After reading Broken Stars earlier this year, I became somewhat enamored by the idea of short story collections. I love that they can be incredibly focused while allowing the reader some room to explore outside the story. So when offered the chance to read Future Tense Fiction, a collection of works from well known contemporary authors from Slate’s column of the same name, I jumped at the opportunity. I’m not going to talk about the collection as a whole, mostly because it didn’t have the single guiding hand feel to it that Broken Stars did. Overall I came away fairly satisfied, with only a couple of the stories not leaving much of an impact. Mostly I wanted to take the time to highlight a few of the stories that touched me in different ways in the hopes of piquing your interest in the form and its strengths.
First up: Domestic Violence by Madeline Ashby. The story follows Kristin as she tries to determine why a co-worker is running late. Janae, the woman in question, mentions that the smart home she lives in won’t let her out without solving riddles that her husband has devised. It’s a very simple premise, but the horror behind it stuck with me. Ashby’s prose is dripping with the small infractions men put women through on a daily basis that are easily exacerbated by technology. While I consider myself fairly cognizant of these attitudes, Ashby exposed a few other ways in which technologies that are touted as convenient may only be convenient for some. It was an enlightening read that will stick with me for a while, and will push me to continue considering the unexamined implications of convenience technology.
Burned over Territory by Lee Konstantinou was my second favorite story from the batch. It takes place in a post-Universal Basic Income United States, in which everyone receives a monthly check from the government to support themselves. The story follows Viola, a former heroin addict, who is running for Chairperson of the Federation. The Federation is an organization that members give their basic income to, and in return receive housing, food and other basic necessities, allowing them to pursue what interests they may. I particularly enjoyed Konstantinou’s ability to explore a system of government and the trials it faces within a limited page count through the fairly realized character of Viola. Often a lot of the more “political” science fiction I’ve read pushes politics to the side, waving away issues with the creation of a new system, but Konstantinou places it front and center. Although the system itself is different, the same societal problems we experience in our society linger, making the election stakes feel incredibly real and giving the Federation a vitality I was not expecting. It felt like an honest attempt at an exploration of a more left-wing ideal of politics, highlighting that revolution is ongoing and will always have to deal with the same systemic problems we face today.
Mika Model by Paolo Bacigalupi was another of the more horrifying stories in the collection. It has a neo-noir setting and follows Detective Rivera as he is dragged into a murder case where the perpetrator is a sex robot. I know it sounds a little ludicrous, and Bacigalupi seems to give a wink to the reader by using the trappings and structure of a noir detective thriller. What makes the story so much more compelling, however, is Bacigalupi’s use of language and how specific characters interact with Mika, the robot involved in the murder. On the surface it is plainly a story about determining the humanity of a robot designed to be, effectively, a mechanical sex worker. Bacigalupi does not stop there and consistently urges the reader to pull on the thread to unravel something deeper. Ultimately, I came away with my stomach in knots, unable to cope with the extrapolation of this story to any sort of “other” people may encounter on a daily basis.
I’ll end with my favorite story of the bunch, Lions and Gazelles by Hannu Rajaniemi. The main gist of the story is that ultra-venture capitalists host a yearly competition in which startups compete with each other for funds. The novelty comes from contest being a race in which the entrepreneurs competing for cash enhance their bodies biologically. In the competition, mechanical modifications are forbidden, and the competitors, in a sense, become their own experiment while they attempt to hunt down a mechanical gazelle and win the prize. Having recently read Born to Run by Christopher McDougall, along with taking up running, Rajaniemi’s story cut immediately to the heart of the sport. The main character’s arc was so thoroughly satisfying, and Rajaniemi perfectly captured the thrill of the chase with his prose. It was incredibly streamlined and had such purpose driving the story I was engrossed from beginning to end. If you’re a runner, this story is magical.
All in all, this collection makes me want to pay closer attention to short stories. There is a purpose to them, and when done well, it can get a reader to feel or think differently in only a few pages. There are a few other stories I would like to highlight here, but I feel like I would just come off as gushing. Future Tense Fiction is a delightful collection that captured my imagination in fourteen different ways. So if you’re at all interested in short stories and the power they can wield, I highly recommend picking up Future Tense.
Rating: Future Tense Fiction – A Highly Recommended Cornucopia of Stories for your Fall Reading/10
P.S. If you can’t get enough of talking crows, this collection has a story for you.