I’m not usually the guy on here to write about fantasy, though I do love it. If you went through my history, you’d see I tend to talk more about science fiction. But once in awhile, some fantasy books come along that I have to talk about. As you can probably guess from the title, The Sacred Throne trilogy by Myke Cole is one such set of books. This story is an ambitious grimdark fantasy that succeeds on multiple levels through Cole’s loyalty to his characters and immersive worldbuilding. While I would like to hype it up more before diving in, the review is quite a long one, so we should just get started.
The Sacred Throne trilogy is made up of the books The Armored Saint (previously reviewed by Andrew here), The Queen of Crows, and finally, the soon to be released The Killing Light. The story is centered on Heloise, whose life is thrown into turmoil when the Order arrives in search of a sorcerer. The Order is a group of religious fanatics who serve a Godlike Emperor. Their job is to make sure that demons do not take hold within the mortal realm, which happens when someone uses magic to any degree. The Order’s methods for keeping their world demon free would make the Spanish Inquisition squeal with glee. Heloise’s life starts to break down as she refuses to take part in an Order-commanded Knitting, a village-wide witch hunt, effectively refusing the Emperor’s decree. When the Order demands retribution for Heloise and her father’s actions, the town rallies around them in a small revolt. Heloise joins the fight and dons the Palatine armor, an armor reserved for those chosen by the Emperor himself, and helps to temporarily defeat the Order.
The Queen of Crows takes place immediately following the events of the first book. Heloise is recovering from her wounds from the battle with the Order to find out that the Palatine armor (think of it as a steampunk mechanical suit) she had been wearing was left behind in order to save her life. Heloise and her village are taken in by the Travelling people (known to the villagers as the Kipti, or homeless), who promise to safeguard them within their roving caravan. The surviving brothers of the Order are regrouping while the village determines what to do next. The obvious choice is to invade another small village, recruit them to their cause, and prepare to be besieged by a larger army. I want to avoid too much plot detail, because Cole did such an amazing job with the pacing by slowly upping the ante with each battle and each book. There is a deliberate and realistic escalation with each conflict that hooked me everytime. A grimness infiltrated every aspect of the story, and created an atmosphere that filled each calm before the storm with dread. I’m not usually one for pop culture references, but the trilogy felt like the Battle for Helm’s Deep stacked on itself three times.
To be a little more honest, I’ll say that the plot itself is a pretty standard “rebel against the current status quo” affair. Highlighting it, to me, doesn’t necessarily do the book a disservice, but I will say it’s not what hooked me into this trilogy. I’ll always be on board with “war against the crown” stories, but it takes a little pizzazz to make it feel new and fulfilling. That said, I think Cole did something special with The Sacred Throne. He built a fairly realized world within a short amount of time. He filled it with characters that felt so natural to their setting, it felt like reading a myth about a historical event. The brutality on display is stark and unforgiving, but Cole does a very good job not revelling in it. It’s a fact of life, and the characters who take it to the extremes see it as a duty, not a luxury, but it’s also inexcusable to people within the story. So I wanted to do a more thorough dive into what Cole does so uniquely within The Sacred Throne. I’ve tried to remain as spoiler-free as I can, but be aware that the events of The Armored Saint and The Queen of Crows will be discussed.
The setting feels like the foundation for the rest of what I want to dig into. Cole has built a small but expanding world that is bleak as hell, but incredibly compelling. The drudgery of medieval life is apparent from the first page of The Armored Saint. He makes the dreadful mundanity feel real, as if everyone has their purpose ordained and that’s all they have to live for, especially amongst the peasants. On top of all that, though, Cole built a hierarchical society that feels suited to the world he has created. The power of the Emperor infests every interaction between his subjects and the Order. The language Cole uses throughout the series to define the different relationships between characters and how they view the world is meticulous and deliberate, heightening the divide between the people that populate the land. There is a maliciousness to the ideology that feels apparent from the beginning, wherein the people respect the power and good deeds of their godlike Emperor, but hate the Order, known as the Emperor’s right hand, for taking liberties to enforce his Writ. They rely on their interpretations of the Emperor’s words to bear the burden of the Order’s boot heel on their back, creating an inescapable cycle of violence. This is not only seen in the narrative but reinforced by sections of the Writ, and the journals of Samson Factor, Heloise’s father, that preface each chapter.
Where the setting really begins to pull weight, though, is when the rebellion begins. I cannot stress enough how much I love Cole’s portrayal of a peasant revolt. It feels unplanned, frightening, and as though it could collapse at any moment. Everything I listed before worms its way into how Heloise, and the people who follow her, battle against the Order. There is a subtle and distinct way the townspeople and Heloise differ in their perspectives. Heloise knows, and does not hesitate to mention, that they are actively fighting against the Order, regardless of how the Emperor may be influencing them. However, there are a lot of townsfolk– her father included– who believe that the Emperor’s light shines upon them, and if they can just prove that by fighting the Order, things could go back to the way they used to be. They continue to fight, but only because their faith is placed in the very man whose laws have sentenced them to death. This is evident in the townsfolk’s language surrounding their fight, about how they revere Heloise as an instrument of the Emperor, and how the Order is a perversion of the Writ. This is not a rebellion to most of them, but a testament to their Emperor’s commands and their need to serve him to the fullest.
