these books could be argued to belong in multiple categories. But regardless, enjoy our list:

The Personal is Political: These are books that highlight adversity within one’s personal life as a political issue. They deal with how social pressures affect one’s identity, well being and relationships with others. They might even ask the question, what does revolution look like?

51ob3ljckjl-_sx300_bo1204203200_The Dispossessed By Ursula K. Le Guin – An oldie but a goodie, LeGuin’s tale of an Anarchist adventuring through a Capitalist society is a feat of the heart. Intertwining the search for faster than light travel with a personal journey of discovering the power of one’s politics, The Dispossessed is one of the most affecting pieces of literature we’ve read. The mixture of philosophy and introspection is tangible in a way rarely seen, and only heightens the plot and character development. If you’re looking for something revolutionary, definitely pick this one up.

81fywrtjuolThe Lesson by Caldwell Turnbull – This debut is one of the more intimate first contact stories we’ve read. It takes place five years after aliens arrive on Earth, their interactions mostly confined to the Virgin Islands. The book deals heavily with the nature of colonialism and its effects on those who are living under it. It feels like a very personal book, as Turnbull invests heavily in his characters and the island they inhabit. Everything feels very deliberate, and Turnbull offers no easy answers.

Small Character Stories on a Big Stage: These stories are character-based fictions, but set with a science fiction backdrop. Here the technologies take a back seat to the small stories of those who live in the world and an intense focus on character development in a futuristic setting.

51dgbi4se6l-_sx325_bo1204203200_Wayfarers by Becky Chambers – Honestly, each one of these books could have a list of its own, highlighting the myriad of ways Chambers reaches the soul. They are slice of life books that follow people involved in larger situations, just trying to find their way in life. The characters aren’t heroes, they aren’t out to save the world and instead, are just trying to make a living, and deal with personal issues. Chamber’s ability to convey interpersonal conflict and the interior lives of her characters is astounding. However, they are very emotional, so be sure to set aside a box of tissues, and cozy up under a warm blanket.

32758901Murderbot by Martha Wells – If you’ve ever felt like the world is just too much and is harshing on your introverted vibe, Murderbot might just be right up your alley. The series follows the life of a security bot that has gained autonomy, and all she wants to do is watch her tv shows. Life gets weird as people begin to find out her secret, and she begins a quest to make sure people just leave her alone. Along the way, she meets other bots and begins to step outside of her shell. Wells’ writing is superb and makes Sec-Unit’s inner life very relatable.

Understanding the Other: These books reimagine what it means to be alien. They explore truly otherworldly forms of thought that stretch boundaries, expectations, and the imagination. They give insight into new ways to approach age-old problems.

51wkqa3knrlChildren of Time and Children of Ruin by Adrian Tchaikovsky – This series has a special place in our hearts, and again it’s no real secret. Both books are feats of imagination that explore humanity’s relationship with the other in different ways. Tchaikovksy imagines what it would be like had certain species on earth gained intelligence on an expedited evolutionary scale. In Time, spiders are given this treatment in a way that rivals the most prestigious of nature documentaries, detailing their social life and creation of civilization without the interference of humankind. It’s mirrored perfectly with a decaying human civilization that is trying to survive afterin they destroy their homeworldeir world is destroyed. Ruin is the perfect follow up. Though it feels like he is repeating a formula, Tchaikovsky emphasizes the creation of a new civilization with influence from the survivors of a dying one. Instead of detailing the social and emotional workings of the octopi, Tchaikovsky makes them even more alien and less understandable from a human perspective. The central conflict becomes communication instead of outright confrontation, asking “how do you relate to someone completely unrelatable?” and “when do you stop trying to communicate?”

51o34bvmuol._sx325_bo1204203200_The Culture by Iain M. Banks – As a whole, the series explores this idea in a myriad of ways, each individual book setting up a dichotomy between two opposing views. Banks spends a lot of time fleshing out the way different societies view the world, and how they attempt to broadcast their politics and economics to others that share their region of space. While a lot of foundations for these societies are familiar to most, the cultures that spawn from them are vibrant and imaginative. Banks deconstructs many of these societies, including his own protagonist civilization known as The Culture, with extraordinary depth. Banks makes sure to detail as much as he can for his readers so that it is hard to tell what is truly alien, and what can be considered human. If you’re looking for deep contemplation on many of the usual questions asked within science fiction, and some stranger questions you had not yet considered, The Culture is definitely worth your time (and is something we will be talking about in great detail soon).

