Although it has been awhile since I read A Veil of Spears, the third book in The Song of the Shattered Sands by Bradley P. Beaulieu, it has stuck with me as one of the best things I have read so far this year. As such, I decided to see if I could talk with Bradley now that his series is half published and see how he felt it was going. He graciously responded to me, and now that I have my act together I have finally been able to get the questions and answers up! Enjoy:
So you have now finished Veil of Spears and are three books (published) into your six book series. How do you feel? Do you feel that you are on track? Relieved to be over the halfway mark? Worried about the ending?
As always, I’m roughly one book ahead of the publication schedule. I’ve just finished Book 4, Beneath the Twisted Trees, so it feels like I’m four-sixths of the way there instead of only halfway! But it feels good. In A Veil of Spears, It finally started to feel like I was providing more payoffs instead of always setting things up. So in that respect it’s satisfying. It’s nice to pull back the curtain on some of the things I’ve hidden for so long. And the series itself is on track. I knew where it was headed from the beginning, and it’s pretty much stayed on course the entire time. I’m really looking forward to finishing up the last two books and calling the series done!
After all this writing what is the thing you are most proud of in the first three books? Any particular scene that made you go “damn I am good” or a character you love?
One of the things I was really keen to explore is this notion of the loss of one’s family, the loss of one’s heritage, and the rediscovery of those things. I think some of it stems from loving things like The Lord of the Rings with all its hints of lost civilizations. Well, now I get to have my cake and eat it too! I hint at a ton of things from the past and get to revive them over the course of the books.
So it’s been a real pleasure to realize that goal. I’m not done yet. There’s still more to uncover and more for Çeda to do, but it’s been great to see it all unfold. And I’ve done it through the main character, Çeda, who has also grown up in the telling of this tale. It’s been very rewarding to see her blossom as the books have progressed. She’s been through a lot, but is coming out the other side stronger for it. Harder. At the same time, though, she hasn’t lost sight of what matters most to her: her friends, her family, her tribe.
What have you learned from each of the three books? Are there any areas you felt you needed to improve on the second half of the series or are you perfect in every way?
I think every writer is evolving. One of the things that I’ve tried to pay attention to in the past few books (with some stinging but very helpful comments from my editors!) is to be careful about over-explanation. Writers have to take care with past events, be they backstory, events from previous books, or even events in the same book that for whatever reason are being rehashed (usually due to some unfolding mystery). Explain too little and you confuse the reader. Explain too much and they feel pandered to, or worse, get bored. It’s always a bit of a challenge to decide where to draw the line, but often I was erring on the side of explaining too much, fearing the reader would get left behind. I’m adjusting a bit, trusting the reader more, and I hope it’s creating a smoother read for fans of the series.
I know this is like asking who is your favorite child, but who is your favorite character and which is your favorite book in the series (and why)?
Well the easy answer is Çeda, and it’s true. She’s the focus of the series. She’s the one who’s guided my choices the most.
That said, there is a close runner-up. Meryam. She’s someone who started off as a player in the game that’s unfolding in Sharakhai, but I didn’t envision her as being quite as big a player as she’s turned out to be. She’s bold. Driven. Much more than I gave her credit for initially. And while she’s ruthless, her actions are completely believable from her perspective. I’ve really enjoyed writing her scenes, and seeing how her story is starting to unfold. She’s become a wildcard in the series.
How much research have you done between books? Song of the Shattered Sand is some of my favorite Middle Eastern/Arabian inspired fantasy and as someone completely ignorant of the culture I am curious how much comes from their lore.
I tend to do the most research in the customs of the Middle East, traditions surrounding food and holidays. I also like to research garb and weaponry, sometimes fighting technique, either in single combat or in larger conflicts, just to get a sense for how those things would have played out in our world at that time. I also like absorbing stories, legends, mythology from that time period. One of my favorite acquisitions in recent years is Sharaz-De: Tales from the Arabian Nights by Sergio Toppi, published by Archaia Press. It’s a stunningly beautiful book, filled with retellings from the stories in Arabian Nights (or A Thousand and One Nights). It’s well worth it for the artwork alone, but also if you’re interested in Arabic tales.
What was your inspiration for the series? Was there any particular ideas, books, or events that you experienced that led to it? In particular I would love to know your inspiration for a story involving hunting 12 kings with different powers using poem riddles. It combines so many of my favorite things and I would love to know how you came up with it.
The story had a really long evolution. It took me years to develop. The basic desert city was first. The asirim, the strange mummified creatures who steal into the city each month, came very early as well, long before I knew who Çeda was or that there were in fact twelve kings. Slowly, the city and its status as a great power in the world unfolded. And I found out who Çeda was. I knew by then that I wanted it to be a story about rediscovery, and what better way for that to happen than if her mother was taken from her and if she had almost no connection to her family and her people? But as I thought about it more, I wanted there to be some connection from Çeda to her mother. That was how the book of riddles was born. Her mother had secrets. Very dangerous secrets. And she and Çeda both loved literature. What better way to pass down her mother’s secrets than through a book they both loved? Once the idea came to me, I really embraced it. It’s become one of my favorite parts of the series: this one thing, a book of poems and stories, linking mother and daughter beyond death and setting this grand tale into motion.
In general, do you have any favorite fantasy/sci-fi books? What are you reading right now?
Some recent favorites have been Jason Hough’s The Darwin Elevator, China Miéville’s The City & The City, Naomi Novik’s Uprooted, and Sarah Pinborough’s Behind Her Eyes. Right now I’m reading Philip Reeve’s Mortal Engines on audio and Nicholas Eames’ Kings of the Wyld on ebook, and really enjoying both.
The series takes place in a beautifully realized desert setting. What is the most thirsty you’ve ever been, and how did you draw from that experience when writing these books?
I’ve loved writing about this grand desert. I’d wanted to write a desert-based fantasy for a long while. It kept showing up in my short stories and even in my first published trilogy, where the characters traveled to a vast desert in part of the final installment. More than being thirsty, I’ve drawn on the times where I’ve been in really hot settings. Try Phoenix in summer. I also lived in Southern California for five years, and went on various hikes and excursions. It’s dry down there, and those experiences helped me as well. We’re always told “write what you know” but sometimes we forget that we can both write what we know and extrapolate from tangential experiences to create a whole new experience in our books. Perhaps “borrow from what you know” would be a better way to put it.
Thanks again to Bradley for stopping by!