I haven’t read any of Mark Lawrence’s work since Emperor of Thorns back in 2014. I was particularly put off by the final book in that trilogy, and I could not bother to pick up any of his later books, despite hearing reliable appraisals for them. It was just one of those rare instances where I gave up on following the conversation. So when Lawrence announced a new trilogy, I saw the perfect opportunity to get back on the horse with The Girl and the Stars.
The book follows a teenage girl named Yaz. A member of the Ictha tribe, she’s reached an age where she has to pass the test that would solidify her within the tribe. The Ictha, along with other tribes, live within the northern icy regions of a planet called Abeth. There is not a lot of food, and no shelter as these tribes wander the frozen wastes, and only the fittest can survive. You couldn’t be too big, lest you eat too much food, and if you were too weak, you were a waste of energy to carry. So, children were tested, and those found wanting are tossed into a large pit within the ice. Yaz feels she will fail the test and be tossed into the hole. However, she passes, but her brother does not. As he is pushed down, she jumps without hesitation. At the bottom Yaz finds the Broken, a society made up of survivors of the fall. Unfortunately, they also have their own problems.
I’m going to rip the band-aid off right now. I had trouble with this book. Don’t get me wrong, there is some interesting stuff in here, but ultimately my experience was akin to Michael Bluth opening the famed paper bag in the freezer labeled “Dead dove do not eat:” “I don’t know what I expected.” I wouldn’t say Girl and the Stars is a bad book, but I didn’t like it. I enjoyed the world Lawrence built an incredible amount. Abeth is a really fantastic example of a new and interesting world. It’s a planet at the end of its ability to support human life, with undertones that the folks who live there are descendants of a space-faring human civilization, who have also forgotten that very fact. It’s such a satisfying and tasty seed from which to grow, and it scratches an itch and inflames a curiosity I haven’t had in a science fiction world for a while.
However, while I enjoyed the end product and the horizons it presents, I did not like the actual worldbuilding in and of itself. Many reviews I read led me to believe that if I had not read Book of the Ancestor, I would miss nothing here. Now in some ways, this lack of context was interesting. The characters felt within their world, no need to explain the types of people that inhabited the wastes of Abeth. But with that also came a very distinct feeling that I should know, and therein lies the problem. Rarely do I reread paragraphs in books, but with Girl and the Stars, I found myself rereading whole chapters as if I missed something only to discover I was not missing anything from the text I had been given. Which leads me to my next gripe, Lawrence’s writing style.
In this book, Lawrence writes from an informed third-person perspective, tied to Yaz. For half the book, this did not present problems. I often felt like I knew how Yaz was feeling and her immediate reactions to events. Unfortunately, Lawrence felt that this was occasionally limiting to describing what you might consider “cool events”. There are moments where, without warning, I was pulled out of Yaz into an out of body experience to witness something outside her senses, with narration to match. A paragraph later, I’m back with Yaz, my brain scrambled and without any greater context. This happened frequently enough to disrupt the whole experience, but not enough to build a pattern wherein I could expect it. It also felt as if sometimes this was used to hide information, moving the action forward without time to think about the implications of how something was said. It was incredibly jarring, especially when Lawrence eschewed all sense of place in an underground network of ice caverns by providing the barest minimum of descriptions. There was no sense of scale or understanding of where the characters were relative to anyone else. In some ways it can work, highlighting the labyrinth that is the underground, but Yaz doesn’t even mention it. Not even a single sentence of how confusing it would be to wander on her own without the help of the Broken. I just never got a sense of place or any sort of grounding, so the whole place just ran together.
Speaking of Yaz and the Broken, there was not a single character I could really get into – including Yaz herself. She seemed to fill the fairly typical YA female lead character role. She was indecisive, brash, and ended up finding a leadership role among an incredibly small group of folks to achieve her one goal – find her brother and leave, regardless of the harm caused to those around her. All the other characters could be defined using their name and a single sentence; and I’ll tell you right now, I don’t remember most of their names. I don’t want to skip over the fact that Yaz also seems to be entangled in a love square, but I also don’t have time or energy to get into that whole thing beyond the mere mention of it. I found the society of the Broken to be a cool concept, but we don’t get to see their lives. We don’t get to hear about how hard it is to scrape a living together at the bottom of the world. The reader is barely even given a hint to their struggles beyond “this guy wants war, and this lady doesn’t and it makes them mad at each other.” When characters died, the only thought in my head was “well that’s one less name to remember,” and that’s never a good thought to have.
Again, it’s important to reiterate, I have not read Lawrence since 2014. I walked in with reservations, regardless of how open I was to the idea. I may have been led astray by other reviews in what to expect in terms of accessibility. You could even blame my fellow reviewers, people who know my opinions, and say “why would you do this?” All of those are very real points, and I think satisfying enough that if you like Lawrence, you’ll probably enjoy The Girl and the Stars. This was my experience as someone who has moved away from his work long enough to feel refreshed and ready to look at it with new eyes. So if you’ve had similar experiences in the past, the paper bag is best left unopened. If you’re newer and still curious, I would suggest starting somewhere else.
Rating: The Girl and the Stars 5.0/10