Finding Humor in the Absurdity of Life: These books function as humorous entertainment with a bit of edge. Although they are primarily here to entertain, it doesn’t stop them from examining the absurdities of life and using it to enhance their humor.

26850100Epic Failure Trilogy by Joe Zieja – These books are comedies focused on a selfish engineer who just wants to slack off while the world around him falls apart. The book delivers so much needed laughs but also has a sharp wit to it that speaks to more than just being entertained. The humor belies some smart commentary on how things only get better when you take responsibility for yourself and do more than living selfishly. It is a mix of funny, fun, and thoughtful that we didn’t know we needed.

41-d2bw0dpxl._sx324_bo1204203200_Slaughterhouse-Five by Kurt Vonnegut – A bit of a throwback, but one that some of us hadn’t actually read until this year. If you are like me and somehow missed this highschool English classic, we highly recommend you amend the gap in your reading. Satirical, surreal, and humorous in a dark and twisted way, Slaughterhouse-Five is worthy of the praise it has garnered. A story that will both make you laugh, and keep you coming back to analyze it further, this book is a cleverly crafted commentary on the horrors of war through a science-fiction lens. Vonnegut was both ahead of his time and speaking to timeless issues at the same time.

Military Science Fiction with Heart: These are war novels written by those who understand the horrors of war. They take a wide-eyed and painful look at what warfare does to everyone and do a good job of both being exciting and disillusioning.

91alssdftvlArmor by John Steakley – Steakley opens this book with one of the most visceral battles I’ve ever read. The first ninety pages are a fever dream, following the main character in their first drop onto a hostile planet. Tension, fear, exhilaration, and anxiety fill the page like water droplets in a hurricane. Steakley really knows how to place you in Felix’s shoes while making you hope you never have to fill them. Although this book is a standalone, it is one of our top books of all time and we highly recommend you check it out.

9780312536633_p0_v3_s1200x630The Forever War by Joe Haldeman – It’s often said that “war never changes”, and Haldeman takes it to heart in his novel about an endless war with an alien species. However, Forever War takes that phrase and adds, but life around it does. In this war, the soldiers experience time dilation effects as they travel through space, aging months while the folks at home age years even decades. Haldeman focuses more on the emotional and psychological effects of playing catch up and being forgotten by the world, painting an incredibly human picture of one caught in a forever war.

An Anthropological Study of the Human Condition: These books are anthropological experiments in what would happen to humanity if a new technology were introduced. They are fascinating maps of humanity as a whole and provide a window into some of our possible futures – some not that far off.

26114545Terra Ignota by Ada Palmer – It’s hard to say something about this series other than just read it. Palmer accomplishes nothing short of amazing, and the series is not even finished. It’s a vision of the future that is free of national boundaries, and people’s politics are organized around what they feel humanity should strive for. Palmer instills the future with a sense of history as well, giving reason and weight to the way the world works, and how people navigate the power structures within it. The characters are larger than life but grounded, the world is detailed and stakes are incredibly high.

91rstamsxzlPandora’s Star by Peter F. Hamilton – One of the first science fiction books many of us ever read, this series holds a special place in our hearts. The books focus on how the invention of faster than light travel and the existence of aliens would change the nature of humanity. Although these are not new questions in the science fiction genre, few authors approach them with the same level of detail and examination as Hamilton. These books are beautiful maps of the potential routes we as a species could take as new technology is developed and gives insightful commentary on our nature as a collective and as individuals. The book is the first in a duology, followed by Judas Unchained, and we highly recommend both.

A Future Born of Imagination: Books that overwhelm the reader with a myriad of imaginative impossible futures for humanity, immersing the reader in a torrent of ideas to distract them from the now.

