How is it already November in this forsaken year? With less than a month left before we put out our best of the year lists, our reviewers are hard at work chugging through all the books we wanted to get to before the year’s end. Part of that effort involves finishing up outstanding Dark Horses, like Nophek Gloss by Essa Hansen. Gloss was the debut I was most excited to check out this year, as its summary made it sound like a bizarre journey through space and time with a lovable crew of rogues on a spaceship that pushed the boundaries of the imagination. The good news is Gloss lived up to my internal hype and is somehow both more and less than what I expected.
Gloss tells the story of Caiden, a recently liberated slave that has lost everything and is looking for revenge. The start of the book is extremely fast-paced, as the reader witnesses Caiden’s picturesque life farming space cows turn into a traumatic nightmare. Caiden was a member of a group of humans who are kept in captivity, and ignorance, so they can raise cattle to feed nophek – giant murder cat things that grow space fuel in their brains. In the vast multiverse of this book’s setting, only a few realities can support nophek biology, so they are worth quite a pretty penny. However, when a virulent plague ends up killing most of the world’s cattle – the overseers of the harvesting project decided to feed the slaves (i.e., Caiden) to the nophek to keep them alive a little longer for harvest. Caiden watches his entire family get brutally torn apart by space lions right in front of him, manages to escape and find a futuristic spaceship, and falls in with a group of five side characters who help him get it off the planet and to safety. Caiden, at about twelve years old, vows to enact a horrific vengeance on the slavers who killed his family and sets out on an epic quest to throw them into the nearest sun.
The plot of Nophek Gloss left me with distinctly mixed feelings, especially because it is absolutely not the focus of the book. Everything feels contrived: Caiden falls into a powerful ship, a friendly and brilliant crew, and a clear plan on how to enact his revenge, in about 10 pages. But, that’s also not really an issue because all of the plot is window-dressing for the ideas, characters, and character growth. If you are looking for a hard science-fiction that has a thrilling and gripping plot that fits thousands of pieces together in an immersive experience, look elsewhere. If, however, you are the kind of person who likes their science fiction couched in the context of the human experience, wants to explore new ideas about how we grow into who we are, and love creative worldbuilding – then look right here.
The characters of Gloss are fantastic, though you should know what you are getting yourself into. The five crewmates that Caiden picks up are delightful, and exploring their individual stories through the chapters was moving and engrossing. On the other hand, Caiden is written, very effectively, to sound like a young boy, and that can make him occasionally extremely annoying. He struggles to learn lessons and often repeats the same mistakes, over and over again. However, through each successive error, we can see that Caiden is truly growing as a person and working through his trauma, which is a big part of the story. Trauma, and how to heal from it, is a cornerstone theme of Gloss. The book is filled with numerous sad stories, from Caiden’s to the crew’s, to any number of other side characters we meet. The trauma is the true antagonist of the story and the reader gets to watch each character they are attached to deal with their horrific pasts in their own way.
But if you aren’t into all of this touchy-feely goodness like I am, the worldbuilding and technology in Gloss are really fun. There are a ton of new ideas for technology – like a fascinating take on forced aging – that I had never read before that kept me thinking long into the night. Gloss also has some really interesting takes on multiverses and spaceships that made the inner child in me heel-click with glee. The prose is also quite vivid and evocative, and there are many instances of stunning imagery that are still sticking with me weeks later.
Interestingly, most of the things I didn’t really like about Gloss were clearly features, not bugs. Hansen has clear and well-realized methods on how she wants to tell her story that took me out of my comfort zone and helped me feel refreshed with the science fiction genre. Nophek Gloss was one of the strongest Dark Horses I have read this year and its weird story and weirder characters have me firmly invested in what happens next. I definitely recommend you use my breakdown of the book to decide if you think it’s for you because those that are drawn to Nophek Gloss are going to love it.
Rating: Nophek Gloss – 8.0/10