The Vela is a (fairly) new serial story that can be purchased in seasons from Serial Box or in collections from Amazon. As a concept, the idea of serials is interesting: the book is written and released one chapter at a time. Instead of having a single author, serials are often written by a group, with a different author handling each chapter. We have also actually covered a serial that we really enjoyed called Bookburners – you can find the review here. The Vela: Season One is written by a group of authors composed of Yoon Ha Lee, Becky Chambers, SL Huang, and Rivers Solomon. All of these authors are individuals whose work I have previously greatly enjoyed, some of whom appear on our yearly best-of lists. This made it surprising when I didn’t really like The Vela.
The Vela is a science fiction drama that reframes how the rich treat the poor through an interesting futuristic lens. The narrative takes place in an original solar system, but to explain it more easily I am going to use ours analogously. So science has progressed, all of the worlds of the solar system have been colonized, but faster-than-light travel is impossible. Mercury and Venus were terraformed early, and they’re home to the wealthiest individuals. Meanwhile, Uranus and Neptune are more problematic and result in a poorer way of life. Then the wealthy of Mercury start to mine the Sun for Hydrogen. This goes on for a long time without issue, until they realize too late that they are diminishing the power of the sun. By the time they figure it out, the people of the furthest planets have essentially had their death warrants signed by the 1%. The planets are cooling and soon will reach lethal temperatures. Given the limitations of space travel, only a few can escape on refugee trips inward – while most will have to sit and freeze to death. The story focuses on a single refugee ship, The Vela, that somehow gets lost on its way towards safety. Our protagonists set off on a humanitarian mission to find and save it, but they find a lot more than they bargained for.
The story starts strong with some very interesting ideas, and I was extremely invested from page one. One of the best things The Vela does is capture the human condition in these refugees and those who are left to die. It is an impressive glimpse into the minds of people in a truly awful position, and it did a great job of reminding me of refugees in the actual world and how we need to help them and how the actions of a single group can have far-reaching implications that we don’t consider. However, while the premise and atmosphere were both fantastic – the story, characters, and writing didn’t really come together.
First off, the story doesn’t really live up to its grand premise. The pacing is a bit clunky, plot points are fairly predictable, and there is a lot of time spent chasing MacGuffins. Some of my favorite parts of the story are the extremely beautiful moments told through diaries and interviews of people doomed to die. They are deeply touching and crystal clear fragments of human experiences – but they don’t actually push the narrative forward. It results in alack of direction that hampers the investment in what is happening.
Second off, the characters feel a bit flat. We have two major POVs, Asala and Niko, and a smattering of minor POVs. Asala is a mercenary hailing from one of the dying planets on the fringe of the solar system. She is contracted to find the Vela, and through her we are supposed to get a glimpse into the psyche of these poor doomed people. Niko is the privileged child of one of the leaders of an inner planet. They join the mission out of a crushing amount of guilt for what their people have done, and a desire to make the world a better place. These two make an interesting duo, but they don’t feel like they have a lot of depth and personality beyond what I have already listed. I did like some of the secondary characters a lot, like the authoritarian dictator who is pulling together her planet after a brutal civil war, but they just don’t represent enough page space to make up for the momentum lost by the two leads.
Third, the writing of the four authors doesn’t blend together well. In Bookburners, I could barely tell when a different writer swapped in. In The Vela, it was extremely evident who was writing at any given time. The different authors have very different foci and voices, and it builds to this inconsistency in the narrative that pulls the reader out. I really liked each of the writers individually, but the end result was a sum that was less than its parts.
The Vela has a strong premise, and it certainly isn’t terrible, but it fails to meet the high standard I have for the authors who wrote it. Each of the authors is fantastic on their own and does a great job creating these pockets of quality work, but the combined product feels uneven and poorly blended. I am mildly curious to find out what happens next in The Vela, but it would take a strong recommendation from someone I trust to get me to pick up Season Two at this point.
Rating: The Vela: Season One – 5.0/10