9781781084496_custom-670793563aa4d0d709c7000cd24d2fb6ac956c2c-s300-c85The Machineries of Empire by Yoon Ha Lee – It’s no secret that we here at the Quill to Live love this highly imaginative trilogy. The series is imaginative to the extreme with its calendar-based warfare and fascinating approaches to identity. Lee’s ability to describe the technologies within his universe is incredible, leading us to experience wonder followed quickly by terror at the potential massacre they can produce. His characters are lively and filled to the brim with an undeniable charm, it’s impossible not to root for them. If you want something weird and exciting that involves a lot of sedition, espionage, and action, we highly recommend diving into the world of the Hexarchate.

gideon-the-ninth-coverGideon the Ninth by Tamsyn Muir – Filled with adventure, intrigue, sword fights, and bone-painted necromancers, a reader could be forgiven for mistaking Gideon the Ninth for the start of an exciting new fantasy series. While Muir does use some language and ideas that are typically explored in other genres, Gideon the Ninth is made even more flavorful and unique for the fact that it’s set in the decaying remains of a galaxy spanning civilization millennia after its height. Treachery and intrigue reminiscent of the political machinations of a medieval court? Big check. Action sequences that had me on the edge of my seat? Oh yeah. Irreverent wit and comedy that had me guffawing at times? That’s a big 10-4. A character named Harrowhawk Nonagesimus? Oh yeah buddy. If you like books that cover heavy themes while not taking themselves too seriously a la Kings of the Wyld, I’d recommend checking out what I think is its sci-fi flavored second cousin.

Finally, we would love to hear from all of you. Are there any other categories of books that have helped you deal with 2019? Are there books you have read that fit into any of these categories? What do you think of the list? Please let us know.

A Wizard of Earthsea – Timeless In The Truest Sense

coverA Wizard of Earthsea, the first book in the Earthsea series by Ursula K. Le Guin, has been around a long time. I knew it was old before I started reading it, but it wasn’t until I opened the book and saw the publication date that I realized it was from 1968. One of the original magical school books, beating out Harry Potter by over 20 years. This is a series that has been on my to-do list for a long time, but I have constantly held off on due to the consistent complaints I have heard about the book: it’s well written, but slow and boring. With Le Guin’s passing this year, I have been making an effort to read all of her work that I have held off on too long. So, do these complaints have merit, or are they just the words of ignorant fools who don’t understand Earthsea’s greatness? Read on and find out.

The plot of A Wizard of Earthsea is very straightforward. Ged, our protagonist, is a boy with great magical potential who is learning to become a wizard. The book follows his life from early childhood, where his aunt helps him discover his powers, to early adulthood where he becomes a wizard of some renown. The book focuses on Ged’s struggle with his inner demons, metaphorically represented by a shadow that he released into the world when he was a young man in a moment of arrogance. The book is split between three time period arcs: Ged’s time with his family and first magical master, Ged’s time at a magical university, and Ged’s first forrays into the greater world and his confrontation with his shadow.

Ged is an interesting character and one whose head I enjoyed spending time inside. Le Guin did a great job of making him flawed, but very likable, in order to make a vehicle to portray the experience of growing up and learning humility. He initially is an arrogant and lonely child with a streak of spite and jealousy in him. However, Le Guin does an incredible job of showing Ged’s simple desire for a place to belong, and it makes his flaws feel both understandable and sad – as opposed to making me irritated with him as a character. His personality is not particularly deep, but I think this was an intentional choice on Le Guin’s part in order to leave as much room for projection from the reader as possible. Instead, Le Guin spends her time going into the philosophy and psychology of Ged’s actions on the world – which makes Wizard a great book for introspection.

The philosophy and psychology is fairly light though. Circling back to my comment in the introduction, a lot of people have told me that these books have beautiful prose but can be painfully slow. I think the prose of the book is pretty good, but it is definitely evident that this is one of Le Guin’s earlier works. While nice, it doesn’t quite live up to the standard of excellence that comes to mind when I think of her later work (understandably). On the other hand, I also think that the claim that the book is slow is overstated. I think the book is quiet, and that is not the same thing as slow. Modern fantasy has a lot of flashy explosive books with some huge fighting set pieces, and A Wizard of Earthsea is nothing like that. The book takes place mostly in Ged’s head as he experiences new places and does great things – and it has a somber quiet tone to it. However, I do not think it is slow at all. In 300 pages Le Guin takes us through a sizable chunk of Ged’s life, jumping from event to event. In fact, I sometimes felt the pacing was a little too fast and wish I could have spent more time reading about various places Ged went and things he did.