The rebellion gets even more interesting as it becomes more of a coalition between Heloise’s village, the Travelling People, and eventually the army of the Red Lords. The ragtag rebellion slowly becomes a Revolution, with the different parties vying for a similar goal, but not the same one. Cole manages to make the bickering of these different parties not only realistic, but interesting and conflicted. There is an incredible sense of urgency; decisions have to be made on the fly, and some people may suffer for it. Issues were left unresolved at points because they did not have the time, or even the ability, to solve them. What I enjoyed so much about these councils and interactions is the characters’ individual and community biases were front and center. The language hinted at what individuals thought of each other based on the groups they were from, and how they could use each other to achieve their goals. The Revolution’s success was a ticking clock, but the parties involved could not relieve all their internal tensions prior to the big battle. However, there was a give and take, along with a slow and very unsteady recognition of each other’s humanity and purpose. It was a succinct snapshot of what an unplanned revolution might look like, amongst people who do not have the terminology to understand their needs, let alone the time.
I’ve refrained from talking about Heloise through most of the piece up until this point because to be honest, she feels set apart from everything I have discussed. She starts with an innate distaste for the Order that is stronger than the ambient mistrust her village shares. She is more openly defiant in front of them, and the Writ seems to hold no sway over her. She does not seem to harbor negative feelings towards the Emperor, but neither does she praise him in the ways her father and the others do. She talks about her deeds as things she has done, or actions the armor allows her to take, instead of as divine acts from the Emperor himself. I say all this because it feels a little dissonant, until you realize she does not belong in this world. There is no vocabulary in the book that describes it, but simply put, Heloise is a lesbian, something the Writ forbids. Thankfully, Cole is not subtle about it, but neither is he indulgent in ways other authors might be. It’s simply a part of her; it feels important to her but also incredibly dangerous to let others know her secret. It’s integral to her worldview in that even if she were able to get the Order off the village’s back and the status quo restored, her existence would be still be dreadful, so she fights with everything she can.
Heloise has a similar, if more complex, relationship with her village as well as with the rebellion. In some ways, she helps to foster the rebellion with her open acts of defiance, but she does not force the village into it. They hide her family from the Order of their own volition. Only when she emerges from the tinker’s shop inside the Palatine armor does the village begin to subconsciously alienate her. Her community instantly and reverently otherizes her as soon as she is able to use the armor. The way they talk about her is different, no matter how many times she tries to downplay her role. How they listen to her also changes, as her opinion becomes the will of the Emperor in their eyes. She becomes a symbol out of the desperation that she and her fellow villagers all feel. Meanwhile, her encounters with the Travelling People and eventually the Red Lords are vastly different from each other. They allow her to feel a sense of responsibility and all the good and bad that comes with it. In return, she engages with the communities on their own terms, learns their world views, and attempts to reconcile differences between them in order to maintain the alliance. Her otherness becomes a larger part of who she is, allowing her to navigate the space between.
Within that navigation, Heloise starts to grow and become an adult. Her relationship with herself is easily one of the more rewarding aspects of the book, as Cole really dives into introspection. Given that the books are on the shorter side, I imagine it’s pretty tough to fit in small moments for Heloise to think about who she is. Cole puts a lot of effort into relaying how Heloise really feels about everything around her, making these moments seamless with the rest of the story. The interactions she has with nearly every character feel important and have a heightened quality to them. Her inner voice is incredibly apparent, especially when dealing with her father and other villagers who consistently place her on a pedestal. Over time, this inner voice becomes more resonant with how she talks out loud, forming a more coherent whole. It feels like Heloise is literally reaching out through the armor she wears, testing people’s reactions to her ever more radical feelings. This is nicely paired with the fact that the armor does not protect her from everything. She is consistently wounded, and sometimes even maimed operating the machine in battle. As I said previously, Cole does not delight in this mayhem, making Heloise’s injuries feel doubly important as if to say, you cannot hide from the world no matter how powerful your armor. Over the course of the three books, Heloise takes this lesson to heart, and it’s incredibly heart wrenching.
I had never read any of Myke Cole’s work before, and before reading this Andrew told me “Cole never does anything by halves.” I have to say, I have never heard more succinct or accurate description of an author, and The Sacred Throne highlights it brilliantly. Everything in the series feels honed to precision from the setting, to the character work, to the themes. It’s clear that a lot of work and love went into these books, and it doesn’t feel like a miracle that it paid off. Even weeks after reading them, I can’t stop thinking about them. My mind feels like a crow picking at a beautiful bounty of a corpse, always finding fresh little morsels to satiate my curiosity. So if you would, please come take part of this feast and enjoy all that The Sacred Throne has to offer.
The Armored Saint – 7.5/10
The Queen of Crows – 8.5/10
The Killing Light – 9.0/10
3 thoughts on “The Sacred Throne – I’m Putting It On A Pedestal, Try And Stop Me”
Just checked Armored Saint on Amazon. 200 pages? That’s more like a short novel….
I really enjoyed your review and can’t wait to read the book!