Before I start this review, a few orders of business must be addressed. First: we have an unwritten rule at The Quill To Live that we don’t review sequels unless we have reviewed previous installments. Look at me, shirking tradition, braving the unknown just like Clarke’s fictional spacefarers! Well, not quite. Though we never reviewed 2001: A Space Odyssey, I did write an essay about its impact on me as a reader. It also made an appearance on our “Best ‘Buts’ of SFF” list. If I had given it a score, it would’ve been a perfect 10. Second order of business: as I mentioned in my love letter to 2001, the novel and movie that sparked this sequel were produced in parallel, rather than in succession. As a result, the book and movie differ on some points, and Clarke, perhaps understanding the widespread impact of the film, chose to favor the movie’s details over his prose treatment. I can’t imagine it will throw too many readers off, and he does mention this in the mass market paperback’s intro letter. Nevertheless, it’s worth noting.
With those notes out of the way, let’s jump into 2010: Odyssey Two. From this point on, though, beware of 2001 spoilers.
2010: Odyssey Two, Arthur C. Clarke’s brilliant follow-up to 2001: A Space Odyssey earns its spot among the sci-fi greats. Both a daring sequel to one of the genre’s masterpieces and a resonant story on its own, 2010 is damn near perfect, save for a few standard Clarke faults. For anyone interested in a journey into the unknown mysteries of our solar system and a pioneering expedition into the future of humanity, 2010 is a perfect launchpad.
Clarke’s successor to his spacefaring masterpiece is…another spacefaring masterpiece. 2010 puts Heywood Floyd front and center, following his supporting role in the early chapters of 2001. Floyd uproots his happy life in Hawaii (his house overlooks the ocean, and dolphins swim up to greet him every day) in favor of a trek toward Jupiter, where the U.S. spaceship Discovery was left derelict after mysterious events involving astronauts Dave Bowman, Frank Poole, and supercomputer HAL-9000. Floyd and a few fellow American astronauts are slotted into the crew of the Leonov, a Russian ship destined to head for Jupiter. The team-up between the U.S. and Russia becomes necessary to reach Discovery before other nations try to claim the derelict ship. Their primary opponent is China, who builds a space station shrouded in mystery, then uses it to launch a ship on course for Jupiter. That ship–Tsien— will by all calculations arrive well before the Leonov and allow China to salvage, i.e. steal, Discovery’s remains despite the diplomatic ill will it could generate.
However, despite the excitement in all of this plot, it is all just the setup. Clarke does a frankly amazing job creating a conflict for the members of Leonov’s crew. As the space race kicks off, the pressure is high and tension is thick. But the sprint to recover Discovery only serves as a springboard into a downright mind-boggling narrative. Clarke’s prose is perfect. There’s no other way I can put it. He keeps one foot firmly planted in real scientific concepts and the other on cosmic hypotheticals with fascinating (sometimes terrifying) implications. The imposing monolith returns, and a few staple characters from 2001 reprise their roles in 2010, but I wouldn’t dream of spoiling the wonderful reveals Clarke has in store for first time Odyssey-goers.
Clarke’s one-two punch of prose and plot is a difficult combination to beat. After all, there’s a reason one of science fiction’s most lauded awards is named after the guy. His mastery is on full display here, just as it was in 2001. There’s a new surprise on every page, and you’re ushered to them gently by his lyrical descriptions of space and its myriad mysteries. Clarke is a sci-fi treasure, and this book proves it.
Most readers, even the Clark diehards, would likely agree with my lofty statements about the author’s prose and plots. I’d also say that they’d heartily support my claims that Clarke prefers to let characters take a backseat to those elements. 2010 is no exception. Beyond a few names and roles on the Leonov, there’s little I could tell you about each character in 2010, except for a few iconic returning cast members. If you’re a character-driven reader, Clarke’s not going to satiate your particular palate. But if you can see past the shallow characterization, you’ll be treated to a smorgasbord of hyper-visual science writing that drops you right into the dark vacuum of space. Reading Clarke is like floating through the solar system and understanding all that you see, even if that understanding means accepting that the mysteries of space are incomprehensible to the untrained mind. It’s a delicate, sometimes confusing balance. But for me, Clarke’s shunting of character depth works in 2010’s favor.
And if you stick with 2010, be prepared for an ending that’ll send goosebumps up your arms. I’ve read this book twice now, and each time I turned the final page with wide eyes and my jaw agape. Every speck of Clarke’s story culminates in a stunning climax, and I believe this to be a near-perfect conclusion.
To remove my (hopefully obvious) love for the Odyssey series and give an objective opinion on 2010 is admittedly difficult. On the fence about Clarke? My suggestion is to try 2001 and let it serve as a barometer. If you want more after that, rest assured that Clarke delivers tenfold (or should I say 2010-fold?!) in the sequel. And once you close this quick and elegantly written sci-fi tome, you’ll feel in awe of our universe and curious about both the glorious treasures and dangers it may contain.
If you can’t get enough of the Odyssey series, check out my 2010 Page2Screen conversation with Ian Simmons of KickSeat.com. In our latest episode, we discuss 2010 and it’s film…”adaptation.”
Rating: 2010: Odyssey Two – 9.5/10
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