A Wizard of Earthsea is an impressive book and I will definitely be finishing the full Earthsea series. When you read classics like this, or Lord of the Rings (for example), it is often easy to see the profound historical impact they have had on the fantasy genre and why they are held in such high regard. It is much more rare for a classical book to feel like it still reads as well as a modern fantasy, and I feel A Wizard of Earthsea reads just as well today as it did 50 years ago. I think that if you were to read Earthsea as a teenager it would have a profound and life changing effect on your outlook on the world. If you missed the boat though, it is still a fantastic read to those of us in our later years and you owe it to yourself to check out this timeless classic.

Rating: A Wizard of Earthsea – 9.0/10
-Andrew

On Ursula Le Guin – Forever Dreaming

On Monday, one of the co-writers of Quill (Alex) and I had a conversation about a slippery and hard to define quality of our favorite books that we nicknamed “authenticity”. We were trying to find a way to quantify and categorize this certain power that some books have, but were having a really hard time describing it. Initially I described it as “books without agendas”, but that isn’t right as all books have some sort of agendas. In the end, we realized that what we were grasping at was authors who were able to write books without investing their ego into the story. Alex and I both hate it when you get the sense an author is trying to show you “how clever and smart” they are in their book. Nothing breaks immersion in a story faster than feeling like events in a book are happening solely to prove how brilliant the author is. However, on the other side of the spectrum there are some works of writing that feel like they are more forces of nature than an author telling you a story. The best descriptive we could come up for this quality was authenticity, and it is an extremely rare quality to see in people’s work and the number of authors I find reliably authentic I can count on both hands.

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“I had forgotten how much light there is in the world, till you gave it back to me.” 

I say all of this to put into context the level of my despair on Tuesday afternoon when I learned of the passing of Ursula Le Guin and to help contextualize the size of the beacon of inspiration that just went out. Ursula Le Guin was a paragon of science fiction and fantasy and is, in my mind, probably the single most talented author I have ever read. I have only read five of her many novels and was in the middle of planning out time to read more of the Hainish Cycle when I found out she passed away. In some ways it is easy to see how powerful a writer Le Guin was, it feels like almost every single one of her books won every award that they qualified for when they were published. But I don’t think the awards honestly do justice to the power and emotional depth of her stories. I wrote a piece a while back on “Masters of Prose”, talking about a number of my absolute top authors and why their prose is considered some of the best. You can click on that link to see my words on her, but the important part of it is the attached short story The Ones Who Walk Away From Omelas. At just four pages, this is better than most novels I read in a given year.

lathe-heaven

“You have to help another person. But it’s not right to play God with masses of people. To be God you have to know what you’re doing. And to do any good at all, just believing you’re right and your motives are good isn’t enough.” 

There are lots of reasons why her works are so good. For starters she was astoundingly smart and had a better grasp of human nature and behavior than most people on the planet. Le Guin was able to transcribe her advocacy of art as a form of political expression for a more just world to the pages of her novels in a way that feels more conversational than most other authors. She wrote in a way that allows readers to feel enlightened at the same time her characters did, exploring the conversation instead of beating them over the head with high minded oration or teachings. Her writing is beautiful and poetic on the level of any of the other prose masters around, while also being direct and easy to understand. And she is incredibly authentic. Circling back to my first thoughts in this post, if I had to pick a single author who represents authenticity in writing it would be Le Guin. She always wrote like her one and only goal was to make the world a better place by fostering understanding and communication between people who need both. Her works are profoundly inspirational, without feeling pretentious or elitist. You don’t gain status by reading a Le Guin book, you gain enlightenment.

ursula_le_guin_left_hand_dispossessed_cover

“It is our suffering that brings us together. It is not love. Love does not obey the mind, and turns to hate when forced. The bond that binds us is beyond choice. We are brothers. We are brothers in what we share. In pain, which each of us must suffer alone, in hunger, in poverty, in hope, we know our brotherhood. We know it, because we have had to learn it. We know that there is no help for us but from one another, that no hand will save us if we do not reach out our hand. And the hand that you reach out is empty, as mine is. You have nothing. You possess nothing. You own nothing. You are free. All you have is what you are, and what you give.” -The Dispossessed

It was hard hearing of her loss, and if it is hard for me I can only imagine what it like for her friends and family. I hope they are coping as well as anyone can with the loss and I hope they know that their pain is felt worldwide. One of my dreams was to meet Ursula le Guin and talk to her about the nature of writing. When I heard of her passing I selfishly thought about how unfortunate it was that I couldn’t fulfill that dream. But then I realized, all I would have to do is read one of her novels and I would be inspired with several more.

