When I look for new releases to read, I generally try to leave my comfort zone. I tend to stay away from authors I already know, or have heard about, and look for debuts. Even if just a single part of the description engages me, I usually put it up for consideration. On top of that, I usually try to find something that, to me, might explore something within the real world. Rarely do I read for an escapist story. I chose this book more with an eye towards the first few requirements, while pushing myself out of that arbitrary “meaningful” comfort zone I tell myself I inhabit. The Dark That Dwells by Matt Digman and Ryan Roddy is a romp of a space opera, tinged with fun fantasy elements that feel like a role-playing game.
The Dark That Dwells takes place in a galaxy after the dissolution of a major empire, and its split into several different factions that now vie for control. Everything is feudal in flavor, with two larger powers in control of most of the space and smaller fiefdoms powerful enough to hold their own and enact their own destinies. While these powers conduct their business, an old evil awakens out of sight and out of mind. It doesn’t yet seem to threaten the established order, but there are a few who are willing to do anything to keep that evil at bay.
If that plot synopsis feels incredibly vague to you, well, you’re correct. It’s hard to describe what goes on in this book in terms of succinct plot. Dark has this weird dynamic, where the plot is very character driven and feels like it has very high stakes, but it’s not particularly focused on one thing or another. This does and doesn’t work because it keeps roping you into something that feels greater and greater, but in some ways you’re just reading a character drama that could potentially spill over into the wider world. The opening chapters for each character are nicely done; they do a great job of introducing the characters and the parts of the world they inhabit. As their stories go on, the reader is shown how they start to intersect and influence each other. The problem starts to show when the “main” characters who exhibit the most external conflict(which the story is ostensibly about) take a back seat to the “cooler” characters.
This is highlighted in a lack of motivations that drive the characters. Sidna and Tieger have the most identifiable motivations and are in direct opposition to each other. Tieger is a witch hunter, and Sidna is the witch (in Tieger’s eyes) as she tries to find more power to keep him from killing her and protecting what is left of her kind. Fall and Ban seem to be more of the focus of the story since they exist to make decisions and facilitate the actions of the other characters. They often had more time to introspect and ask themselves “what am I doing?” before they ended up on whatever side of the conflict they did. They sort of ended up getting caught in the mess while also becoming the arbiters of right and wrong within the story. I think the part that annoyed me the most about this is that while Ban certainly has the darkest past and has to wrangle with the most internal conflict, he never gets to break out of the “bodyguard” role. Meanwhile, Fall just gets to be special and cool while making a majority of the plot decisions. This is all on top of the fact that the main thrust of the story seems to revolve around the conflict between Tieger and Sidna. The emphasis on Ban and Fall ends up making Tieger and Sidna mere plot devices to propel Fall and Ban’s internal conflicts. It didn’t necessarily detract from the fun, but it knocked all the punch out of the finale.
Where Roddy and Digman excel, though, is world building and description. I don’t read a lot of books with an incredible amount of physical description that paints a picture. I usually skew more towards mood and feeling over the literal physical presence of the world and characters. The authors describe everything, and clearly put a lot of love and detail into the work. The different empires and fiefdoms all have distinct armor, banners and colors. People are dirty, scarred, and carry a weight that really makes the action sequences feel heavy and grounded. The world feels raw and, if not realistic, then at least “real.” I spent a lot of time thinking about how characters moved, looked, clashed, and just generally existed. Rarely do I feel the “theatre of the mind” when I read, often just hearing the text in my brain, but Roddy and Digman made this feel like an epic science fantasy movie. It was incredibly enjoyable and rarely did I feel that descriptions overstayed their welcome.
The Dark That Dwells ended up being a good time despite its flaws. The ending leaves a little to be desired and sets up a world where so much more could be happening. In a lot of ways, this feels like a small RPG arc within a larger universe that has tons of small stories like this. I would definitely return to this world with a new cast of characters that unearth some of the forgotten histories that exist within it. If you’re looking for a good time with some distinct characters set in a fun world reminiscent of science fantasy RPGs, then The Dark That Dwells will fit the bill. I look forward to more from Digman and Roddy.
Rating: The Dark That Dwells – 6.5/10