And so here we are, at the end and the beginning of a journey started a few years ago with Noumenon. Now, I had reviewed a few books prior to reading that delightful novel, but Noumenon may have been the book that really sold me on continuing to read and review new books. It is a special book in my heart, and my affection for the series only grew with Noumenon Infinity. Marina J. Lostetter seemed to have a special touch for writing humanity into the big question of “why are we here?” While she never provides an answer, her ability to explore the question through vignettes over centuries and millennia is astounding. If you’re wondering, does the third book encapsulate the things I mentioned in my previous adulations of Lostetter’s work? Of course it does, and it does so much more, making me reflect on why they feel even more important in the world of today. Noumenon Ultra is a near perfect capstone to the trilogy, offering deeper and more personal ruminations on our place in the universe with the perfect blend of scientific anomalies and personal struggles with them.
Ultra starts where Infinity leaves off, which, as readers of the series know, means absolutely nothing. I don’t want to get into too much detail, as it would inevitably spoil the other books, but needless to say humanity in all its forms are spread across the stars in search of ancient super structures and unlocking their secrets. After the considered “success” of the original Noumenon mission, there are still questions about the nature of the machines that are being found, constructed and activated by human hands. Characters from previous novels make their return along with new ones, with ever more distinct lives and even more questions.
First off, I absolutely adored this book. Second, there is one thing readers might be turned off by, but if you’ve liked the books to this point, it will be a non-issue. This is a slow burn meditation on what it means to be sentient without purpose in the universe. Lostetter’s prose sometimes feels like it meanders, following the thought patterns of the character as they tell their story. It’s easy to get lost in, and it might be off putting to those who are looking for something a little more concise. But again, I think this is true of all her work and fits nicely with the themes she explores. It also never gets overly bogged down; the story is broken into nicely sized vignettes that can be read on their own or in succession. So now those are out of the way, I feel I can gush a little more.
One of the things I praised previously about Lostetter was her ability to write characters and imbue them with significance even though they usually only exist for a chapter. I feel she has only gotten better at this, as each character still feels distinct, with their own issues, but they all feel even more tied together. There is a prevailing sense of loneliness in each character that once you see it, it’s impossible not to notice. Every one of them has their unique problem from the child who physically ages exponentially slower than they do mentally, to the clone of a long dead man who lives life back and forth over and over again never dying, while losing his memories of previous lives. This loneliness, while all-encompassing, never felt insurmountable. This is where Lostetter succeeds in her storytelling. While the big things in the background are shifting into place, these unknown scientific marvels being pieced back together for unknown purposes, these people are living their absurd lives, finding out who they are, and coping together.
What continues to perplex me about Lostetter is while she can do the smaller stories, she is also a master of mind bending scale. The size and scope of the artifacts she writes about is nearly unfathomable. The effort that the characters put into understanding and reconstructing these ancient behemoths is ludicrous. Smartly, she doesn’t spend too much time on the details of the construction process, instead focusing on their import to the character’s lives. Lostetter also takes the chance to explore design philosophy and scientific concepts with these artifact sections, providing insights to our world while presenting problems to her characters. There might be some dissonance with some of the examples, however, as they seem a little too on the nose, but it didn’t bother me too much. There is a reasonable in-universe explanation for the seemingly anachronistic analogies. Either way, Lostetter made me think about these concepts in new ways in and outside the book.
On its own, Noumenon Ultra stands tall, but it does require the shoulders of its predecessors. If you haven’t picked up Noumenon and you’re looking for a fresh and exciting dive into time- and universe-spanning science fiction, I highly recommend this series. Noumenon Ultra serves as a fantastic finish, pushing the boundaries of the previous novels, while adding new insight without overshadowing them. Lostetter shows a lot of growth book to book, digging deeper and finding more empathetic and meaningful ways to engage with science than previously explored. Lostetter feels more determined than ever to explore the connections between humanity and science, exploring the benefits as well as the consequences. There is so much more I could say about this series, especially Ultra. However, if there is one word that sums up this series, it’s human. Lostetter wonderfully captures the human experience in all its absurdities, trivialities, and grandiosity, never forgetting the importance of an individual’s ability to affect the universe at large.
Rating: Noumenon Ultra – 9.0/10