-Andrew

The Left Hand Of Darkness – Gender Politics

left-hand-of-darkness-design-alex-trochutToday’s post is more of a thought piece than a review, because no one needs another positive review of The Left Hand of Darkness, by Ursula Le Guin. It is one of the best science fiction books ever written, has won a number of awards, and is considered one of the most iconic books ever printed – if you haven’t read it you should. I will say that I have been making my way through a number of iconic sci-fi novels this year, and have had a few that didn’t quite live up to my expectations like Stranger in a Strange Land. However, I am happy to say this was decidedly not the case with The Left Hand of Darkness and it is definitely worth a read.

For those of you unfamiliar with the book, Darkness is a part of Le Guin’s Hainish Cycle, a series of semi stand alone books that catalog the stories of the lives of ambassadors for the Hainish empire. The Hainish are a consortium of planets who possess methods for instantaneous communication, but not instantaneous travel. This means that planets can talk to each other to trade ideas and technology, but visiting other planets is a colossal effort. For this, and a number of other reasons, when the Hainish discover a new planet they want to bring into the alliance they send a single ambassador to study the planet and convince it to join. Darkness in particular tells the story of Genly Ai, an ambassador to Winter. Winter is a cold and icy planet with a very interesting adaptation from the humans who live there – they can freely switch between male and female genders, but mostly remain androgynously between them.

Darkness tells a wonderful story that is worth reading, but it also contains a large thought experiment on the meaning of gender and our unconscious assumptions about both genders. I will say right off the bat I have not read a better book at helping me discover some of the unconscious biases for both genders I apparently personally hold and clearly need to work on. Before reading this I would have said I didn’t have any bias at all, but Darkness has a way of digging deep and, ironically, letting the light in. The power of Darkness is in its subtlety. The book doesn’t focus on the genderless aspect of the story, instead treating it as almost background information that occasionally gets brought up – usually by the narrator Genly Ai as he reacts to people flipping genders around him. Le Guin instead takes the characters, who have been wiped clean of any gender identity, and put them into situations that have traditional gender roles and identities attached to them. She then pulls apart our expectations about those roles and how it influences how we think of the genders. I know that seems confusing as an abstract so let me give you a concrete example. One of the eye opening things for me was the monarch. Winter has a royal ruler, a king/queen. While there are of course any number of queens, a monarchy is something that I (and I assume others) associate as a traditionally male role. In addition, the monarch is arrogant and stubborn which are two additional things I apparently associate with being male. Using these primers, Le Guin got me to think of Winter’s monarch as a man, but then as I got to know the monarch I found I was uncomfortable and confused when they both revealed themselves to also be nurturing and motherly, in particular when the monarch eventually gets pregnant. Darkness is just clever and subtle in its gender manipulations and it is something I really appreciate about it.

While reading Darkness, my mind often jumped to two recent popular sci-fi novels that both play with gender politics: Ancillary Justice, by Ann Leckie, and Too Like the Lightning, by Ada Palmer. I have talked about both before, and like both of them. Both books have clearly taken some of Le Guin’s ideas and taken different directions to explore the reader’s assumptions about gender (I am oversimplifying but Justice is told from the perspective of an AI who can’t tell gender apart and Lightning constantly lies to you about what gender people are). However, I found I liked Darkness’ take on gender most because of the previously mentioned subtly. With the two newer books the gender discussion is at the forefront – always present. The Left Hand of Darkness’ clever use of it as a subconcept hidden in the noise in the story allowed me to have a much higher degree of self discovery than in Justice or Lighting. As such, if you have not read The Left Hand of Darkness yet, I definitely recommend that you do. You might learn something about yourself.

-Andrew

The Dispossessed – Capital L Literature

51ob3ljckjl-_sx300_bo1204203200_In October my book club wrapped up its final month of our 2016 schedule with The Dispossessed, by Ursula K. Le Guin. When the book was originally suggested for the roster, I had no idea what it was, but I had heard only the best things about Ursula K. Le Guin and decided to look into it. The praise I found for this classic science fiction novel was astounding, and it rapidly became one of my front runners in our convoluted voting system for book club books. After winning its way onto the schedule, and having to wait an entire year to read it with the group, I got to read one of the best examples in my memory that some science fiction can be considered Literature.

First, a quick rundown of what the book is for those who don’t know, its basically a huge metaphor for the US and Russia during the cold war. The story follows a brilliant physicist called Shevek during two parts of his life simultaneously, past and present. Shevek lives in a solar system with two inhabited planets, each refusing to communicate with one another. The first planet is Urras, a capitalist planet with multiple states that is an allegory for the US. The second, a communist moon called Anarres that is Russia. Shevek grows up on Anarres and finds the communist mentality stifling, so he decides to break a 100 year cold war/embargo and go to Urras to pursue his science. Shevek’s past timeline chronicles his time on Anarres and his present timeline follows his story on Urras. Both timelines alternate chapters and chronicles his experience with both societies.

The Dispossessed had a feast or famine effect on our book club. People essentially fell into two groups, those who devoured it and could not stop talking about it and those who could not finish the first chapter. Let’s talk about the second group first; the book is dense and requires work. This is not a beach read and requires a lot of work, or active reading, to be done by the reader as they go through the story. Its heavy use of metaphor and minimal concern for captivating plot means it is not really a fun book. It feels more like reading a philosophical dissertation/history book on the cold war than a fictional story. However, for the first aforementioned book club group, it was an intense and one of a kind reading experience.

I myself fell into the first group, and cannot recommend this work of art more. While Le Guin definitely favors one world over another, she only reveals which near the end, and colors it as her opinion more than a fact. All throughout the rest of the book it feels like she fairly breaks down the strengths and weaknesses of both societies while also delving into them and providing insights about their workings that I have never heard before. I am a staunch capitalist in real life, but I found myself considering if there was merit to communism and raptly listening to Le Guin as she showed me other things I should consider about the human condition. Regardless of your stance on either form of government, I think you will find that Le Guin’s points are well thought out, complex, and well argued. The writing is also gorgeous, with elegant prose that does not waste a word. Le Guin manages to somehow be eloquent and minimalist simultaneously in her writing, and I really enjoy her style. The book sparked up an enormous amount of discussion with those who completed it, and it generated what was probably the most rich and expansive conversation we have ever had in our book club. We spent an hour talking about the first chapter alone, and those that read it are still talking about it a week later.

To me, The Dispossessed is a work of art that everyone should try to read. You might really, really not like it, but if you don’t hate it you will love it. I understand now why this book is considered one of the best science fiction novels written, and I believe it firmly demonstrates that science fiction novels can be more than just fun. And on a topical note, if you are feeling burnt out by democracy and capitalism this week (as I know many of us are), why not pick it up and learn some of the merits and weaknesses of good old communism.

Rating: The Dispossessed – 10/10

The Masters Of Prose

When talking about the most talented authors, I hear a lot of fans say it comes down to who has the best prose. While I completely disagree that it is the end-all of importance when judging someone’s books, it is none the less an extremely important aspect of every book. Prose is the vessel in which you tell a story, and requests for recommendations of masterful prose have come pouring in. One of the culprits of this surge in prose love is the talented Patrick Rothfuss, a master wordsmith and one of the current kings of the fantasy world. I get daily requests for authors on par with this giant, so I have decided to make a list of the authors I have read that are prose masters and why. So without further delay, in no particular order, let us begin:

cover_ukPatrick Rothfuss – Let’s start with Rothfuss himself as a introduction. Patrick Rothfuss is almost as much a poet as author, and the fact that his character is also poetically inclined only enhances this fact. Rothfuss’s prose feels both beautiful and accessible, which is what makes it such a powerhouse. He describes scenes in vivid detail, but only focuses on the important and does not waste time on the frivolous. With his honed writing and clever direction Rothfuss piques your curiosity and then paints your imagination without a single word wasted. The combination of both beauty and clarity is what makes him so good.

14497Neil Gaiman – Gaiman’s writing always reminds me of Grimm’s Fairy Tales; serious and dark subjects surrounded in whimsy and mystery. There are few authors with prose as imaginative and fun as Neil with his fanciful descriptions and mysterious and silly conversations. Yet these words still pack a punch, with layers of meaning and philosophy built into every single paragraph. Every single time you reread a work of Gaiman’s you will find some new meaning you didn’t see before and find the words more captivating than you remember. He is a thoughtful writer who has induced endless conversations about the complex meanings of stories.

51tpik8k2btlScott Lynch – Lynch has the one of strongest voices I have ever read. When you read any of his books you become the characters he creates, and live their lives. His books are both hilarious and alive. I don’t have a favorite part of any of his novels because if you were to open to any single page and start reading you would find yourself smiling and laughing. His books read like your best friend making you laugh after a rough break up and continue to bring me comfort whenever I need them. His prose will make its way to your heart and warm it with his lovable rogues and perfect humor. I have only found one or two books even close to as dripping with humor as Lynch’s work.

th_b_bennett_cityofstairs_ukRobert Bennett – I have only read one of Bennett’s books, City of Stairs, but it was enough. Bennett has displayed a talent for action, description, and imagination in his prose. His prose has both vivid detail, and an edge of humor, that makes scenes and descriptions both clear, beautiful, and memorable. In addition, in the creation of his original creatures and places he demonstrates a clear talent in helping the reader see his own imagination with clarity and understanding. His outrageous descriptives, dark humor, and use of the present tense in City of Stairs made me feel like I was reading something one of a kind.

61-whhujivl-_sy344_bo1204203200_Joe Abercrombie – Next we have the king of combat and the Escher of the fantasy world, Joe Abercrombie. I think that many in the fantasy world would agree that Abercrombie is one of the, if not the, most clever writers in the genre. There is so much going on in his prose that multiple people can read it, discuss it after, and wonder if they read the same story. Abercrombie’s prose feels like reality instead of a story, and does wonders bringing his tales to life. In addition, there are only a few authors who can write combat prose as well as Abercrombie. Many books feel like people just waving swords, but with Abercrombie you can feelevery sword blow, run every footstep, and take every breathe alongside the warriors in every battle.

828352Terry Pratchett – The world lost a giant when Terry Pratchett passed away last year. I honestly do not feel like I am a good enough writer to describe the power of Terry Pratchett’s prose, so instead for once I am going to refer you to the words of someone else on this list, Scott Lynch, as he describes what it was like to wake up in a world without Terry Pratchett (Warning – It will make you cry).

leguin01Ursula K. Le Guin – Le Guin’s prose is very, very powerful. She writes the kind of novels that make you feel bad about the way you live your life, and cause you to vow to give more to charity. Her prose uses tone and flow masterfully to manipulate your emotions and makes her messages incredibly heavy hitting. She is one of the few authors I have read to move me with just short stories like this one (only four pages long). Her work hits you like a truck full of bricks and is a great choice for someone looking for moving prose.

60211Gene Wolfe – Gene Wolfe writes the most dense, elusive prose I have probably ever read. His works are not on the same continent as “easy reads”. However, while his work requires a huge investment of time and patience, even the smallest snippet of his prose is enjoyable and oversaturated with meaning. You can read a book like Shadow of the Torturer 30 times and still find that each chunk of prose has new secrets that you did not find before. People are still writing books about the depth of his prose 30 years after it was published, so if you are looking for someone who meticulously chooses each word in a sentence/page/chapter/book he is always worth a read.

104089Guy Gavriel Kay – Kay writes mostly standalones, and his release times are infrequent. However, the long waits are always worth it as Kay’s prose will make you feel like you are living in another world or era. Kay is the most transportive writer I have ever read. He spends years studying the cultures and places he writes about so that he can get the details just right. His prose, without fail, takes you on journeys and fully immerses you in the characters lives until they feel like your own. His writing style is also incredibly poetic but also not too dense. This combination creates passages that are deeply moving but don’t require hours of thought to decipher their meaning. If you want to go on a journey, give any of his books a shot.

fellowship-of-the-ringJ. R. R. Tolkien – Tolkien. I feel like I really don’t need to justify why Tolkien is on this list, as Lord of the Rings is accepted as literature by a lot of people. However, I will say this – The Lord of the Rings is the kind of book that everyone wants to say they read, but doesn’t want to actually read. Its combination of popularity and dense prose encourage lots of people to skim through them in order to simple claim they have read it. This is a huge shame, because the prose (and everything) in Lord of the Rings is incredible. Tolkien’s prose is poetically descriptive, deeply laden with metaphors and symbolism, grand and inspiring in scope, and often times surprisingly funny and light hearted all at the same time. There is a reason he will forever be considered one of the all time fantasy masters, if you haven’t take some time and read through his books some time.